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Human Generated Data

Title

Emperor Ferdinand II.

Date

17th century

People

Artist: Stefano Della Bella, Italian 1610 - 1664

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund, by exchange, S7.37.1

Human Generated Data

Title

Emperor Ferdinand II.

People

Artist: Stefano Della Bella, Italian 1610 - 1664

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund, by exchange, S7.37.1

Machine Generated Data

Tags

Amazon
created on 2019-04-02

Human 93.2
Doodle 92.4
Art 92.4
Drawing 92.4
Face 62.6

Clarifai
created on 2018-04-18

illustration 99.8
people 99.4
art 99.3
print 98.5
engraving 97.9
visuals 96.1
paper 94.1
painting 94.1
antique 93.3
vintage 93.3
retro 92.2
old 92.2
woodcut 91.2
adult 90.4
man 90
one 89.8
crown 89.1
chalk out 89.1
etching 89
religion 88.5

Imagga
created on 2018-04-18

art 45.2
vintage 38.1
old 31.4
mosaic 31.4
antique 30.5
stamp 29.3
ancient 27.7
arabesque 25.5
retro 25.4
mail 24.9
decoration 24
design 23.8
postmark 23.7
letter 23
culture 22.3
postage 21.7
pattern 21.2
tile 21
postal 20.7
symbol 20.2
post 19.1
traditional 18.3
texture 18.1
religion 18
grunge 16.2
paper 14.9
church 14.8
artistic 14.8
envelope 13.9
icon 13.5
frame 13.5
history 13.4
graphic 13.2
stamps 12.8
shows 12.8
printed 12.8
craft 12.6
painted 12.4
element 12.4
ornament 12.1
detail 12.1
amulet 12.1
museum 12
global 11.9
renaissance 11.8
decorative 11.7
unique 11.4
drawing 11.2
ornate 11
masterpiece 10.9
aged 10.9
delivery 10.7
surface 10.6
parchment 10.6
style 10.4
card 10.1
artwork 10.1
covering 10
zigzag 9.9
philately 9.9
gold 9.9
material 9.8
empire 9.8
painter 9.8
interior 9.7
one 9.7
emblem 9.7
cutting 9.7
office 9.7
artist 9.7
black 9.6
communications 9.6
god 9.6
charm 9.5
earthenware 9.4
wall 9.4
floral 9.4
flower 9.2
historic 9.2
close 9.1
painting 9
collection 9
post mail 8.9
canceled 8.9
ceramic ware 8.8
letters 8.7
fine 8.6
face 8.5
east 8.4
square 8.2
fame 7.9
known 7.9
circa 7.9
engraving 7.9
delft 7.9
paintings 7.8
handmade 7.8
royal 7.7
used 7.7
obsolete 7.7
money 7.7
temple 7.6
religious 7.5
classic 7.4
closeup 7.4
currency 7.2
transducer 7.1
colors 7.1
architecture 7

Google
created on 2018-04-18

Microsoft
created on 2018-04-18

text 98
book 91.5

Color Analysis

Face analysis

Amazon

Microsoft

Google

Imagga

AWS Rekognition

Age 49-69
Gender Male, 96.9%
Disgusted 1.4%
Calm 23.8%
Sad 55.3%
Angry 5.1%
Confused 6.4%
Happy 4.4%
Surprised 3.7%

Feature analysis

Amazon

Person
Painting

Clarifai

Human face
Clothing
Poster
Human head
Human nose
Person
Human mouth
Human eye

AWS Rekognition

Person 82.2%

Categories

Imagga
created on 2018-04-18

paintings art 100%

Captions

Microsoft
created by unknown on 2018-04-18

a close up of a book 44.8%
close up of a book 38.9%
a close up of a book cover 38.8%

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-05-11

a photograph of a portrait of a man in a suit and a banner

Created by general-english-image-caption-blip-2 on 2025-06-27

an engraving of a man with a beard and a crown

OpenAI GPT

Created by gpt-4 on 2024-12-11

This image is a black and white engraving or print featuring an ornate frame with various decorative elements, including scrolls, acanthus leaves, and stylized patterns. The frame encircles an area intended for a portrait or bust, but the central part of this area is obscured. Around the frame, there are Latin inscriptions, suggesting that the image may have a historical or commemorative significance. The detailed linework and the absence of color indicate that this could be a work from an earlier period of printmaking, possibly the Renaissance or the Baroque era.

Created by gpt-4o-2024-05-13 on 2024-12-11

The image depicts a detailed and ornate engraving featuring a central figure surrounded by elaborate, baroque-style decorations. The frame around the figure is adorned with intricate scrollwork, classical motifs, and symbols of power and nobility, such as armor and weapons. There are Latin inscriptions, including "IMPER. SEMP. AVG." and "FERDINANDVS," suggesting a connection to imperial or royal themes. The overall artistic style is reminiscent of classical portrait engravings and exudes a sense of grandeur and historical significance.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-23

This is a historical engraving featuring an oval portrait surrounded by elaborate Baroque-style decorative elements. The portrait shows a figure wearing a laurel wreath and formal military-style attire from what appears to be the 16th or 17th century. The image includes Latin text around the oval frame that reads "IMPER.SEMP.AVG.FERDINANDVS.II." Below the portrait is a decorative banner with additional Latin text. The overall composition is framed with ornate scrollwork, military implements like cannons and weapons, and other decorative flourishes typical of formal portraiture from this period. The engraving technique shows fine detail and cross-hatching characteristic of the era's artistic style.

Created by claude-3-haiku-20240307 on 2024-12-11

The image appears to be an engraved portrait of a man, surrounded by ornate decorative elements. The man's face is prominently featured in the central oval frame, with text above and below identifying him as "Imperator Avg Ferdinand". The decorative elements around the portrait include scrolls, feathers, and other intricate patterns. The overall style and composition suggest this is an elaborate, formal portrait from a historical period.

Created by claude-3-5-sonnet-20241022 on 2024-12-11

This is a historical engraving featuring an oval portrait surrounded by elaborate Baroque decorative elements. The central figure is shown wearing traditional 17th century royal or noble attire, including what appears to be armor and a laureate wreath on their head. The portrait is framed by an ornate cartouche with scrollwork and military motifs, including what appear to be cannons and military equipment at the bottom of the composition.

The text around the portrait reads "IMPER.SEMP.AVG. FERDINANDVS. II." at the top, and there's additional Latin text at the bottom that reads "ROMANO[RUM]" with more text that appears to be a Latin inscription.

The engraving demonstrates typical Baroque period artistic techniques, with strong contrast between light and dark areas, and elaborate decorative elements that were characteristic of that era's artistic style. The overall composition is symmetrical and formal, as was common for royal or imperial portraits of the period.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-11

The image is an engraving of a man's head and shoulders, surrounded by decorative elements. The man has short hair and a beard, and he is wearing a ruffled shirt and a cloak. He is looking to the right, and his expression is serious.

The engraving is surrounded by a decorative border, which includes leaves, flowers, and other ornaments. There are also several lines of text in Latin, which appear to be the title of the engraving and the name of the artist.

The overall effect of the engraving is one of elegance and sophistication. The use of decorative elements and the careful attention to detail suggest that the engraving was created for a special occasion or as a work of art.

Answer: The image is an engraving of a man's head and shoulders, surrounded by decorative elements, created for a special occasion or as a work of art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-11

This image is a black-and-white engraving of a portrait of Ferdinand II, Holy Roman Emperor. The portrait is framed by an ornate border with Latin text and decorative elements.

Portrait:
The portrait depicts Ferdinand II in a three-quarter view, facing left. He has short hair and a beard, and wears a cloak draped over his shoulders. The portrait is rendered in fine detail, with intricate lines and shading that give it a sense of depth and dimensionality.

Border:
The border surrounding the portrait is highly ornate, featuring a combination of curved and straight lines, as well as various decorative elements such as leaves, flowers, and other motifs. The border is divided into several sections, each containing Latin text that appears to be a quote or inscription related to Ferdinand II.

Text:
The Latin text on the border reads "IMPER SEMP AVG FERDINANDVS II" at the top, which translates to "Emperor Ferdinand II". Below this, the text reads "IN NOVVM GOTICO CONSPIRENT ANGELICONE MAIOR PELLAE CESARE CASAR ERIT", which is a quote from the Bible (Daniel 8:23) that refers to the rise of a new power.

Overall:
The image is a beautiful example of Renaissance-era art, with its intricate details and ornate border. It provides a glimpse into the life and legacy of Ferdinand II, who was a significant figure in European history during the 17th century.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-27

The image is a black-and-white engraving of a portrait of a man, likely a historical figure, in a circular frame with ornate decorations. The man is wearing a robe and has a beard and mustache. The circular frame has a Latin inscription that reads "IMPERATOR SEMPER AUGUSTUS" and "FERDINANDUS I." The image also includes a shield with a lion and a globe, as well as a sword and a helmet. The background of the image is blurry and has a white border.

Created by amazon.nova-pro-v1:0 on 2025-02-27

The image is a black-and-white portrait of a man, possibly a king, dressed in a robe and wearing a necklace. He has a mustache and beard. The portrait is surrounded by a frame with a scroll and a ribbon. The frame is decorated with a design of a lion, a bird, and a flower. The frame is also decorated with the words "IMPERATOR AVG. FERDINANDUS II" and "ROM. IMP. S.C.R.M. MAJOR. PELL. ET. CAS. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES. CAES

Google Gemini

Created by gemini-2.0-flash-lite on 2025-05-26

The image is a black and white engraving, likely a portrait, featuring an ornate, almost baroque, style.

Here's a breakdown:

  • Central Figure: The image prominently features a portrait of a man, likely Ferdinand II, based on the text "FERDINANDVS. II" in the image. He's depicted in a bust view, wearing a laurel wreath and what appears to be formal attire, including a high collar.

  • Frame and Embellishments: The portrait is enclosed within a highly decorative frame. This frame is a complex design with scrolled edges, flourishes, and other details. It includes a banner that states "IMPER. SEMP AVG" around the top, which possibly mean Emperor for Life. There is a banner with text: "IN NODVM GOTICO CONSPIRENT ANGETRIONES" is likely referring to a famous Latin phrase, and the text "ROMANOR. MAIOR PELLEO CESARE CALSAR ERIT" on the bottom of the image.

  • Surrounding Elements: On either side of the central portrait, there are what appears to be pieces of armor and other military paraphernalia, indicating an emphasis on power, might, and possibly military achievement.

  • Overall Impression: The overall impression is one of wealth, power, and significance, common in historical portraits of this kind. The detailed engraving style suggests a high level of craftsmanship and artistry.

Created by gemini-2.0-flash on 2025-05-26

Here is a description of the image:

The image is an ornate, detailed portrait of Ferdinand II, likely an engraving. At the center is a bust portrait of Ferdinand II, framed by an elaborate cartouche that includes text in Latin. He is depicted with a laurel wreath adorning his head, a mustache, and a small beard. He is dressed in armor, draped with fabric, and faces slightly to the left.

The cartouche features the inscription "IMPER. SEMP AVG. FERDINANDVS. II" around the upper half of the portrait. Below the portrait, a ribbon banner reads "ROMANOR," and further Latin text is present: "IN NODVM GOTICO CONSPIRENT ANGETRIONES" and "MAIOR PELLEO CESARE CALSAR ERIT."

To the sides of the cartouche, sets of full armor are visible, suggesting the power and military might associated with Ferdinand II. Beneath the entire composition, there are scattered weapons and possibly some additional decorative elements.

At the top of the cartouche, an elaborate design is visible, possibly including a crown or a crest, adding to the overall regal and official nature of the portrait.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-30

The image is an engraved portrait of a historical figure, Ferdinand II, who is identified by the inscription "Ferdinandvs II." The portrait is surrounded by an ornate, baroque-style frame with intricate designs and decorative elements. The text around the portrait reads "Imper. Semper Avg." (Imperator Semper Augustus), indicating his status as an emperor. Below his name, the inscription "Romano" suggests a connection to Rome.

Further text beneath the portrait reads "A Nodvm Gotico Conspirent Angustriones Major Pellaeo Cesare Cesar Erit," which is a Latin phrase that seems to reference his imperial role and possibly his military campaigns or achievements.

The portrait itself depicts Ferdinand II in a formal, regal pose, wearing armor and a sash, which are indicative of his status as a ruler and military leader. The detailed engraving captures his likeness with a stern and dignified expression. The overall style of the engraving, with its elaborate frame and classical elements, suggests it is from the Baroque period.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-07-10

This is an engraved portrait of Ferdinand II, also known as Ferdinand of Gonzaga, an Italian nobleman who served as the 15th Duke of Mantua. The image is a detailed black-and-white illustration, featuring ornate and intricate designs around the portrait.

The portrait itself is framed by a decorative vignette. The text "FERDINANDVS" is inscribed above the portrait, referring to the name of the individual depicted. Below the portrait, the text "ROMANOR" is visible, likely part of a larger phrase that is partially obscured.

The surrounding decorative elements include swirled motifs, acanthus leaves, and what appear to be armor pieces, suggesting a theme of nobility and power. The engraving style and the presence of Latin inscriptions give the image a classical and historical feel, indicative of the type of art produced during the Renaissance or early Baroque period.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-07-10

This is a portrait engraving of Ferdinand II, Holy Roman Emperor, in a highly decorative frame. The portrait is set within an oval cartouche and surrounded by elaborate ornamentation. The text around the portrait reads "IMPER. SEMP. AVG. FERDINANDVS. II ROMANOR," indicating his title as the Holy Roman Emperor. The lower part of the image contains a Latin inscription: "IN NODVM GOTICO CONSPIRENT ANGELTRIONES MAIOR PELLAO CAESARE CAESAR ERIT," which translates to a poetic phrase referring to his greatness. The frame includes various elements such as a crown, weapons, and possibly allegorical figures, all intricately detailed with swirling patterns and dynamic lines. The overall style is Baroque, characterized by its complexity and ornamental richness.

Text analysis

Amazon

CONSPIRENT
SEMP
IMPER
SEMP IMPER AVG
AVG
ERIT
CASARE
ANDVS
PELLEO
PELLEO GOTICO CASARE CONSPIRENT CASAR
FERDIN
NNODVM
ANGVETRIONES
N
CASAR
N NNODVM VWO WO ANGVETRIONES ERIT
IERDINANDIT
GOTICO
IL
VWO
WO

Google

onPELLA . 420 CR.SARE CRSA GPRENT ANGETO
on
PELLA
.
420
CR.SARE
CRSA
GPRENT
ANGETO