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Human Generated Data

Title

Saint Andrew Adoring His Cross

Date

17th century

People

Artist: Michel II Corneille, French 1642 - 1708

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, by exchange, S2.99

Human Generated Data

Title

Saint Andrew Adoring His Cross

People

Artist: Michel II Corneille, French 1642 - 1708

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, by exchange, S2.99

Machine Generated Data

Tags

Amazon
created on 2019-04-06

Human 99.1
Art 96.6
Angel 57.4
Archangel 57.4

Clarifai
created on 2018-04-19

people 99.9
art 99.8
print 99.6
illustration 99.5
engraving 98.7
group 98.1
Renaissance 97.9
painting 97.8
adult 97.5
man 97.1
pain 95
religion 92.9
baroque 92.7
reclining 91.6
sword 91.2
saint 89.8
force 89
kneeling 89
one 88.9
book 88.7

Imagga
created on 2018-04-19

sketch 77.8
drawing 55.8
representation 47.5
art 30.9
ancient 26
old 23.7
currency 21.6
money 21.3
history 20.6
religion 18.8
cash 18.3
paper 18
bank 17.9
sculpture 17.6
architecture 17.3
statue 17.3
finance 16.9
vintage 16.6
banking 16.6
pattern 16.4
temple 16.2
culture 15.4
financial 15.2
antique 15
dollar 14.9
detail 14.5
close 14.3
decoration 14.1
religious 14.1
design 14
carving 13.6
god 13.4
church 13
banknotes 12.7
wealth 12.6
mosaic 12.3
stone 12.2
business 12.2
economy 12.1
grunge 11.9
savings 11.2
texture 11.1
traditional 10.8
banknote 10.7
dollars 10.6
rich 10.2
figure 10.2
symbol 10.1
investment 10.1
retro 9.8
carved 9.8
bills 9.7
spirituality 9.6
pay 9.6
artistic 9.6
exchange 9.6
bill 9.5
monument 9.3
book jacket 8.9
hundred 8.7
stamp 8.6
capital 8.5
historical 8.5
decorative 8.4
note 8.3
painting 8.1
cotton 8
century 7.8
ornament 7.8
travel 7.8
debt 7.7
finances 7.7
holy 7.7
wall 7.7
loan 7.7
faith 7.7
oriental 7.6
east 7.5
tile 7.5
famous 7.5
closeup 7.4
gold 7.4
column 7.4
landmark 7.2
relief 7.2
building 7.1
face 7.1
market 7.1

Google
created on 2018-04-19

Microsoft
created on 2018-04-19

text 100
book 100

Color Analysis

Face analysis

Amazon

Microsoft

AWS Rekognition

Age 48-68
Gender Female, 51.8%
Disgusted 45.2%
Angry 46%
Happy 45.5%
Surprised 45.3%
Sad 47%
Calm 50.8%
Confused 45.2%

Feature analysis

Amazon

Person
Painting

Clarifai

Man
Human face
Clothing
Poster
Person
Human head

AWS Rekognition

Person 99.1%

Categories

Imagga
created on 2018-04-19

paintings art 42.6%
nature landscape 32.9%
streetview architecture 23.8%
beaches seaside 0.2%
interior objects 0.2%
macro flowers 0.1%

Captions

Microsoft
created by unknown on 2018-04-19

a close up of a book 70.3%
close up of a book 65.6%
a close up of a book cover 65.5%

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-05-11

a photograph of a drawing of a man holding a sword and a sword

Created by general-english-image-caption-blip-2 on 2025-06-28

the adoration of the magi, by jean-baptiste l'herb

OpenAI GPT

Created by gpt-4 on 2024-12-11

This is a black and white etching or engraving depicting a religious scene. In the foreground, a muscular figure is prominently featured, seemingly in a state of undress, with a piece of cloth draped around his lower body and sitting near a cross. The cross itself is large and diagonally oriented within the composition, leaning to the upper left side of the image.

Above and around this main figure, there are several cherub-like figures, or putti, flying or floating in the air. Some of them bear attributes like palm fronds, which often symbolize martyrdom or victory. There is a dramatic use of light and shadow across the scene, which creates a sense of depth and highlights the figures and the cross.

Below the scene, there is text in Latin, which suggests a religious, perhaps Christian, context and possibly identifies the scene as depicting Saint Andrew (given the "Divi Andreae" in the text) who, according to tradition, was crucified on an X-shaped cross. This type of cross is known as a saltire or Saint Andrew's cross.

The detailed craftsmanship in the piece implies that it's likely a work from the Baroque period or earlier, and it appears to be intended for a knowledgeable audience, possibly associated with a church or a devout individual, as indicated by the dedication in the text below the illustration. The style of the figures and the quality of the etching suggest it may have been created by a skilled artist of that era.

Created by gpt-4o-2024-05-13 on 2024-12-11

This image appears to be an intricate, classical engraving depicting a crucifixion scene. Central to the image is a large, diagonal cross being positioned by muscular men. The figures, all characterized by dramatic poses and expressions, appear to be in the midst of placing or securing the cross. Above them, multiple angelic figures hover in the sky, bathed in a stream of light that enhances the divine ambiance of the scene. The lower portion of the image shows a man kneeling and busily working on the ground.

The detailed border below the image contains a significant amount of text, suggesting it may be a dedication or caption explaining the scene, possibly in Latin, indicative of the era's artistic conventions. The engraving style is highly detailed, with fine lines creating deep shadows and high contrast to emphasize the dramatic intensity of the moment.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-25

This is a historical engraving depicting the martyrdom of St. Andrew. The scene shows St. Andrew's crucifixion, where he is being bound to an X-shaped cross (also known as a saltire or St. Andrew's Cross). The composition is dramatic, with beams of divine light streaming down from heaven where cherubs or angels are visible. There are several figures around the scene, including soldiers with spears and onlookers. The artwork appears to be executed in a Baroque style, with dynamic movement and strong contrast between light and shadow. The bottom of the image contains a Latin inscription and dedication. The engraving technique shows fine detail and cross-hatching typical of the period. This type of religious martyrdom scene was a common subject in Christian art, particularly during the Counter-Reformation period.

Created by claude-3-haiku-20240307 on 2024-12-11

The image appears to be an engraving depicting a dramatic religious or allegorical scene. It shows a central figure, likely representing an important religious or mythological character, surrounded by various other figures and elements. The central figure is in a state of distress or agony, while other figures, including cherub-like figures in the sky, are shown interacting with the central character. The overall scene conveys a sense of intensity and drama. Without being able to identify any specific individuals, the image seems to illustrate a complex narrative or symbolic meaning.

Created by claude-3-5-sonnet-20241022 on 2024-12-11

This is a historical engraving depicting the martyrdom of St. Andrew. The scene shows the moment of his crucifixion on an X-shaped cross (later known as St. Andrew's Cross). The composition is dramatic, with beams of divine light streaming down from heaven where cherubs or angels are visible. Several figures are shown around the cross, including soldiers with spears and onlookers. The saint is shown partially clothed in a dramatic pose near the cross. The artwork appears to be done in a Baroque style, with strong contrast and dynamic movement in the composition. At the bottom of the image is a Latin inscription dedicating the work to Eduardo Colbert. The engraving shows fine detail and skilled craftsmanship typical of religious art from this period.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-11

The image depicts a scene from the Bible, specifically the crucifixion of St. Andrew, as illustrated by the Dutch artist Rembrandt van Rijn. The painting is titled "The Crucifixion of St. Andrew" and is one of Rembrandt's most famous works.

In the foreground, St. Andrew is shown being crucified on a cross, with his arms outstretched and his body contorted in agony. He is surrounded by a group of people, including soldiers, priests, and onlookers, who are all reacting to the scene in different ways. Some are looking on in horror, while others appear to be praying or offering comfort to St. Andrew.

The background of the painting is dark and ominous, with a sense of foreboding and tragedy. The sky is filled with clouds and lightning, and the atmosphere is tense and dramatic.

Overall, the image conveys a sense of intense emotion and drama, and it is a powerful representation of the suffering and sacrifice of St. Andrew.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-11

The image depicts a scene of martyrdom, with the central figure being Saint Andrew, who is tied to a cross. The scene is set in a dramatic and intense atmosphere, with various characters surrounding the saint.

Key Elements:

  • Saint Andrew: He is the central figure, tied to a cross with his arms outstretched and his legs bent at the knees. He appears to be in a state of ecstasy or trance.
  • Angels: Two angels are depicted above Saint Andrew, one holding a crown of thorns and the other holding a palm branch. They are surrounded by rays of light, symbolizing divine presence.
  • Torturers: Several men are shown torturing Saint Andrew, using various instruments such as ropes, clubs, and spears. They appear to be in a state of frenzy, with some of them looking up towards the angels.
  • Onlookers: A group of people are watching the scene from the background, some of them covering their faces in horror. They appear to be shocked and disturbed by what they are witnessing.
  • Background: The background of the image is dark and ominous, with shadows cast across the ground. The overall atmosphere is one of tension and drama.

Symbolism:

  • Cross: The cross represents the instrument of Saint Andrew's martyrdom, as well as the symbol of Christianity.
  • Angels: The angels represent divine intervention and protection, as well as the promise of eternal life.
  • Torturers: The torturers represent the forces of evil and persecution, which Saint Andrew is resisting through his faith.
  • Onlookers: The onlookers represent the witnesses to Saint Andrew's martyrdom, who are being inspired by his courage and devotion.

Artistic Style:

  • Baroque: The image appears to be in the style of Baroque art, characterized by dramatic lighting, intense emotions, and highly detailed textures.
  • Engraving: The image may be an engraving, given the level of detail and the use of shading to create depth and volume.

Conclusion:

The image depicts a powerful and emotive scene of martyrdom, with Saint Andrew at its center. The use of symbolism, dramatic lighting, and intense emotions creates a sense of tension and drama, drawing the viewer into the scene. The artistic style is reminiscent of Baroque art, with its use of detailed textures and shading to create depth and volume. Overall, the image is a compelling representation of the story of Saint Andrew's martyrdom.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-24

The image is an etching by the artist Corneille de Lyon, depicting a scene from the life of St. Andrew, the patron saint of Scotland. The image shows St. Andrew kneeling on the ground, holding a staff, and looking up at the cross on which he is about to be crucified. The cross is made of wood and is tied to a tree trunk. Several angels are flying above the cross, and some of them are holding wreaths of leaves. In the background, there are several people, including a man holding a horse and a woman holding a baby. The image has a Latin inscription at the bottom, which translates to "St. Andrew, aspiring to the cross, the image of God."

Created by amazon.nova-pro-v1:0 on 2025-02-24

The image is a black-and-white engraving of a scene depicting Saint Andrew, one of the Twelve Apostles of Jesus, being crucified. The central figure is Saint Andrew, who is tied to a diagonal cross, or an X-shaped cross, which is a traditional symbol associated with his martyrdom. He is depicted with a serene expression, possibly indicating his acceptance of his fate. Surrounding him are various figures, including Roman soldiers and onlookers. One soldier appears to be adjusting the ropes that bind Saint Andrew to the cross. Another figure, possibly a high-ranking official, stands nearby, observing the scene. Above the scene, there are angelic figures, some of whom are holding a crown of laurels, symbolizing victory or honor, which may be intended for Saint Andrew. The engraving is detailed, capturing the expressions and postures of the characters, as well as the texture of the clothing and the cross. At the bottom of the engraving, there is a Latin inscription that translates to "Saint Andrew on the Cross, Aspires to Heaven." This suggests the spiritual aspiration of Saint Andrew as he faces his martyrdom. The engraving is signed by the artist, indicating its origin and authorship.

Google Gemini

Created by gemini-2.0-flash on 2025-05-15

Here is a description of the image:

The image is an antique engraving titled "Divi Andrae ad Crucem Aspirantis Effigiem" (The Image of St. Andrew Aspiring to the Cross). It depicts a scene with several figures centered around a large, rough-hewn wooden cross. The cross is angled towards the upper left of the frame.

In the foreground, a man is kneeling and working on the ground with what appears to be a tool, possibly digging or preparing something. To his right, another man is crouched, with his arms outstretched, as if trying to stop or reason with someone. He is partially draped in a piece of fabric.

Behind the man with outstretched arms, there is a group of people. One man is holding a cloth or sheet, while others, including women and children, stand together, some holding sticks. They appear to be onlookers, perhaps witnessing a significant event.

To the left of the cross, a group of people is gathered, including a figure on horseback. The figure on horseback is holding a spear or some kind of long object. A ladder is also visible, leaning against the cross.

In the upper part of the image, there are cherubic figures flying amidst rays of light, suggesting a divine presence or heavenly intervention. One of the cherubs is holding a wreath.

The overall tone of the image is dramatic and intense, likely portraying a historical or religious scene. The figures are rendered in detail, with attention to their expressions and gestures. The engraving style is consistent with historical printmaking techniques.

At the bottom of the image is text in Latin, identifying the title, the person to whom the work is dedicated, and the location and maker of the print.

Created by gemini-2.0-flash-lite on 2025-05-15

The image is a detailed, classical engraving depicting the crucifixion of Saint Andrew. Here's a breakdown of what's happening:

  • Central Scene: The main focus is on Saint Andrew, a muscular, semi-nude man. He's kneeling or crouching before a large, rough wooden cross formed by two intersecting beams. He is in a position of supplication, with his arms outstretched, likely looking upward.
  • Surrounding Figures:
    • People around the cross: There are several figures present who appear to be the executioners and onlookers. Some of them are holding or about to be involved in the act.
    • Soldier on Horseback: A figure on a horse holds a feather and looks towards the scene.
    • Angels: Several angels are depicted. Some are in the clouds, bearing wreaths or garlands. These symbols emphasize the religious nature of the scene.
  • Artistic Style: The artwork exhibits the hallmarks of classical engraving, using fine lines for intricate details, shading to suggest volume, and a composition that emphasizes depth and drama. The chiaroscuro (contrast of light and dark) is used to highlight the central figures.
  • Inscription: At the bottom, the text in Latin identifies the subject as "Divi Andreae ad Crucem aspirantis effigiem," which translates to "Image of Saint Andrew aspiring to the Cross". It also lists the person to whom the image is dedicated, along with the artist's name and the location of the printmaker.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-27

The image depicts a dramatic and emotional scene from the biblical story of the crucifixion of Saint Andrew. The artwork is an engraving that showcases a group of figures surrounding Saint Andrew, who is tied to a cross in an X-shape, known as a saltire or Saint Andrew's Cross.

Key elements of the image include:

  1. Saint Andrew: The central figure is Saint Andrew, depicted as an elderly man with a beard, tied to the cross. He appears to be in a state of serene acceptance or prayer.

  2. Other Figures: Surrounding Saint Andrew are several other figures, including what appears to be Roman soldiers and onlookers. One of the soldiers is kneeling and appears to be securing the cross to the ground. Another figure, possibly a disciple or follower, is reaching out towards Saint Andrew, expressing grief or support.

  3. Angels: Above the scene, several cherubic angels are depicted in the sky, adding a celestial and divine element to the image. They appear to be witnessing the event or perhaps offering divine intervention or blessing.

  4. Setting: The setting appears to be outdoors, with a large tree trunk in the background and some rocky terrain. The scene is illuminated by a heavenly light, suggesting a divine presence.

  5. Text: At the bottom of the image, there is Latin text that provides context and attribution. It reads:

    • "Dum Andreae ad Crucem aspirantis effigiem" (While Andrew aspires to the image of the Cross)
    • "Illustrissimo Viro Domino D. Eduardo Colbert Equiti Marchioni de Villacerf et de Payens, Domino de St. Mesmin &c. Regi ab omnibus Consiliis et Regiorum Aedificiorum Praefecto." (To the most illustrious man, Lord D. Edward Colbert, Knight Marquis of Villacerf and of Payens, Lord of St. Mesmin, etc., King of all Councils and Prefect of the Royal Buildings.)
    • "a Parisiis ches I. Mariette rue S. Jacques aux Colonnes d'Hercule" (In Paris at I. Mariette rue S. Jacques at the Columns of Hercules)
    • "Officina humillimus Servus M.A. Cornelle" (Most humble servant of the workshop M.A. Cornelle)

The engraving captures the solemnity and significance of Saint Andrew's martyrdom, highlighting both the human and divine aspects of the event.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-07-16

This is a detailed black and white engraving depicting a scene from a religious narrative. It illustrates the crucifixion of Saint Andrew, as indicated by the text at the bottom of the image. The central figure is Saint Andrew, bound to the cross, with a beard and a crown of thorns, indicating his suffering.

To the left, a man is depicted in a dynamic pose, possibly representing a persecutor or a soldier, looking towards the central figure with an expression of surprise or shock. To the right, another figure, who appears to be a shepherd or a supporter, is holding a staff and is turned towards the central figure, possibly offering help or protection.

Above the scene, several angels are present, some flying and others interacting with the figures below. The angels are depicted in a detailed manner, with wings and halo-like effects, symbolizing divine presence.

The background features architectural elements, including columns and a section that resembles a ship or part of a structure, possibly symbolizing the maritime connection of Saint Andrew, who is also known as the Apostle of the Sea. The bottom text names the engraver as "M.A. Corneille" and provides dedicatory information, indicating that this work was commissioned by the Marquis de Villacerf and others as a religious offering.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-07-16

This is a detailed black-and-white etching depicting a religious scene, specifically the martyrdom of Saint Andrew. The central figure is Saint Andrew, who is bound to an X-shaped cross. He is shown in a moment of spiritual ecstasy, gazing upwards towards the heavens. Above him, several angels are present, one of whom appears to be offering him a crown of martyrdom. Surrounding Saint Andrew are various figures, including soldiers, a man holding a bundle of rods, and a woman holding a child. The scene is filled with dynamic movement and emotion, capturing the dramatic moment of Saint Andrew's crucifixion. The background includes additional figures, adding depth and context to the scene. The bottom of the image contains an inscription in Latin, providing information about the artist and the subject of the artwork.

Text analysis

Amazon

aspirantis
Crucem
Crucem aspirantis effigiem
ad
effigiem
de
Villacerfe
Regiorum
Domino
Eduardo
PayensDomino
D.
cher
DiuiAndrea ad
Marchioni
Colonner
st Mesmin kc
Consiliis
Cornaille
a
Illwstrissimo Viro Domino D. Eduardo Colbert equit Marchioni de Villacerfe et de
PayensDomino de st Mesmin kc egi ab omnibus Consiliis et Regiorum adificiorum
Prafecto.
Illwstrissimo
et
adificiorum
ab
DiuiAndrea
Serus
Viro
egi
aua
Prafecto. Oferebat ilbimus
a Paris cher Jacgua aua Colonner dnercules Serus MA Cornaille
dnercules
Paris
ilbimus
Oferebat
Jacgua
omnibus
equit
Colbert
MA

Google

Diui Andrea ad Crucem aspirantis effigiem lastrisoimo Vio Domino D. Eduardobguii marchion de Villacerf et de Payens Dominode StMarmin tRe. Regi ab omnibur Conriliset Regiorun adfiio Ileustri ferebat humlhimus a Panis chen JMariette ueJacuas aux colonnes dhescules
Diui
Andrea
ad
Crucem
aspirantis
effigiem
lastrisoimo
Vio
Domino
D.
Eduardobguii
marchion
de
Villacerf
et
Payens
Dominode
StMarmin
tRe.
Regi
ab
omnibur
Conriliset
Regiorun
adfiio
Ileustri
ferebat
humlhimus
a
Panis
chen
JMariette
ueJacuas
aux
colonnes
dhescules