Human Generated Data

Title

The Feast Before the Altar of Terminus

Date

c. 1645

People

Artist: Giovanni Benedetto Castiglione, Italian 1609 - 1664

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Louise Haskell Daly Fund, S6.97.1

Human Generated Data

Title

The Feast Before the Altar of Terminus

People

Artist: Giovanni Benedetto Castiglione, Italian 1609 - 1664

Date

c. 1645

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Louise Haskell Daly Fund, S6.97.1

Machine Generated Data

Tags

Amazon
created on 2019-04-06

Art 96
Human 93.8
Person 93.8
Painting 89.5

Clarifai
created on 2018-04-19

people 99.9
illustration 99.8
print 99.8
art 99.7
engraving 99.4
painting 98.2
man 97.9
adult 97.7
etching 97.4
group 96.2
antique 92.7
old 92.1
paper 91.9
two 91.3
veil 90.4
woodcut 89.2
wear 89.2
book bindings 88.5
visuals 88.4
ancient 88.4

Imagga
created on 2018-04-19

antique 51.9
old 49.6
texture 49.4
grunge 48.6
map 46.6
vintage 43.1
retro 40.2
pattern 39.1
ancient 33.8
aged 33.6
dirty 33.5
paper 33.1
grungy 29.5
wallpaper 29.2
representation 27.9
wall 26.9
material 26.8
brown 25.8
border 25.4
frame 25
parchment 25
worn 24.9
canvas 24.7
textured 24.6
surface 23.9
blank 22.3
art 22
page 21.4
torn 21.3
rough 21
design 20.9
stained 20.2
damaged 20.1
color 20.1
paint 20
backdrop 19.8
burnt 19.5
decorative 19.2
stucco 18.6
aging 18.3
space 17.1
atlas 16.6
weathered 16.2
empty 15.5
dirt 15.3
text 14.9
detail 14.5
manuscript 13.7
geography 13.5
rusty 13.4
structure 13.3
backgrounds 13
rust 12.5
stone 12.1
cotton 11.7
messy 11.6
navigation 11.6
world 11.5
obsolete 11.5
floral 11.1
tile 11.1
fabric 11
lace 11
sepia 10.7
spot 10.6
textile 10.5
close 10.3
journal 10.3
drawing 10.2
yellow 10
history 9.9
burned 9.8
faded 9.7
crumpled 9.7
style 9.7
rustic 9.6
artistic 9.6
sheet 9.4
book 9.3
note 9.2
cement 9
gray 9
binding 8.8
mottled 8.8
stains 8.8
crack 8.7
stain 8.7
travel 8.5
cover 8.3
grain 8.3
letter 8.3
graphic 8
creative 8
rusted 7.9
rock 7.8
black 7.8
architecture 7.8
discovery 7.8
cracked 7.8
decay 7.7
construction 7.7
flower 7.7
age 7.6
mosaic 7.6
document 7.4
globe 7.4
closeup 7.4
gold 7.4
earth 7.4
natural 7.4
historic 7.3
effect 7.3
road 7.2
arabesque 7.2

Google
created on 2018-04-19

art 85.8
history 78.5
tree 71.4
drawing 61
black and white 60.7
artwork 59.9
visual arts 57.5
illustration 51.8
tapestry 51.6

Microsoft
created on 2018-04-19

text 99.3
book 93.5

Color Analysis

Feature analysis

Amazon

Person 93.8%
Painting 89.5%

Captions

Microsoft
created on 2018-04-19

a close up of a book 45.8%
close up of a book 39.6%
a book sitting on top of each other 26.9%

Azure OpenAI

Created by gpt-4 on 2024-12-11

This image is an etching that depicts a pastoral scene set in a classical or mythological context. In the foreground on the left, a clothed male figure is seated with his attention directed towards a central character—a reclining male figure who is mostly unclothed and is resting on what appears to be a stone fixture, possibly a sarcophagus or altar. Close to the reclining figure is a large urn or vase, and another figure stands behind it, seemingly engaged in some activity with the vase. On the right, a seated female figure is focused on a handheld mirror. The background features lush trees and foliage, with a statue on a high pedestal partially obscured by the tree branches on the left. The statue appears to depict a male figure. The style of the etching suggests it's from an earlier century, potentially 17th or 18th. The scene has various elements typical of romantic or bucolic imagery, with a sense of tranquility and contemplation. The inscription at the bottom looks like a dedication or artist’s signature, indicating that the print is likely from Rome and dated 1642. The text "alla pace" suggests a theme of peace or a location name.

Created by gpt-4o-2024-05-13 on 2024-12-11

This image is an intricate engraving that depicts a scene set in a naturalistic environment, likely from classical antiquity. At the center of the composition is a satyr, identifiable by his human upper body, goat-like legs, and tail, reclining against a large, decorated urn. He appears relaxed, with an arm draped leisurely over the urn. To his right, two figures are engaged in what appears to be a form of homage or interaction with the satyr. One is standing, holding a large, shallow basin towards the satyr, and is draped in flowing garments. The other figure, seated and also draped, holds a circular object that might be a musical instrument or a vessel. The background includes several tall, leafy trees that frame the scene, creating a canopy over the figures. The setting suggests an outdoor tableau filled with symbolic and mythological elements typical of pastoral or bucolic themes in classical art. In the foreground, discarded items such as a crown and various pieces of cloth are scattered on the ground, adding to the narrative of the scene. The engraving is rich in detail, emphasizing textures and the interplay of light and shadow. At the bottom right corner, there are inscriptions indicating the artist's signature and the date of creation as 1649 in Rome, along with the phrase "alla Pace".

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-11

The image depicts a fantastical, allegorical scene set in a lush, natural landscape. In the center stands a large, humanoid figure with a bestial appearance, suggesting a mythological or symbolic creature. Surrounding this central figure are various other figures, some appearing distressed or in repose, as well as various objects and elements of the natural setting such as plants and rocks. The overall composition and visual style suggest this is an engraved or etched work of art, likely from a historical or classical artistic tradition.

Created by claude-3-5-sonnet-20241022 on 2024-12-11

This is a historical etching or engraving that appears to be from the 17th or 18th century. The scene depicts several figures in what appears to be a garden or outdoor setting with classical ruins. The composition shows a statue or figure standing on a pedestal in the center, with other figures arranged around it. There are trees and foliage in the background, creating a romantic or pastoral atmosphere. The artwork is executed in a loose, sketchy style characteristic of period etchings, with fine lines creating texture and depth. At the bottom of the image, there appears to be some text or signature, likely indicating the artist and date. The overall mood is reminiscent of classical Roman or Renaissance art, with its combination of architectural elements, natural settings, and figurative elements.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-11

The image is a sketch of a scene from the Bible, specifically depicting the story of Samson and Delilah. The sketch is attributed to Rembrandt van Rijn, a renowned Dutch painter and etcher, and is dated 1640. It showcases Rembrandt's skill in capturing dramatic and emotional scenes through his use of light and shadow. In the foreground, Samson is depicted lying on the ground, his strength and power visibly diminished. Delilah, the woman who betrayed him, is shown standing over him, her expression a mix of sadness and guilt. The scene is set in a lush, green landscape, with trees and foliage surrounding the figures. The sketch is rendered in Rembrandt's characteristic style, with bold lines and expressive brushstrokes. The use of chiaroscuro, a technique that uses strong contrasts between light and dark to create a sense of volume and depth, adds to the dramatic effect of the scene. Overall, the sketch is a powerful and emotive portrayal of a pivotal moment in biblical history, and serves as a testament to Rembrandt's mastery of the human form and his ability to convey complex emotions through his art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-11

This image is a black-and-white etching of a scene featuring a statue of a man, surrounded by other figures and objects. The statue, positioned centrally in the image, depicts a male figure with long hair and a beard, wearing a loincloth. He stands on a pedestal, with his right arm raised and his left arm at his side. In the foreground, several figures are seated or reclining on the ground, some of whom appear to be engaged in various activities. One figure is shown playing a musical instrument, while another is depicted as if sleeping or resting. The background of the image features trees and foliage, which adds depth and context to the scene. The overall atmosphere of the image suggests a sense of tranquility and contemplation, with the figures in the foreground seemingly lost in thought or engaged in quiet activities. The presence of the statue in the center of the image serves as a focal point, drawing the viewer's attention to the central theme or message being conveyed. The use of black and white in the etching creates a sense of simplicity and elegance, allowing the viewer to focus on the details and textures of the image without distraction. The level of detail and craftsmanship evident in the etching suggests that it is a work of art created by a skilled artist, possibly from the Renaissance period.

Text analysis

Amazon

form
J Jat'Resf form (Rome 1642 alla
alla
1642
J Jat'Resf
(Rome