Human Generated Data

Title

The Raising of Lazarus

Date

1645

People

Artist: Salvatore Castiglione, Italian active c. 1645

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, by exchange, S6.90.1

Human Generated Data

Title

The Raising of Lazarus

People

Artist: Salvatore Castiglione, Italian active c. 1645

Date

1645

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, by exchange, S6.90.1

Machine Generated Data

Tags

Amazon
created on 2019-04-06

Art 98.3
Human 97.5
Person 97.5
Person 90.1
Painting 79.7
Person 78.1
Person 74.8
Animal 71.3
Bird 71.3
Person 69.4
Person 69.1
Archaeology 57.8

Clarifai
created on 2018-04-19

people 100
print 99.9
illustration 99.9
art 99.9
engraving 99.8
etching 99.4
adult 99.2
painting 99
group 98.8
man 98.4
pictorial 97.4
veil 97.3
leader 96
interaction 93.7
facial hair 93.1
woodcut 92.3
visuals 91.5
antique 89.9
weapon 89.6
administration 89.5

Imagga
created on 2018-04-19

sketch 46.7
drawing 38.7
paper 30.6
representation 30
old 26.5
art 25.9
money 24.7
cash 23.8
grunge 22.1
texture 21.5
currency 20.6
vintage 19.9
bank 19.7
pattern 19.1
retro 18
dollar 17.6
antique 16.9
finance 16.9
banking 16.5
business 16.4
pay 15.3
design 15.3
wealth 14.4
close 14.3
financial 14.3
dollars 13.5
us 13.5
bill 13.3
wallpaper 13
note 12.9
exchange 12.4
ancient 12.1
style 11.9
graphic 11.7
banknote 11.6
rich 11.2
structure 11.1
frame 10.8
history 10.7
backdrop 10.7
color 10.6
loan 10.5
textured 10.5
decoration 10.5
canvas 10.4
artistic 10.4
savings 10.3
space 10.1
element 9.9
one 9.7
flower 9.2
travel 9.2
futuristic 9
banknotes 8.8
closeup 8.8
bills 8.7
hundred 8.7
capital 8.5
grungy 8.5
map 8.4
page 8.4
dirty 8.1
success 8
detail 8
fountain 7.9
line 7.9
franklin 7.9
black 7.8
states 7.7
floral 7.7
worn 7.6
atlas 7.6
jigsaw puzzle 7.5
commerce 7.5
mosaic 7.5
economy 7.4
shape 7.4
light 7.4
historic 7.3
backgrounds 7.3
paint 7.2
aged 7.2

Google
created on 2018-04-19

art 78.5
painting 71.7
drawing 69.4
artwork 67.9
history 66.7
tree 64
visual arts 62.1
black and white 61.2
sketch 54.3
figure drawing 54.1

Microsoft
created on 2018-04-19

text 99.6
book 97.5

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 45-65
Gender Female, 53.5%
Sad 46.5%
Disgusted 45.7%
Confused 45.4%
Angry 46.5%
Happy 45.8%
Surprised 45.3%
Calm 49.9%

AWS Rekognition

Age 57-77
Gender Male, 54%
Calm 51.1%
Angry 46.8%
Confused 45.2%
Sad 46.3%
Disgusted 45.1%
Surprised 45.2%
Happy 45.2%

AWS Rekognition

Age 45-65
Gender Male, 50.9%
Sad 49.2%
Angry 46.6%
Happy 45.6%
Calm 46.5%
Disgusted 45.7%
Confused 45.5%
Surprised 45.8%

AWS Rekognition

Age 23-38
Gender Male, 50.3%
Happy 45.7%
Sad 49.3%
Angry 45.4%
Surprised 45.3%
Disgusted 45.2%
Calm 48.5%
Confused 45.6%

AWS Rekognition

Age 26-44
Gender Female, 54.2%
Angry 46%
Happy 45.6%
Calm 48.6%
Surprised 45.9%
Sad 47.7%
Disgusted 46.1%
Confused 45.2%

AWS Rekognition

Age 35-52
Gender Male, 54.6%
Confused 45.4%
Angry 45.8%
Disgusted 45.1%
Surprised 45.4%
Calm 49.4%
Sad 48.3%
Happy 45.6%

Feature analysis

Amazon

Person 97.5%
Painting 79.7%
Bird 71.3%

Captions

Microsoft
created on 2018-04-19

a close up of a book 42.5%
close up of a book 37%
a hand holding a book 36.9%

Azure OpenAI

Created by gpt-4 on 2024-12-11

The image is a black and white etching or engraving with a group of figures surrounding what appears to be a significant event. To the left, a crowd of individuals, including women and men, are intensely focused on something or someone off to their right. Their expressions and postures suggest concern or awe. In the foreground, a figure is reclining, possibly in a state of distress or repose. To the right, another figure stands upright with an aura of authority or otherworldliness, as suggested by the dramatic lighting or energy lines radiating around them. The scene has a dynamic, somewhat chaotic atmosphere, indicative of a moment of great narrative importance. The composition is rich with contrasts in light and shadow, contributing to the dramatic impact of the scene.

Created by gpt-4o-2024-05-13 on 2024-12-11

This image is an etching that depicts a dramatic biblical scene. It shows a group of people gathered around a central figure who appears to be performing a miraculous act. The central figure is standing on what looks like a grave or tomb, with light radiating around them, suggesting divine or supernatural significance. The surrounding individuals display various expressions of awe, amazement, and perhaps fear. The setting appears to be on rocky or uneven terrain, adding to the dramatic effect of the scene. The style of the etching suggests it could be a work of art from the Renaissance or Baroque period, given its attention to dramatic lighting and detailed depiction of human figures.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-11

The image depicts a dramatic biblical scene. In the foreground, there is a group of figures lying on the ground, some of whom appear to be ill or wounded. In the background, a radiant figure, possibly representing Jesus Christ, stands on a raised platform or stairs, with a halo-like effect around the figure. The overall tone of the image is somber and moody, conveying a sense of suffering and divine intervention.

Created by claude-3-5-sonnet-20241022 on 2024-12-11

This appears to be a religious etching or engraving, likely depicting the Transfiguration scene. The artwork shows several figures on a mountainside, with one figure standing apart from the others and appearing to be illuminated or radiating light. The composition uses dramatic contrast and hatching techniques typical of etching work, creating a sense of divine light and supernatural occurrence. The figures on the left appear to be cowering or reacting in awe, while the solitary figure on the right stands in a pose suggesting revelation or divine presence. The artistic style and subject matter suggest this is likely from the 17th or 18th century. The technique demonstrates skilled use of line work to create depth and dramatic lighting effects characteristic of religious art from this period.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-11

The painting 'Christ Appearing to the People' by Rembrandt, created in 1641, depicts a scene from the New Testament where Jesus Christ appears to a group of people after his resurrection. The scene is set in a dramatic and emotive manner, with Christ standing at the center, surrounded by a crowd of figures in various states of emotion and reaction. Rembrandt's use of light and shadow creates a sense of depth and atmosphere, drawing the viewer's attention to the central figure of Christ. The painting is a testament to Rembrandt's skill in capturing the human experience and conveying profound emotional depth through his art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-11

The image is a black-and-white sketch of a scene from the Bible, specifically the moment when Jesus Christ rises from the dead. The sketch is done in a style reminiscent of Rembrandt van Rijn's work, with bold lines and expressive shading. In the foreground, Jesus stands on a rocky outcropping, his arms outstretched and his eyes closed as if in prayer or ecstasy. He wears a long robe that flows behind him like a cloak, and his hair is wild and unkempt. To the left of Jesus, a group of people are gathered, some of whom appear to be sleeping or resting. They are dressed in simple robes and tunics, and their faces are contorted in various expressions of emotion. Behind Jesus, a bright light shines down from above, illuminating the scene and casting dramatic shadows across the rocks and figures. The light is so intense that it creates a sense of depth and dimensionality, drawing the viewer's eye into the center of the composition. In the background, the rocks and hills rise up, creating a sense of landscape and setting for the scene. The overall effect is one of drama and tension, as if the very moment of Jesus' resurrection is being captured in time. The sketch is signed by the artist in the bottom-left corner, although the signature is not legible. The paper appears to be aged and worn, with visible creases and tears along the edges. Despite its age, the sketch remains a powerful and evocative representation of one of the most significant events in Christian history.