Human Generated Data

Title

Judith and Holofernes

Date

17th century

People

Artist: Jacques Callot, French 1592 - 1635

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, by exchange, S3.2.7

Human Generated Data

Title

Judith and Holofernes

People

Artist: Jacques Callot, French 1592 - 1635

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, by exchange, S3.2.7

Machine Generated Data

Tags

Amazon
created on 2019-04-06

Poster 95.5
Advertisement 95.5
Art 91.8
Painting 79.5
Person 69.9
Human 69.9
Person 65.7

Clarifai
created on 2018-04-19

print 100
illustration 99.9
people 99.9
engraving 99.7
art 99.7
etching 97.6
man 97.4
woodcut 97.1
painting 97.1
pictorial 96
group 95.8
visuals 94.4
adult 94.1
paper 93.6
old 89.4
antique 89.2
leader 88.6
one 88.2
vintage 87.9
lithograph 87.7

Imagga
created on 2018-04-19

sketch 63.2
mosaic 60.9
drawing 47.5
representation 39.7
art 35.7
transducer 32.7
religion 27.8
ancient 26
electrical device 24.5
old 23.7
architecture 23.2
tile 20.8
antique 20.1
vintage 18.2
temple 17.9
sculpture 17.7
church 17.6
history 16.1
device 15.9
religious 15
texture 14.6
spirituality 14.4
god 14.4
travel 14.1
stone 14.1
golden 13.8
design 12.5
statue 12.4
pattern 12.3
decoration 12.2
detail 12.1
close 12
culture 12
money 11.9
paper 11.8
carving 11.1
grunge 11.1
museum 10.8
wall 10.8
bible 10.8
currency 10.8
retro 10.7
ornament 10.3
historic 10.1
traditional 10
masterpiece 9.9
building 9.7
style 9.6
color 9.5
symbol 9.4
historical 9.4
banking 9.2
dark 9.2
decorative 9.2
cash 9.2
gold 9
icon 8.7
face 8.5
oriental 8.5
east 8.4
letter 8.3
instrumentality 8.2
painter 8
interior 8
prophet 7.9
byzantine 7.9
gilded 7.9
empire 7.9
orthodox 7.8
century 7.8
artistic 7.8
stamp 7.7
middle 7.7
faith 7.7
finance 7.6
monument 7.5
famous 7.4
backdrop 7.4
bank 7.3

Google
created on 2018-04-19

Microsoft
created on 2018-04-19

text 100
book 99.9

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 26-43
Gender Male, 83.9%
Sad 6.6%
Calm 78.2%
Confused 4.7%
Angry 7.4%
Happy 1%
Surprised 1.6%
Disgusted 0.5%

Feature analysis

Amazon

Poster 95.5%
Painting 79.5%
Person 69.9%

Captions

Microsoft
created on 2018-04-19

a close up of a book 54%
close up of a book 47.7%
a book on a wood surface 47.6%

Azure OpenAI

Created by gpt-4 on 2024-12-11

This is a monochromatic image of what appears to be an etching or engraving from a historical text or publication. The image illustrates a scene with Baroque-era characteristics. It depicts a classical or biblical narrative with three main figures: 1. On the left, a regally dressed male figure on horseback is under an elaborate canopy or drapery that is suspended from above. The man appears to be in a commanding or important pose possibly suggesting he is a person of high status or power. 2. In the lower-center, there is a female figure presenting something to the mounted figure. She is standing and holding up a circular object with both hands as if offering it to the man on horseback. 3. There is another individual situated behind the standing woman, partially obscured, with only the upper body visible, and the figure seems to be either responding to the central action or is observing it. At the bottom, there is a Latin phrase "Infirma mundi elegit Deus, ut confundat fortia," followed by its French translation "Dieu choisit la foiblesse du monde, pour en confondre la force". This roughly translates to "God has chosen the weak things of the world to shame the strong," which suggests the image likely has a religious or moral theme and is possibly referencing a specific biblical story. On the bottom right, the text "Israel ex un prat. Regis." may refer to the name of the person or entity associated with the image, although it's unclear without additional context. The creator of the etching, indicated as "Callet sculpsit," likely refers to the engraver or sculptor who produced the artwork, with "sculpsit" being a Latin term used in this context to mean "engraved by." The details, costumes, and writing suggest this piece has historical and religious significance, crafted to tell a story or moral lesson from a period where such illustrations served as an important medium for communication and education.

Created by gpt-4o-2024-05-13 on 2024-12-11

This image is an engraved illustration that appears to depict a dramatic and historical scene, possibly from a biblical or historical narrative. The focal point is a central figure, a man, holding a sword and triumphantly displaying a decapitated head to a woman standing to the right. The scene is taking place within a tent, suggested by the draped curtains above and around the characters. In the background, a bed can be seen with the lifeless body of the decapitated figure lying upon it. The interaction between the characters suggests a moment of significant triumph or revelation. Beneath the image is an inscription in both Latin and French that reads: "Infirma mundi elegit Deus, ut confundat fortia ... 1. Cor, 1. Dieu choisit la foiblesse du monde, pour en confondre la force." This translates to: "God chooses the weak of the world to confound the strong ... 1 Corinthians 1. God chooses the weakness of the world to confound the strength." Additionally, the artist's signature o

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-11

The image appears to be an engraved illustration depicting a dramatic religious or mythological scene. It shows two robed figures, one standing and one seated, in what seems to be an ornate interior space with curtains and elaborate architectural elements. The figures appear to be engaged in some kind of ceremonial or symbolic interaction. The overall style and composition suggest this is a work of historical or allegorical art, though I cannot identify any specific individuals or narratives represented here.

Created by claude-3-5-sonnet-20241022 on 2024-12-11

This is a historical engraving or etching, likely from the 17th or 18th century. The scene depicts two figures in elaborate period dress inside what appears to be a tent or chamber with draped curtains. They appear to be engaged in some kind of dramatic interaction, with one figure offering or presenting something in a bowl or dish to the other. The clothing style suggests nobility or high status, with flowing robes and detailed garments typical of Renaissance or Baroque era art. At the bottom of the image, there is text in both Latin and French that reads "Infirma mundi elegit Deus, ut confundat fortia" and "Dieu choisit la foiblesse du monde, pour en confondre la force" which translates to "God chooses the weak things of the world to confound the strong" - a biblical reference from 1 Corinthians 1:27. The artwork shows fine detail in its engraving technique, with careful attention to the drapery, clothing folds, and architectural elements. The composition is dramatic and theatrical, characteristic of religious and historical art from this period.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-11

The image is a black and white illustration of a scene from the Bible, specifically the story of the coronation of King David. The illustration depicts a man, likely King David, being anointed by a priest, while another man stands nearby holding a bowl. The scene is set in a tent, with a canopy and curtains visible in the background. The illustration is rendered in a detailed and intricate style, with shading and texture adding depth and dimension to the image. The illustration is signed "Callot fecit" in the bottom-right corner, indicating that it was created by the French artist Jacques Callot. The text at the bottom of the image reads "Infirma mundi elegit Deus, vt confundat fortia" and "Dieu choifit la foibleffe du monde pour en confondre la force", which are Latin and French phrases respectively, suggesting that the illustration may have been intended for a religious or devotional purpose. Overall, the image is a beautiful and evocative representation of a pivotal moment in biblical history, and its intricate details and symbolism make it a compelling work of art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-11

The image depicts a scene from the Bible, specifically the story of Queen Esther and King Ahasuerus. The scene is rendered in black and white, with intricate details and textures that evoke a sense of antiquity. **Key Elements:** * **Queen Esther:** She is depicted as a woman in a long dress, kneeling before the king. Her face is turned upwards, and her hands are clasped together in prayer. * **King Ahasuerus:** He is shown as a man in a long robe, sitting on a throne. His face is stern, and his hand is extended towards Esther. * **Throne:** The throne is decorated with intricate carvings and patterns, and it appears to be made of wood or stone. * **Background:** The background of the image is dark and shadowy, with hints of a palace or temple in the distance. **Overall Impression:** The image conveys a sense of drama and tension, as Esther pleads for the life of her people before the king. The use of black and white tones adds to the sense of gravity and seriousness, while the intricate details and textures evoke a sense of history and tradition.

Text analysis

Amazon

choifit
elegit
confondre
monde
mundi
confudat
pour
Infirma
fortia
ta foibleffe
en
Dieu choifit ta foibleffe du monde en confondre la la fovce
du
la fovce
Infirma mundi elegit Deus,z ut confudat fortia .Cor.:
Ragis
pour Ifraele priuil.
Ifraele
la
Dieu
Deus,z
priuil.
ut
.curn Ragis
Callerfoee
.Cor.:
.curn

Google

Infirma .Cor. Dieu choifit ta foibleffe du mon de pour en confondre la force mundi elegit Deus ,vt confinda t fortia 71
Infirma
.Cor
.
Dieu
choifit
ta
foibleffe
du
mon
de
pour
en
confondre
la
force
mundi
elegit
Deus
,vt
confinda
t
fortia
71