Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon
Microsoft

AWS Rekognition
Age | 26-43 |
Gender | Male, 98.7% |
Happy | 3.2% |
Confused | 10.8% |
Sad | 8.9% |
Surprised | 10.5% |
Calm | 58.3% |
Disgusted | 2.4% |
Angry | 5.9% |

Microsoft Cognitive Services
Age | 75 |
Gender | Male |
Feature analysis
Amazon
Clarifai

AWS Rekognition
Person | 77.5% | |

AWS Rekognition
Airplane | 60.5% | |

AWS Rekognition
Book | 55.5% | |

Clarifai
Human face | 88.3% | |

Clarifai
Clothing | 85.4% | |

Clarifai
Clothing | 33.5% | |

Clarifai
Human nose | 48.2% | |

Clarifai
Poster | 38.5% | |

Clarifai
Human mouth | 36.7% | |
Categories
Imagga
created on 2018-04-18
streetview architecture | 66.6% | |
paintings art | 31.7% | |
text visuals | 1.6% | |
nature landscape | 0.1% | |
Captions
Microsoft
created by unknown on 2018-04-18
a close up of a book | 73% | |
close up of a book | 68% | |
a close up of text on a book | 62.4% | |
Clarifai
No captions written
Salesforce
Created by general-english-image-caption-blip on 2025-05-03
a photograph of a poster of a man holding a sign that says savors beat
Created by general-english-image-caption-blip-2 on 2025-06-27
a book with the title salators beatte
OpenAI GPT
Created by gpt-4 on 2024-12-11
The image shows an intricately detailed etching or engraving from 1631, depicting a draped piece of parchment or scroll with text on it. The Latin text references religious iconography, possibly a title or dedication related to Christian figures such as the Savior and the Virgin Mary. At the bottom, beneath the scroll, a variety of artist's tools are skillfully represented, such as compasses, rulers, and other drawing instruments, suggesting the theme of creation, art, or design. The bottom of the parchment also mentions Paris and a royal privilege, indicating the work might have been published under the auspices or patronage of royalty. The overall composition gives the impression of depth and dimensionality, showcasing the skill of the artist in rendering textures and forms.
Created by gpt-4o-2024-05-13 on 2024-12-11
The image is an engraved illustration featuring a detailed and ornate border. At the top, there are large wings extending outward. The center of the image shows a large sheet of paper or scroll with text written in Latin. Below the main text are several Latin phrases, including names and mentions of privileges and possibly a publication date in Paris in 1631. At the bottom of the image, in the foreground, there are various tools or instruments, including what appear to be arrows or spears, and possibly an artist's tools, intertwined and resting on a surface.
Anthropic Claude
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-23
This is a title page from 1631 for a religious work titled "SALVATORIS BEATAE MARIAE VIRGINIS SANCTORVM APOSTOLORVM ICONES" (Icons of the Blessed Savior, Virgin Mary, and Holy Apostles). The page features an elegant baroque design with an angel figure at the top holding an unfurled scroll or book containing the title text. The text indicates it was created by J. Callot and published in Paris with royal privilege. At the bottom of the design, there is a decorative arrangement of crossed staffs or scepters. The overall composition is done in an engraving style typical of the 17th century, with fine line work and dramatic shading creating a sense of depth and dimension.
Created by claude-3-haiku-20240307 on 2024-12-11
The image appears to be an engraved print depicting a winged figure, likely an angel, holding an open book. The text on the book cover reads "Salvatoris beatae mariae virginis sancte torvm apostolorvm icones", which seems to be a Latin title or inscription. Below the image, there is additional text that appears to provide publication details, indicating the engraving was created by A. Callot and published in Paris in 1637. The overall composition features elaborate and intricate details, with ornamental elements surrounding the central image of the winged figure.
Created by claude-3-5-sonnet-20241022 on 2024-12-11
This is a title page from 1631 for a religious work titled "Salvatoris Beatae Mariae Virginis Sanctorum Apostolorum Icones" (Icons of the Blessed Virgin Mary and the Holy Apostles). The design features an ornate baroque-style layout with an angel figure at the top holding an unfurled scroll or book containing the title text. Below the main text, it indicates that it was created by J. Callot ("Invente, sculpte") and published in Paris with royal privilege ("Avec Privilege du Roy"). The bottom of the page is decorated with a decorative arrangement of crossed staffs or scepters. The overall composition is done in an engraving style typical of the 17th century, with fine line work and dramatic shading.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-06-13
The image is a vintage illustration of a book cover, featuring a woman with wings and a book. The title of the book is "SALVATORIS BEATAE MARIAE VIRGINIS SANC TORVM APOSTOLORVM IC ONES" in Latin, which translates to "The Blessed Virgin Mary, Holy Savior, True Apostle of the Ones".
- The woman has curly hair and is wearing a robe.
- She is holding a large book in her hands, with the pages open to reveal the title.
- The book is surrounded by various objects, including a sword, a cross, and a pair of wings.
- The background of the image is a light beige color, with a darker border around the edges.
- The overall design of the image suggests that it is a religious or devotional book, possibly from the 17th century.
The image is a beautiful example of Baroque art, with intricate details and symbolism. The use of Latin and the inclusion of religious imagery suggest that the book is a sacred text, possibly a prayer book or a collection of devotional writings.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-06-13
The image depicts a book cover with an illustration of an angel holding the cover, surrounded by various objects. The title "SALVATORIS BEATAE MARIAE VIRGINIS SANC-TORVM APOSTOLORVM ICONES" is written in large letters on the cover, with additional text below it. The background of the image features a dark color, and the overall design suggests that the book is a religious or devotional work.
Amazon Nova
Created by amazon.nova-lite-v1:0 on 2025-02-26
The image is a black-and-white illustration featuring a winged angel holding a large scroll. The scroll is inscribed with Latin text that reads "SALVATORIS BEATAE MARIE VIRGINIS SANCTORVM APOSTOLORVM ICONES," which translates to "Icons of the Blessed Virgin Mary and the Saints of the Apostles." Below the scroll, there is a smaller text that reads "A.I. Callot Invented, Sculpted, and Published in Paris in the Year 1631." The image also includes a variety of weapons and tools, such as swords, spears, and hammers, scattered around the scroll. The overall composition is framed by a decorative border.
Created by amazon.nova-pro-v1:0 on 2025-02-26
The image depicts a black-and-white illustration that appears to be a title page of a book or a document. The illustration features a winged figure holding an open book, which is the central focus of the image. The figure is dressed in flowing robes and has a serene expression. The book is open, revealing several lines of text in a formal script. The text is in Latin and appears to be a title or dedication. The background of the image is plain, with no additional elements or distractions. The overall composition is symmetrical, with the figure and the book positioned centrally. The image conveys a sense of solemnity and importance, suggesting that it may be a religious or scholarly work.
Google Gemini
Created by gemini-2.0-flash-lite on 2025-05-23
Here's a description of the image:
The image is a detailed, monochrome etching or engraving, likely from the 17th century. It appears to be a title page or frontispiece for a book.
Central Elements:
- Book/Scroll: A large open book dominates the composition. It is inscribed with Latin text, which likely titles the book. The title reads: "SALVATORIS BEATÆ MARIÆ VIRGINIS SANCTORVM APOSTOLORVM ICONES." This translates to "Images of the Blessed Savior, Mary, the Virgin, and the Saints Apostles".
- Figure Above: Above the book is a depiction of an angel or celestial figure. It appears to be female, with curly hair, a flowing garment, and wings partially visible behind the figure.
- Weapons/Implements: A variety of weapons and implements are positioned beneath the book. These include swords, halberds, and other pointed or bladed instruments. They are likely symbols representing war, martyrdom, or spiritual struggle.
- Additional Text: Below the main title, there is additional text which indicates the artist and the location the book was published. The text "A. I. Callot Inuentre Sculptae" refers to the artist as "A. I. Callot". The location is given as "A PARIS" (Paris) with the date "1631".
Overall Style:
The style is characteristic of Baroque-era printmaking. The image is meticulously detailed, with precise line work and a dramatic use of light and shadow to create depth and volume.
Possible Interpretation:
This image likely served as the title page of a religious book, possibly an illustrated devotional work featuring images of the Virgin Mary, Jesus, and/or saints. The celestial figure suggests divine inspiration. The weapons may symbolize the struggles of faith, martyrdom, or protection against evil. The style indicates the work was produced in 1631.
Created by gemini-2.0-flash on 2025-05-23
Here is a description of the image:
The image is a black and white etching or engraving in a historical style, likely from the 17th century. It depicts what appears to be the title page of a book. The central element is an open book, held open by an angelic figure at the top.
The angelic figure has a serene expression, with curly hair and prominent wings extending behind the book. The book itself is large and filled with text in Latin. The text on the book includes the following words and phrases: "SALVATORIS BEATAE," "MARIAE VIRGINIS SANC-," "TORVM APOSTOLORVM," "ICONES," and "A PARIS." There are also additional lines of text indicating the artist and publisher, "AI. Callot Inuente, Sculpta, et al feraele amico fuo in lucem editce."
Beneath the book and text, there is an arrangement of antique weapons. These include spears, swords, and other polearms. The weapons are crossed and scattered as if they have been discarded.
The style of the image is detailed and precise, with fine lines used to create shading and texture. The overall impression is that of a sophisticated and scholarly work from a bygone era. The image is likely a frontispiece or title page for a religious or historical book. The last line of text reads "Avec Privilege du Roy, de Lannée 1631."
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-31
The image appears to be a historical engraving or etching, likely a title page from a book. The text on the page is in Latin and reads:
"SALVATORIS BEATÆ
MARIÆ VIRGINIS SANC-
TORVM APOSTOLORVM
ICONES
A I. Callot Inventis, Sculptæ, et a Isernele
amico suo in lucem editæ.
A PARIS
Avec Privilege du Roy, de l'année 1631."
Translation:
"Blessed Savior
Mary the Virgin, the Holy Apostles
Images
Invented and engraved by J. Callot, and published by his friend Isernele.
In Paris
With the Privilege of the King, of the year 1631."
The engraving features an angelic figure at the top, holding open a large book. Below the text, there are various engraving tools, such as burins and compasses, indicating that the book likely contains engravings or illustrations. The style and elements of the image suggest it is from the early 17th century, consistent with the date provided. The mention of "Avec Privilege du Roy" indicates that the publication was authorized by the king, a common practice during that period to protect the rights of the publisher.
Qwen
Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-07-10
This image is a detailed black and white illustration that appears to be the frontispiece of a book. It is ornate and classical in style, featuring a central figure that is likely an angel, given the prominent wings and the halo-like rays emanating from the head. The figure is depicted in a classical pose, with curly hair and a draped garment, which adds a sense of elegance and sacredness to the image.
The text below the figure is in Latin and reads:
SALVATORIS BEATAE
MARIÆ VIRGINIS SANTORUM APOSTOLORVM
ICONES
A I. Callot Imuentae, sculptae, et a Israel amico suo in lucem editae.
A PARIS
Avec Privilege du Roy, de l'année 1631
This translates to:
BEATIFICA SALVATORIS
MARIÆ VIRGINIS SANTORUM APOSTOLORVM
ICONES
By A.I. Callot Imuentae, sculpted, and published by his friend from Israel.
IN PARIS
With the Privilege of the King, from the year 1631
The text at the bottom indicates that the work is an edition of sacred icons, published in Paris in 1631 with the royal privilege. The initials "A.I." likely refer to the artist or publisher. The illustration at the bottom of the image shows a broken harp, which may symbolize the fall from grace or the resurrection of the harp, a symbol often associated with music and the Virgin Mary in Christian iconography.
The overall composition suggests that this image is a title page or a frontispiece for a collection of religious icons, and the use of Latin text and classical imagery aligns with the artistic and religious conventions of the Baroque period.
Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-07-10
This image is a title page from a book published in 1631. It appears to be a religious work, likely focusing on the icons of the Virgin Mary, the apostles, and other saints, as suggested by the title "SALVATORIS BEATAE MARIAE VIRGINIS SANCTORUM APOSTOLORUM ICONES." The page is elaborately decorated with engravings.
At the top of the page, there is an angel with wings, holding a banner. Below the angel, the title of the book is written in a large, bold font. The text also includes the name of the artist, "A. I. Callot," who is credited for inventing and engraving the images. The page also mentions that the book was published in Paris with the privilege of the king, as indicated by the text "A PARIS, Avec Privilège du Roy, de l'année 1631."
At the bottom of the page, there is an engraving of a set of tools, possibly related to the art of engraving or printing, which could symbolize the craftsmanship involved in producing the book. The overall design is intricate and detailed, typical of the ornate style of the 17th century.