Human Generated Data

Title

Large Thesis

Date

1625

People

Artist: Jacques Callot, French 1592 - 1635

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, by exchange, S3.101

Human Generated Data

Title

Large Thesis

People

Artist: Jacques Callot, French 1592 - 1635

Date

1625

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, by exchange, S3.101

Machine Generated Data

Tags

Amazon
created on 2019-11-05

Person 98.9
Human 98.9
Painting 93.4
Art 93.4
Person 90.5
Person 86.7
Person 83.8
Person 83.1
Architecture 80.2
Building 80.2
Person 69.9
Person 68.1
Person 64.8
Archangel 56.9
Angel 56.9
Person 55.5
Person 45.8

Clarifai
created on 2019-11-05

art 99.3
illustration 98.4
people 97.6
painting 96.9
religion 95.7
print 95.1
no person 92.5
engraving 92.1
group 91.8
man 90.3
baroque 89.3
visuals 88.9
antique 88.3
symbol 88
retro 87.7
ornate 86.9
ancient 86.1
old 86
Renaissance 85.8
adult 85.3

Imagga
created on 2019-11-05

architecture 37.6
art 36.9
sculpture 34.6
old 32.1
ancient 31.2
stucco 27.3
history 26.9
culture 25.7
religion 25.1
monument 23.4
structure 21.8
temple 21.2
carving 20.9
memorial 20.5
statue 20.1
vintage 19.9
stone 19.8
landmark 19
building 18.4
historical 17.9
antique 17.6
travel 16.9
historic 16.5
facade 15.2
religious 15
tile 15
city 15
arch 14.9
church 14.8
god 14.4
tourism 14
famous 14
decoration 13.1
palace 12.9
marble 12.3
detail 12.1
brass 11.9
heritage 11.6
retro 11.5
wall 11.5
carved 10.8
worship 10.6
holy 10.6
arabesque 10.5
museum 10.4
ornament 10.4
paper 10.2
mosaic 10.1
symbol 10.1
traditional 10
architectural 9.6
faith 9.6
door 9.5
relief 9.5
east 9.3
ornate 9.2
aged 9.1
medieval 8.6
golden 8.6
letter 8.3
style 8.2
column 8.1
stamp 7.9
century 7.8
artistic 7.8
entrance 7.7
spirituality 7.7
money 7.7
texture 7.6
capital 7.6
pattern 7.5
frame 7.5
figure 7.4
gold 7.4
design 7.3
painting 7.2
roman 7.1
icon 7.1
cathedral 7.1

Google
created on 2019-11-05

Microsoft
created on 2019-11-05

drawing 99
text 97.8
sketch 97.2
cartoon 92.7
old 90.9
indoor 89.7
person 78.8
illustration 77.9
painting 71.5
clothing 50.7
decorated 33.8
painted 30
altar 24.7
fabric 22.8

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 22-34
Gender Male, 50.3%
Happy 49.5%
Calm 50.5%
Surprised 49.5%
Disgusted 49.5%
Confused 49.5%
Sad 49.5%
Angry 49.5%
Fear 49.5%

AWS Rekognition

Age 58-76
Gender Female, 50.3%
Angry 50%
Fear 49.6%
Disgusted 49.5%
Calm 49.5%
Confused 49.5%
Happy 49.6%
Sad 49.6%
Surprised 49.5%

Feature analysis

Amazon

Person
Painting
Person 98.9%
Person 90.5%
Person 86.7%
Person 83.8%
Person 83.1%
Person 69.9%
Person 68.1%
Person 64.8%
Person 55.5%
Person 45.8%
Painting 93.4%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-01

The image depicts an elaborate and intricate engraving likely from the Baroque period. At the top center, there is a man riding a winged horse, reminiscent of the mythological Pegasus. This figure is surrounded by angelic beings and cherubs, enhancing the celestial atmosphere. Below him, scenes of chariots and mythical creatures such as lions and a bear are present, contributing to a sense of grandeur and mythological importance. In the middle portion, there is a detailed scene under a canopy of clovered trees. At the center is a seated figure, possibly a scholar or a monarch, flanked by other seated or standing individuals who appear to be engaged in a serious discussion or in a reading. The background features a grand architectural setting, enhancing the perspective and depth of the scene. There's an inscription plaque below this central figure, which is a semblance of an honorific dedication. The blank rectangular space in the lower middle part suggests an area where additional information or text might have been intended but was left unfinished. The lower corners feature additional figures, including cherubs and possibly allegorical figures, continuing the themes of divinity, wisdom, and authority seen throughout the engraving. Overall, the image exudes an atmosphere of grandeur and classical antiquity, with rich details and symbols associated with mythology, scholarship, and nobility.

Created by gpt-4 on 2025-02-01

This image is a detailed etching that appears to be from the Renaissance or Early Modern period, given the style and quality of the artwork. At the top is an elaborate cartouche with what seems to be Latin text and heraldic symbols. Below the cartouche, central to the composition, is a large figure of a horse with wings – a Pegasus – in mid-flight, surrounded by various creatures and figures that appear to be from classical mythology, including putti (cherubic infants), swans, and possibly figures representing the winds or spirits. In the middle section, the scene depicts a serene outdoor setting of a classical garden or grove with a central figure seated on a throne-like chair reading a book. This person is surrounded by other figures in thoughtful or scholarly poses, suggesting a scene of intellectual contemplation or a gathering of philosophers. The detailed forestry and architecture support the classical theme. Leading out towards the foreground are figures on either side, which give a sense of depth and perspective to the scene. These figures might represent muses, scholars, or nobles, some even offering books to the central figure, indicating patronage or homage. The foreground contains a rectangular space that has been left intentionally blank, likely for a written dedication or an inscription that was never completed or has faded over time. The overall impression is that this work is an allegorical representation of wisdom, learning, or possibly a tribute to a historical or mythical patron of the arts and sciences. The intricate detail and elaborate design highlight the printmaker’s skill and the intellectual and artistic aspirations of the time period from which the etching originates.

Anthropic Claude

Created by claude-3-opus-20240229 on 2025-02-01

This image depicts an elaborate allegorical engraving or etching, likely from the 17th or 18th century. The central figure is a winged horse or Pegasus flying above an ornate architectural scene, possibly representing a royal palace or grand estate. Surrounding the central vignette are numerous mythological and symbolic figures arranged in a highly detailed, symmetrical composition. At the top, various deities or personified virtues are shown riding chariots pulled by animals. The sides feature standing female figures, possibly muses or goddesses, interspersed with decorative garlands and scrollwork. At the bottom, additional symbolic scenes are depicted on either side of a blank central cartouche, which may have been intended for an inscription or dedication. The entire image is rendered in fine lines and shading to create an intricate, visually dense design typical of Baroque allegorical prints. The Latin title at the top, "Tancredi a Lotharing ta Premitur", suggests the engraving relates to someone named Tancred of Lorraine, but more context would be needed to identify the specific historical figure or event referenced. Overall, it is an impressive example of the ornate visual language used in elaborate engraved allegories and tributes of this artistic period.

Created by claude-3-haiku-20240307 on 2025-02-01

This is an ornately detailed engraved image depicting a fantastical and allegorical scene. The central focus is a winged figure or creature suspended in the sky amid various mythological and fantastical elements. The image is framed by intricate architectural elements and filled with a diverse array of figures, animals, and natural features. The overall style and composition suggest this is likely a historical or allegorical print from the 17th or 18th century.

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This is a complex baroque-era engraving or print with multiple scenes arranged in a theatrical composition. The image is divided into several tiers, with dramatic mythological and allegorical elements throughout. In the upper portion, there's a dramatic scene featuring Pegasus, the winged horse, taking center stage in the sky. Around it are various chariots, mythological creatures, and flying figures. The scene is quite dynamic with swirling clouds and movement. The middle section shows an architectural setting with classical columns and arches creating a perspective view into a garden or courtyard. Various figures are arranged in this space in formal poses, suggesting a ceremonial or important gathering. The lower portion features decorative framing elements with additional figures along the sides, creating an elaborate border. There appears to be a blank space at the bottom, likely intended for text or dedication. The overall style is characteristic of 17th or 18th-century European printmaking, with intricate detail and dramatic composition. The image appears to be sepia-toned or monochromatic, typical of engravings from this period. The title at the top suggests it may be related to Lotharingia (Lorraine).

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image is a black and white drawing of a man sitting on a chair in the middle of a forest. He is surrounded by women, and there are several children sitting on the ground. The man is looking at the children. Above him, there is a flying horse with a man riding it. The horse is flying over a large tree with many branches. The drawing is surrounded by a white border.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image is a historical print that depicts a scene from the life of St. Francis of Assisi. The print is a detailed and intricate engraving that showcases the artist's skill in creating a complex and dynamic composition. The scene is set in a lush and vibrant garden, with trees and plants surrounding the central figures. The sky above is filled with angels and other celestial beings, adding to the spiritual and divine atmosphere of the image. In the foreground, St. Francis is depicted kneeling before a crucifix, surrounded by a group of people who are also kneeling and praying. The central figure of St. Francis is dressed in a simple robe and is shown with a serene and contemplative expression. The other figures in the scene are dressed in various styles of clothing, indicating the diverse social and cultural backgrounds of the people present. The print also includes a cartouche at the top of the image, which contains the Latin inscription "FRANCISCO A LOTHARINGIA PARENTI OPTIMUS." This inscription translates to "To Francis, the best of Lotharingia," and is likely a reference to St. Francis's noble lineage and his role as a patron saint of Lotharingia, a region in present-day France. Overall, the image is a beautiful and evocative representation of the life and legacy of St. Francis of Assisi, and serves as a testament to the enduring power of religious art and iconography.

Text analysis

Amazon

RANCISCO
PARENIIOF
RANCISCO ARINCI PARENIIOF
ARINCI

Google

vs PAT RANCISCOA LOTHARINGIA PARENTI O EXR ICOL CIENT HEC
PAT
RANCISCOA
LOTHARINGIA
EXR
CIENT
HEC
vs
PARENTI
O
ICOL