Human Generated Data

Title

Death of Sapphira

Date

17th century

People

Artist: Jacques Callot, French 1592 - 1635

Artist after: Cristofano Roncalli, called Il Pomarancio, Italian 1551/52 - 1626

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, by exchange, S3.57.1

Human Generated Data

Title

Death of Sapphira

People

Artist: Jacques Callot, French 1592 - 1635

Artist after: Cristofano Roncalli, called Il Pomarancio, Italian 1551/52 - 1626

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray, by exchange, S3.57.1

Machine Generated Data

Tags

Amazon
created on 2019-04-06

Art 93.3
Painting 79.2
Human 73.8
Person 73.8
Bird 66.1
Animal 66.1
Archaeology 65.2
Person 65
Person 62.1
Bird 50.2

Clarifai
created on 2018-04-19

people 99.9
print 99.8
art 99.7
engraving 99.6
illustration 98.9
adult 97
group 96.9
religion 96.7
man 96.6
leader 96.4
etching 95.8
gown (clothing) 95.3
one 94.2
facial hair 94.2
painting 93.3
royalty 92.6
veil 92.6
saint 90.7
Renaissance 90.2
administration 89.2

Imagga
created on 2018-04-19

sketch 90.9
drawing 66.8
representation 55.4
architecture 36.7
building 34
religion 33.2
art 27.1
church 26.8
city 25.8
landmark 22.6
mosaic 21.9
window 21.5
old 20.2
cathedral 19.7
travel 19.7
tower 17.9
temple 17.8
famous 17.7
history 17
tourism 16.5
ancient 16.4
monument 15.9
historic 15.6
god 15.3
urban 14.9
tourist 14.5
antique 14.1
sky 14
culture 13.7
religious 13.1
statue 13.1
framework 12.1
palace 12
business 11.5
spirituality 11.5
cityscape 11.4
new 11.3
golden 11.2
town 11.1
office 10.8
structure 10.5
modern 10.5
capital 10.4
high 10.4
icon 10.3
sculpture 10.2
vintage 9.9
masterpiece 9.9
financial 9.8
bible 9.8
sacred 9.7
catholic 9.7
skyline 9.5
stone 9.5
construction 9.4
supporting structure 9.3
skyscraper 9.2
museum 9
tile 9
decoration 8.9
detail 8.9
money 8.5
buildings 8.5
interior 8
orthodox 7.8
scene 7.8
glass 7.8
gate 7.8
prayer 7.7
holy 7.7
saint 7.7
faith 7.7
tall 7.5
historical 7.5
east 7.5
gold 7.4
retro 7.4
vacation 7.4
street 7.4

Google
created on 2018-04-19

Microsoft
created on 2018-04-19

text 100
book 100

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 15-25
Gender Male, 92%
Happy 2.2%
Disgusted 0.9%
Calm 64.5%
Sad 19.3%
Angry 2.8%
Confused 8.1%
Surprised 2.1%

AWS Rekognition

Age 38-57
Gender Male, 54.4%
Confused 46.7%
Calm 48.2%
Happy 46%
Disgusted 46.2%
Surprised 45.9%
Sad 46.1%
Angry 45.9%

AWS Rekognition

Age 26-43
Gender Male, 51.9%
Surprised 45.1%
Calm 46%
Sad 52.5%
Disgusted 45.1%
Angry 45.8%
Happy 45%
Confused 45.3%

AWS Rekognition

Age 26-44
Gender Female, 54.9%
Angry 45.5%
Calm 47.5%
Confused 45.4%
Disgusted 45.4%
Happy 46.2%
Sad 49.5%
Surprised 45.5%

Feature analysis

Amazon

Painting 79.2%
Person 73.8%
Bird 66.1%

Categories

Captions

Microsoft
created on 2018-04-19

a close up of a book 53.6%
close up of a book 48.1%
a hand holding a book 48%

Azure OpenAI

Created by gpt-4 on 2024-12-11

This is a black and white engraving depicting a dynamic and dramatic scene. The image has an arched top and shows a setting that appears to be from a classical or ancient context with architectural elements such as columns and a building with a dome structure in the background. In the foreground, there are several figures that appear to be engaged in a moment of intense action or conflict. On the left side of the image, an individual, who seems to be a male figure draped in classical robes, is gesturing with his left hand towards the central scene, as if directing attention or giving an order. Behind him, a character is lying on the ground, possibly wounded or dead, given the passive posture with arms and legs lax. In the center, there is a figure that seems to be in an attacking or defensive position, with one arm extended outward and the other bent. This figure is interacting directly with another person who appears to be under attack, as suggested by their defensive posture and the angle at which they are being pushed back. To the right, a group of figures is observing the confrontation. Their poses and facial expressions indicate a range of reactions, from shock to fear. One individual in this group is pointing towards the central action. At the bottom of the image, text appears to provide some context, possibly the title of the work, the artist, or the scene being depicted. It reads "Dominiquin pinxit" and "I. Callot fe." which suggests that the original painting might have been created by an artist referred to as "Dominiquin" and that the engraving may have been made by Jacques Callot. The engraving is highly intricate, capturing details of the figures' drapery, the architectural elements, and the expressive faces and poses of the characters. The use of light and dark contrast helps to emphasize the dramatic tension of the scene.

Created by gpt-4o-2024-05-13 on 2024-12-11

The image appears to be an intricate line drawing or etching that depicts a dramatic and possibly historical or mythological scene. The foreground features four standing figures dressed in robes, with expressive gestures, adding a sense of movement and urgency. One figure is extending a hand towards the sky while another seems to be supporting or restraining him. A woman appears to be lying on the ground, suggesting distress or fainting. In the background, there is classical architecture with columns and statues, indicating a setting of significant historical or cultural importance. Additional figures are seen climbing or interacting with the structures above, possibly engaging in a form of struggle or chase. The detailed rendering of the surroundings and characters highlights the intricate artistry and complexity of the scene.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-11

The image depicts a dramatic scene from ancient times. In the center, a figure sitting on a raised platform appears to be delivering a speech or address to a crowd of people below. There are several figures surrounding the central figure, some gesturing or reacting to the speech. The architectural details in the background, such as columns and domes, suggest this is taking place in a public or civic setting. The overall style and composition of the image gives it a classical, historical feel.

Created by claude-3-5-sonnet-20241022 on 2024-12-11

This appears to be a historical engraving or etching, likely from a religious or classical context. The artwork shows a dramatic scene with multiple figures in flowing robes gesturing upward toward others positioned on what appears to be an elevated platform or structure. The composition is arranged in an arched frame, typical of Renaissance or Baroque period artwork. In the background, there are architectural elements including columns and what appears to be a domed building. The artist's technique uses cross-hatching and fine line work to create depth and shadow, which was common in engravings of this period. The signature at the bottom indicates it was done by J. Callot. The scene appears to depict some kind of dramatic narrative or biblical story, with the figures' poses and gestures suggesting intense emotion or action.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-11

The image is a black and white engraving of a scene from the Bible, specifically depicting the death of St. Stephen. The engraving is attributed to the French artist Jacques Callot and was created in 1616. In the foreground, St. Stephen is shown being stoned to death by a mob of people. He is depicted in a dramatic pose, with his arms outstretched and his head tilted back in a gesture of martyrdom. The mob surrounding him is shown in various states of agitation, with some people throwing stones and others looking on in horror. In the background, there is a building with a dome, which is likely a representation of the Temple in Jerusalem. The engraving also features several other figures, including a group of men standing on a balcony, who appear to be watching the scene unfold below. The engraving is signed by the artist in the lower right corner, and it is dated 1616. The style of the engraving is characteristic of Callot's work, with its intricate details and dramatic composition. Overall, the engraving is a powerful and moving depiction of a pivotal moment in Christian history, and it is a testament to Callot's skill as an engraver and his ability to convey emotion and drama through his art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-11

This image depicts a black and white illustration of a scene from the Bible, specifically the story of the Prodigal Son. The illustration is rendered in a style reminiscent of the Renaissance period, with intricate details and textures that evoke a sense of depth and dimensionality. In the foreground, a group of figures are gathered around a central figure, who appears to be the Prodigal Son. He is dressed in tattered clothing and has a look of remorse on his face, as if he has just returned home after a period of estrangement from his family. To his left stands a figure who may be his father, who is embracing him warmly and welcoming him back into the family fold. Behind the Prodigal Son and his father, a group of other figures are gathered, including what appears to be the Prodigal Son's brother, who looks on with a mixture of anger and jealousy. The background of the illustration features a grand architectural setting, complete with columns, arches, and ornate details that suggest a sense of opulence and wealth. Overall, this image captures a powerful moment from the Bible, one that speaks to themes of redemption, forgiveness, and the complexities of family relationships. The level of detail and craftsmanship that has gone into creating this illustration is truly impressive, making it a compelling work of art that invites the viewer to reflect on the deeper meanings and symbolism that lie beneath its surface.

Text analysis

Amazon

I.Callot
pinir
rameninge pinir
rameninge