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Human Generated Data

Title

The Annunciation; The Nativity; The Lamentation over the Dead Christ; above: Christ on the Cross between the Virgin and Saint John the Evangelist

Date

third quarter 14th century

People

Artist: Master of the Orcagnesque Misericordia, Italian active c. 1350 - 1375

Classification

Paintings

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Edward W. Forbes, 1917.213

Human Generated Data

Title

The Annunciation; The Nativity; The Lamentation over the Dead Christ; above: Christ on the Cross between the Virgin and Saint John the Evangelist

People

Artist: Master of the Orcagnesque Misericordia, Italian active c. 1350 - 1375

Date

third quarter 14th century

Classification

Paintings

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Edward W. Forbes, 1917.213

Machine Generated Data

Tags

Amazon
created on 2019-04-08

Human 98.9
Art 98.8
Building 98.1
Architecture 98.1
Tile 63.3
Mosaic 63.3
Apse 57.7
Church 56.8
Archangel 55.9
Angel 55.9

Clarifai
created on 2018-03-16

religion 99.9
saint 99.9
art 99.8
church 99.8
god 99.6
painting 99.6
aura 99.3
Mary 99.2
book 99
holy 99
fresco 98.9
religious 98.6
virgin 98.1
spirituality 98
chapel 98
cross 97.6
worship 97
altar 96.8
Renaissance 96.4
sacred 96.3

Imagga
created on 2018-03-16

mosaic 80.4
art 58.9
religion 47.5
vestment 36.1
church 35.1
jigsaw puzzle 30.3
gown 29.5
religious 27.2
creation 25.7
culture 25.6
puzzle 24.8
holy 23.1
god 23
temple 22.8
ancient 22.5
architecture 21.9
outerwear 21.7
sacred 21.4
faith 21
old 20.9
detail 20.1
travel 19.7
transducer 19.3
saint 19.2
prayer 18.3
spiritual 18.2
gold 18.1
sculpture 17.8
icon 17.4
game 17.3
golden 17.2
catholic 16.5
colorful 16.5
cathedral 16.3
painted 16.2
antique 15.7
historic 15.6
spirituality 15.4
decoration 15.1
interior 15
clothing 15
traditional 15
window 14.7
bible 14.7
pray 14.5
electrical device 14.5
statue 14.3
tourism 14
east 14
symbol 13.5
stained 13.5
covering 13
pattern 13
color 12.8
worship 12.6
history 12.5
style 11.9
masterpiece 11.9
design 11.8
museum 11.7
glass 11.7
vintage 10.8
altar 10.5
scene 10.4
letter 10.1
face 9.9
painting 9.9
landmark 9.9
bangkok 9.8
stamp 9.7
device 9.4
wall 9.4
historical 9.4
famous 9.3
painter 9.3
artwork 9.2
portrait 9.1
postmark 8.9
postage 8.8
orthodox 8.8
artistic 8.7
palace 8.7
medieval 8.6
mail 8.6
decorated 8.6
post 8.6
oriental 8.5
texture 8.3
peace 8.2
paint 8.1
tile 8.1
object 8.1
building 8
shrine 7.9
prophet 7.9
renaissance 7.9
monastery 7.8
majolica 7.8
consumer goods 7.8
st 7.8
monument 7.5
light 7.4
ornate 7.3
black 7.2
bright 7.1

Google
created on 2018-03-16

Microsoft
created on 2018-03-16

painting 21.3

Color Analysis

Face analysis

Amazon

Imagga

AWS Rekognition

Age 38-59
Gender Male, 54.1%
Surprised 45.1%
Disgusted 45.1%
Calm 53.1%
Confused 45.2%
Angry 45.4%
Happy 45.1%
Sad 46%

Feature analysis

Amazon

Person
Painting

Clarifai

Clothing
Human face
Person
Footwear
Human head
Human arm

AWS Rekognition

Person 98.9%

Categories

Imagga
created on 2018-03-16

paintings art 100%

Captions

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-04-29

a photograph of a painting of a painting of a religious scene

Created by general-english-image-caption-blip-2 on 2025-06-27

the adoration of the magi, c 1510, by giovanni di bian

OpenAI GPT

Created by gpt-4 on 2024-12-03

This is an image of a piece of artwork depicting various biblical scenes arranged in a multi-panel format, commonly known as a polyptych, which might have served as an altarpiece or devotional panel in its original context. The images are created in a medieval or early Renaissance painting style, with gold leaf and rich colors characteristic of that era. There are depictions of scenes such as the Annunciation, Nativity, and Crucifixion with figures that are likely to represent important figures from the Christian faith, such as Mary, Joseph, and angels. The figures are adorned with halos, signifying their holy nature. The architecture and clothing styles are typical of the time period in which the artwork was created. The overall impression is one of religious reverence and historical artistry.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-25

This is a medieval religious painting, likely from the 14th century, arranged in an arched panel format with multiple scenes. The artwork appears to be done in tempera and gold leaf on a wooden panel, displaying typical Gothic artistic style.

The painting is divided into several registers or sections:

At the top, there's a Crucifixion scene set against a gold background, with figures in blue and pink robes at the foot of the cross.

In the middle register, there are two scenes depicting the Annunciation and the Nativity, with architectural elements and rich details including decorated backgrounds in red and blue.

The bottom register shows a Lamentation scene, where multiple figures in colorful robes (blue, red, white, and pink) are gathered around a stone slab. The scene is rendered with great emotional intensity, typical of medieval religious art.

The overall composition uses the characteristic medieval artistic conventions, including the hierarchical scaling, flattened perspective, and extensive use of gold leaf background. The colors are remarkably well-preserved, showing the vibrant blues, reds, and pinks that were popular in medieval religious paintings.

This type of panel painting would typically have been part of an altar piece or church decoration, serving both devotional and educational purposes for medieval worshippers.

Created by claude-3-5-sonnet-20241022 on 2024-12-28

This is a medieval religious painting with a Gothic arched frame, likely from the 14th or 15th century. The artwork is divided into several scenes arranged vertically:

At the top is a Crucifixion scene with a gold leaf background, showing figures at the foot of the cross.

In the middle section, there are two scenes:

  • On the left appears to be an Annunciation scene
  • On the right shows a Nativity scene with figures in a stable setting

The bottom section depicts what appears to be a Lamentation or Entombment scene, showing multiple figures gathered around a tomb or altar.

The painting uses traditional medieval artistic techniques including:

  • Gold leaf backgrounds
  • Rich colors like deep blues and reds
  • Hierarchical scaling
  • Gothic architectural elements
  • Haloes indicating sacred figures
  • Formal composition typical of religious art from this period

The overall style and iconography is consistent with Italian Gothic painting traditions, possibly from the Sienese or Florentine school. The work demonstrates the typical religious narrative storytelling approach used in medieval altarpieces.

Created by claude-3-haiku-20240307 on 2024-11-27

The image appears to be a religious painting depicting various biblical scenes. At the center is a large crucifix with the figure of Jesus Christ. Surrounding this are numerous smaller scenes, including the Annunciation, the Nativity, and the Lamentation of Christ. The overall composition is richly detailed, with vibrant colors and intricate religious iconography. The style suggests this is an early Renaissance or late Medieval work of religious art.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-26

The image depicts a medieval-style painting of the life of Jesus Christ, specifically his crucifixion and resurrection. The painting is divided into three sections, with the top section showing Jesus on the cross, the middle section showing the Virgin Mary holding the baby Jesus, and the bottom section showing Jesus' body being prepared for burial.

Top Section:

  • Jesus is depicted on the cross, with his arms outstretched and his head bowed.
  • He is wearing a loincloth and has a crown of thorns on his head.
  • Two angels are shown on either side of the cross, one holding a cloth and the other holding a cup.
  • In the background, there is a cityscape with buildings and people gathered around the cross.

Middle Section:

  • The Virgin Mary is shown holding the baby Jesus in her arms.
  • She is dressed in a blue robe and has a halo around her head.
  • The baby Jesus is dressed in a white robe and has a halo around his head.
  • There are several other figures in the background, including angels and saints.

Bottom Section:

  • Jesus' body is shown being prepared for burial.
  • He is lying on a stone slab, with his arms crossed over his chest.
  • Several people are gathered around him, including women who are weeping and men who are preparing his body for burial.
  • In the background, there is a landscape with hills and trees.

Overall, the painting depicts the life of Jesus Christ, from his crucifixion to his resurrection. It is a powerful and emotive work of art that conveys the message of Christianity.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-22

The image depicts a painting of the Holy Family, featuring Mary, Joseph, and Jesus. The painting is divided into three sections: the top section shows Jesus being born in a manger, the middle section depicts the Holy Family with angels and shepherds, and the bottom section portrays the crucifixion of Jesus.

  • Top Section:
    • Jesus is shown being born in a manger.
    • Mary is kneeling beside him, holding him in her arms.
    • Joseph is standing behind them, looking on.
    • Two angels are present, one on either side of the manger.
  • Middle Section:
    • The Holy Family is shown with angels and shepherds.
    • Mary is sitting on a throne, holding Jesus in her lap.
    • Joseph is standing beside her, looking down at Jesus.
    • Three angels are present, one on either side of the throne and one above it.
    • A group of shepherds are gathered around the throne, looking up at Jesus.
  • Bottom Section:
    • The crucifixion of Jesus is depicted.
    • Jesus is shown nailed to the cross, with his arms outstretched.
    • Mary is kneeling at the foot of the cross, looking up at Jesus.
    • Joseph is standing behind her, looking down at Jesus.
    • A group of people are gathered around the cross, looking up at Jesus.

Overall, the painting portrays the Holy Family in a series of scenes, from the birth of Jesus to his crucifixion. The use of gold leaf and vibrant colors adds to the overall sense of grandeur and importance of the subject matter.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-04

The image is a painting with a golden border. It depicts several scenes from the life of Jesus Christ. In the topmost part, Jesus is depicted on the cross, with his mother, Mary, and another woman on either side. The middle part of the painting shows the birth of Jesus, with Mary holding the baby Jesus, and Joseph sitting beside her. The bottom part of the painting depicts the death of Jesus, with several people standing around him.

Created by amazon.nova-lite-v1:0 on 2025-01-04

The panel is divided into two registers. The upper register depicts the Crucifixion with the Virgin Mary and St John the Evangelist, and the Annunciation to the Virgin and the Nativity in the centre and right, respectively. The lower register depicts the Entombment of Christ. The panel is signed on the upper left: "OPUS MAGISTRIS IOHANNIS DE BONSIGNIS". The painting is a copy of the panel by the same artist in the National Gallery, London.

Google Gemini

Created by gemini-2.0-flash on 2025-04-26

Here's a description of the image:

Overall Impression:

The image is a religious painting, likely a triptych panel or a polyptych element, depicting various scenes from the life and passion of Jesus Christ. It has a vertical format with an arched top, common in medieval and early Renaissance religious art. The style is characterized by flattened perspectives, gold backgrounds, and stylized figures.

Detailed Description:

The painting is organized into four distinct sections:

  1. Top Section: Inside a golden circle, the crucifixion of Jesus is depicted. Jesus hangs on the cross, with Mary, his mother, seated on one side and another figure (possibly John the Evangelist) seated on the other. An inscription "INRI" is above the cross.
  2. Second Section (Divided): This section is divided into two scenes. On the left, the Annunciation is depicted. An angel, with wings, kneels before Mary, who is seated with a book. On the right is the Nativity scene. Mary is seated with the infant Jesus on her lap, while Joseph sits nearby. A stable scene with animals is in the background, and a figure peers from behind the stable.
  3. Bottom Section: This section illustrates the lamentation of Christ. The body of Jesus is lying on a bier, surrounded by mourners, including Mary and other figures. The figures are clad in richly colored garments, and some have halos.

Style and Technique:

  • Gold Background: The use of a gold background is a common feature of medieval and early Renaissance religious art, symbolizing divinity and the heavenly realm.
  • Stylized Figures: The figures are depicted in a stylized manner, with elongated proportions, expressive faces, and elaborate drapery.
  • Flat Perspective: The painting employs a flattened perspective, with little sense of depth or spatial realism.

Overall, the image is a representation of key events in the life of Jesus Christ. Its style and composition are consistent with artistic conventions of the late medieval and early Renaissance periods.

Created by gemini-2.0-flash-lite on 2025-04-26

Here is a description of the image:

This is an Italian Gothic panel painting, likely an altarpiece. It's divided into multiple scenes, telling a narrative of the life of Jesus.

Central Scenes (from top to bottom):

  • Crucifixion: At the top, a large scene depicts the crucifixion of Jesus. He is on a cross, with the Virgin Mary and John the Apostle at the base.
  • Annunciation and Nativity: Below, the painting is divided into two sections.
    • To the left is the Annunciation. An angel is announcing the pregnancy to Mary.
    • To the right is the Nativity scene (the birth of Jesus). Mary is shown in a shelter with Jesus, surrounded by Joseph and possibly animals.
  • Lamentation: The bottom section of the panel shows the Lamentation over Christ. People are mourning over the body of Jesus.

Style and Characteristics:

  • Gothic Art: The elongated figures, gold leaf background, and use of halos are characteristic of the Gothic style.
  • Religious: The subject matter is distinctly religious, common for altarpieces.
  • Narrative: The painting is intended to tell a story, moving from the crucifixion to the lamentation.

Overall: This is a valuable example of early Italian art, demonstrating both artistic skill and religious devotion.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-26

The image is a detailed religious painting, likely from the late medieval or early Renaissance period, characterized by its use of rich colors, gold leaf, and intricate detailing. It depicts several significant scenes from Christian theology, arranged in a vertical format.

  1. Top Section:

    • Crucifixion: At the top center, Jesus Christ is depicted on the cross, flanked by the Virgin Mary on the left and St. John the Evangelist on the right. This scene represents the Crucifixion of Jesus.
    • Annunciation: To the left of the Crucifixion, the Archangel Gabriel is shown announcing to the Virgin Mary that she will conceive and become the mother of Jesus.
    • Nativity: To the right of the Crucifixion, the Nativity scene shows the birth of Jesus in a manger, with Mary and Joseph present.
  2. Middle Section:

    • Annunciation and Visitation: On the left, the Annunciation scene is repeated with the Archangel Gabriel and the Virgin Mary.
    • Nativity: On the right, the Nativity scene is depicted again, showing the infant Jesus in the manger with Mary and Joseph.
  3. Bottom Section:

    • Lamentation or Pietà: The central and most prominent scene at the bottom shows the Lamentation or Pietà, where the body of the dead Christ is being mourned. Mary is holding Jesus' body, surrounded by several other figures, including apostles and possibly other mourners, expressing their grief.

The painting is framed with an arched top and has a golden background, which was common in religious art of this period to signify the divine and sacred nature of the scenes depicted. The use of vibrant colors and detailed facial expressions adds emotional depth to the narrative, making it a powerful piece of religious art.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-06-27

This image depicts a religious artwork, specifically a triptych, which is a three-panel painting or sculpture. This particular triptych is divided into three sections, each showcasing a different religious scene.

  1. The Top Section: This part of the triptych features the Crucifixion of Jesus Christ. Jesus is shown on the cross, flanked by two figures, possibly the Virgin Mary and a saint or apostle, both depicted in prayer and grief. The background is ornate and golden, which was a common practice in religious art to symbolize divinity and the heavens.

  2. The Middle Section: This section is divided into two parts. On the left, an angel is depicted in conversation with a seated figure, likely an angel or a saint, holding a star, which could symbolize a message from God. On the right, the Nativity scene is shown. Here, the Virgin Mary is seated on a throne with the infant Jesus, surrounded by angels and Joseph, who is kneeling in adoration. The background includes a depiction of the stable with animals, emphasizing the humble birth of Jesus.

  3. The Bottom Section: This section depicts the Lamentation over the Dead Christ. The body of Jesus is lying on a table, surrounded by mourners including the Virgin Mary, the apostles, and other figures in a state of grief and mourning. The scene is rich in detail, capturing the emotional intensity of the moment.

The entire triptych is characterized by rich colors, golden backgrounds, and intricate details, typical of religious art from the medieval or early Renaissance period. The use of halos around the heads of the figures signifies their sanctity. The artwork is likely meant to convey religious narratives and evoke emotional responses from the viewer, aligning with the liturgical and devotional functions of such artworks in historical churches.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-06-27

This image is a religious artwork, likely a triptych or a polyptych panel, depicting various scenes from the life of Jesus Christ. The painting is divided into three main sections, each containing different biblical narratives. Here's a detailed description of each section:

Upper Section (Crucifixion)

  • Central Figure: Jesus Christ is depicted on the cross, with the word "INRI" (a Latin acronym meaning "Jesus of Nazareth, King of the Jews") written above his head.
  • Flanking Figures: On either side of the cross, there are two figures in blue and pink robes, likely representing the Virgin Mary and Saint John the Evangelist. They are shown in a state of mourning, with their heads bowed and hands clasped in prayer.

Middle Section (Annunciation and Nativity)

  • Left Panel (Annunciation): The scene shows the Archangel Gabriel, dressed in blue and pink, kneeling before the Virgin Mary, who is seated in a red and gold throne. Gabriel is delivering the message of the Annunciation, indicated by his gesture and the presence of a white lily, a symbol of purity.
  • Right Panel (Nativity): This scene depicts the birth of Jesus. The Virgin Mary is shown holding the infant Jesus, with the ox and donkey in the background, symbolizing the stable where Jesus was born. Saint Joseph is kneeling beside Mary, and a shepherd is observing the scene from the top right corner.

Lower Section (Lamentation)

  • Central Scene: This depicts the Lamentation of Christ, showing the body of Jesus being mourned by his followers. The body is laid out on a table, and several figures, including the Virgin Mary, Saint John, and other disciples, are gathered around it, showing their grief. The figures are dressed in rich, colorful robes, and their expressions and gestures convey deep sorrow.

The entire painting is richly decorated with gold leaf, which was commonly used in religious art of the time to signify the divine and the sacred. The use of vibrant colors and detailed backgrounds adds to the visual impact and the emotional depth of the scenes. The overall style is characteristic of late medieval or early Renaissance religious art, with a focus on narrative and emotional expression.