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Human Generated Data

Title

Saint John the Baptist and Two Franciscans

Date

14th century

People

Artist: Ugolino di Nerio, called Ugolino da Siena, Italian 1317 - 1327

Classification

Paintings

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Charles Loeser, Class of 1886, 1921.8

Human Generated Data

Title

Saint John the Baptist and Two Franciscans

People

Artist: Ugolino di Nerio, called Ugolino da Siena, Italian 1317 - 1327

Date

14th century

Classification

Paintings

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Charles Loeser, Class of 1886, 1921.8

Machine Generated Data

Tags

Amazon
created on 2020-04-23

Art 91.6
Human 83.9
Text 68.4
Book 67
Novel 65.4

Clarifai
created on 2020-04-23

art 99.4
religion 98.9
painting 98.6
old 97.1
ancient 96.6
wear 96.4
wall 94.9
people 92.6
god 91.2
retro 90.7
sculpture 89.8
desktop 88.5
vintage 88.4
antique 87.7
picture frame 87.6
temple 87.3
texture 87.2
rust 86.9
architecture 84.7
door 84.4

Imagga
created on 2020-04-23

old 49.5
texture 38.2
antique 34.8
vintage 33.9
device 32.5
ancient 32
rusty 30.5
aged 29
grunge 29
knocker 28.3
wall 27.5
hole 27.2
fastener 26.7
art 25.8
latch 25.4
door 23.8
brown 23.6
metal 23.3
rough 22.8
pattern 22.6
rust 22.2
dirty 21.7
detail 20.9
design 20.8
catch 20.5
wood 20
lock 20
weathered 19
iron 18.7
paint 18.1
material 17.9
restraint 17.5
frame 17.5
architecture 17.2
binding 17.1
stained 16.3
worn 16.2
padlock 16
textured 15.8
carving 15.6
surface 15
wallpaper 14.6
prayer rug 14.5
history 14.3
grungy 14.2
retro 13.9
close 13.7
entrance 13.5
rug 13.5
religion 13.4
wooden 13.2
sculpture 12.8
rustic 12.5
paper 11.8
decoration 11.7
steel 11.5
empty 11.2
color 11.1
building 11.1
security 11
book 11
doorway 10.8
stain 10.6
obsolete 10.5
blank 10.3
travel 9.9
entry 9.8
closed 9.6
temple 9.6
aging 9.6
handle 9.6
canvas 9.5
cover 9.3
church 9.2
furnishing 9.1
gold 9
floor cover 8.9
corrosion 8.9
gate 8.7
messy 8.7
decay 8.7
damaged 8.6
painted 8.6
stone 8.6
age 8.6
culture 8.5
decorative 8.4
style 8.2
border 8.1
peeling 7.9
rusted 7.9
burnt 7.8
ornament 7.8
torn 7.7
parchment 7.7
old fashioned 7.6
leather 7.6
ornamental 7.6
covering 7.6
brick 7.6
historical 7.5
traditional 7.5
jamb 7.4
ornate 7.3
yellow 7.3
home 7.2

Google
created on 2020-04-23

Microsoft
created on 2020-04-23

text 97.6
drawing 96.5
art 95.6
book 91.7
old 86.2
person 86.1
sketch 57.3
painting 42
painted 22.2

Color Analysis

Feature analysis

Amazon

Painting
Person

Clarifai

Picture frame
Human face
Person

AWS Rekognition

Painting 87.5%

Categories

Imagga
created on 2020-04-23

pets animals 42.5%
paintings art 25%
nature landscape 15.8%
streetview architecture 10%
events parties 2.7%
interior objects 2.6%

Captions

Microsoft
created by unknown on 2020-04-23

a painting of a book 72.9%
a painting on the wall 72.8%
a painting on a wall 72.7%

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-04-28

a photograph of a painting of a man with a child

Created by general-english-image-caption-blip-2 on 2025-06-27

a painting of jesus with two children

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2024-12-31

The image depicts an ancient religious painting that shows a central figure, likely Jesus Christ, standing. There are two smaller figures kneeling on either side of him, possibly depicting Mary and John or other saints. The painting appears to be quite old, with a significant amount of crackling and wear visible on the surface, indicating its age and exposure to the elements over time. The background of the painting is predominantly a deep reddish tone with textural details, and the frames around the image suggest it is an icon, possibly from the Byzantine or early medieval period. The style is characteristic of early Christian art, focusing on symbolic representation rather than naturalistic detail.

Created by gpt-4 on 2024-01-25

The image depicted is an ancient, damaged painting or icon. The central figure appears to be standing and shrouded in a dark, flowing garment, possibly a robe with some lighter areas that could suggest ornamental aspects of the clothing or light reflection. This figure has a halo around the head, indicating a representation of a holy or divine figure. On either side of the central figure, there are two smaller, also standing figures, likely supplicants or saints, depicted with their heads covered and hands raised possibly in prayer or veneration. Their appearance suggests they are paying homage or praying to the central figure.

The painting itself is considerably damaged, with large portions of the pigment missing, leaving the wood substrate exposed, particularly on the figures and their faces. The background is a faded, cracked red, with visible craquelure across the entire surface, indicating age. The icon is housed within an old, dark brown wooden frame with possible decorative etchings along the edge, which are also worn and impacted by time.

Overall, the icon has an aura of ancient religiosity and suggests a history of being revered, though it has clearly seen significant degradation over time.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-25

This appears to be a medieval religious painting or icon, showing three figures in dark robes against a reddish-orange background. The central figure is larger and stands between two smaller figures. The painting has a weathered, aged appearance with significant cracking and deterioration visible in the paint surface. It's framed within a simple wooden border that also shows signs of age and wear. The style is characteristic of early religious art, with the figures rendered in a flat, stylized manner typical of medieval iconography. The dark, somber tones of the robed figures contrast dramatically with the warm background, creating a striking visual effect despite the painting's deteriorated condition.

Created by claude-3-haiku-48k-20240307 on 2024-03-29

The image appears to be a religious painting depicting a figure in a black robe standing against a fiery orange and brown background. The figure appears to be holding something in their hands, though the details are obscured due to the weathered and damaged nature of the painting. The frame surrounding the image is also old and worn, adding to the sense of age and history.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-25

The image depicts a painting of Jesus Christ, with two figures kneeling before him. The painting is rendered in a style reminiscent of medieval art, characterized by muted colors and a sense of reverence.

Key Elements:

  • Jesus Christ: The central figure in the painting, Jesus is depicted wearing a long robe that falls to his ankles. His right hand is raised in a gesture of blessing, while his left hand rests on his hip.
  • Kneeling Figures: Two figures are shown kneeling on either side of Jesus, their heads bowed in prayer. They are dressed in simple robes, with their hands clasped together in front of them.
  • Background: The background of the painting is a warm, golden color, which adds to the overall sense of warmth and devotion.
  • Frame: The painting is surrounded by a wooden frame, which is worn and weathered, suggesting that it has been passed down through generations.

Symbolism:

  • Jesus' Gesture: Jesus' raised hand is a symbol of his divine authority and power.
  • Kneeling Figures: The kneeling figures represent the humility and devotion of those who seek to follow Jesus' teachings.
  • Golden Background: The golden background represents the divine light that emanates from Jesus.

Overall Impression:

The painting conveys a sense of reverence and devotion, inviting the viewer to reflect on the teachings of Jesus Christ. The use of muted colors and simple composition creates a sense of intimacy and contemplation, drawing the viewer into the spiritual world of the painting.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-22

The image depicts a painting of Jesus Christ surrounded by two figures, likely Mary and John, in a simple yet powerful composition.

  • Jesus Christ
    • Standing in the center of the painting
    • Wearing a long robe
    • Holding a staff in his right hand
    • Looking directly at the viewer with a serene expression
  • Mary
    • Standing to the left of Jesus
    • Wearing a long robe
    • Gazing up at Jesus with devotion
  • John
    • Standing to the right of Jesus
    • Wearing a long robe
    • Looking up at Jesus with reverence

The painting is rendered in muted colors, with Jesus depicted in a warm, golden light that sets him apart from the figures surrounding him. The overall effect is one of quiet contemplation and reverence, inviting the viewer to reflect on the significance of this moment in Christian iconography.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-04

The image depicts a painting of Jesus Christ, with two people on either side of him. The painting is mounted on a wooden frame. The painting is in black and white, with some parts of it being in color. The painting appears to be old, with some parts of it being damaged. The person on the left side of Jesus Christ appears to be a woman, and the person on the right side of Jesus Christ appears to be a man.

Created by amazon.nova-lite-v1:0 on 2025-01-04

The image shows a painting of Jesus Christ standing in the center, with a child on each side of him. The painting is old and worn, with a cracked and faded surface. The child on the left is holding Jesus' hand, while the child on the right is looking up at him. The painting is framed in a wooden frame, which is also old and worn. The background of the painting is a reddish-brown color.

Google Gemini

Created by gemini-2.0-flash on 2025-04-26

Certainly! Here's a description of the image:

Overview

The image is a faded, cracked icon or painting of a religious scene. It appears to be old, with significant wear and damage to the paint surface.

Composition

The painting features three main figures:

  • Central Figure: A tall, standing figure dominates the scene. It has a halo, indicating its religious significance. The person is wearing a dark, long robe or garment that obscures most of the body.

  • Smaller Figures: Two smaller figures flank the central person. They are kneeling, one on each side. The figures appear to be clad in monastic robes or similar garments. One figure raises a hand towards the central figure.

Color Palette and Style

The color palette is dominated by earthy tones, with faded red, brown, and dark colors. The overall style suggests a Byzantine or early Renaissance influence, but the damaged condition makes it difficult to confirm.

Condition

The artwork is clearly aged, with extensive cracks and discoloration throughout. The paint has worn away in many areas, making the details of the figures difficult to discern.

Created by gemini-2.0-flash-lite on 2025-04-26

Here's a description of the image:

Overall Impression:

The image depicts an aged religious icon or panel painting. It's characterized by a worn, crackled surface, suggesting significant age. The color palette is dominated by deep reds, browns, and blacks, creating a somber and reverent atmosphere.

Composition:

The painting is framed within a simple, rectangular wooden border. The central figure is a tall, standing figure of what seems to be a religious figure (possibly Jesus or a similar saint), dressed in dark robes. On either side of the central figure are smaller figures, likely depicting supplicants or followers. One figure is reaching out and the other is kneeling with clasped hands in prayer.

Color and Technique:

  • The background is a vibrant, almost rusty red.
  • The central figure's robes are painted in a deep, dark brown.
  • The figures are painted with a simplified style, and the aging has caused cracking and fading.
  • The overall effect is of a work with a long history, probably painted on wood panels.

Condition:

The painting shows significant signs of age and wear. The paint is cracked, and there are areas where the underlying surface is visible. The wooden frame is also weathered. This damage is typical of ancient artwork, and it enhances the sense of history and spiritual weight.

Style and Possible Interpretation:

The style resembles Byzantine art, or it may be a piece from a related Orthodox or Early Christian tradition. The elongated figure and the solemnity of the figures are key features of the iconographic representation. The central figure is likely representing divine power. The presence of supplicants suggests themes of faith, prayer, and reverence.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-25

The image depicts a religious icon that appears to be quite old and weathered. The icon features three figures, which are likely saints or religious figures, given the traditional style and composition. The central figure is the most prominent and is adorned with a halo, indicating sanctity. This figure is standing and is flanked by two smaller figures, one on each side. The smaller figures are also standing and appear to be in a posture of reverence or prayer.

The background of the icon is predominantly a reddish-brown color, which has faded and shows significant signs of wear and tear. The paint is cracked and peeling in several areas, revealing the underlying material. The overall condition of the icon suggests it has been exposed to the elements or has aged considerably over time.

The icon is framed with a simple wooden border, which also shows signs of age and wear. The frame is dark and has a rough texture, adding to the antique appearance of the piece. The style and composition of the icon suggest it could be from a traditional Christian Orthodox or Eastern Orthodox background, where such icons are commonly used in religious practices and veneration.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-06-25

This image depicts a painting that appears to be an icon, a type of religious artwork traditionally used in Orthodox and Eastern Christian traditions. The painting is framed and shows a central figure, likely a saint or a religious figure, dressed in dark, flowing robes with a halo, signifying sanctity. On either side of the central figure are two smaller figures, possibly disciples or other saints, also in dark robes. The painting is highly stylized, with a focus on symbolic representation rather than realistic detail. The background and edges of the painting show significant wear and tear, with visible cracks and chipped paint, indicating age and historical use. The colors are primarily dark and muted, with shades of brown and black dominating the image, and hints of red on the background.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-06-25

This is an image of an aged and heavily deteriorated religious icon, likely of Orthodox Christian origin, depicting the Virgin Mary (Theotokos) with the Christ Child. The icon shows significant damage, with extensive cracking, missing paint, and darkened areas, obscuring much of the original details.

The central figure is a standing Virgin Mary in a dark robe, her posture slightly turned. She is holding the Christ Child, who seems to be reaching out with one hand. To the sides are two smaller figures, possibly saints, depicted in dark robes with halos, facing the central figures. The background is predominantly reddish-brown, with the paint cracking and peeling, adding to the icon's worn and antique appearance. The wooden frame surrounding the painting is also aged, with visible wear and chipping along the edges.