Human Generated Data

Title

The Rake in Bedlam

Date

1735

People

Artist: William Hogarth, British 1697 - 1764

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Ralph Kirkpatrick, M20080

Human Generated Data

Title

The Rake in Bedlam

People

Artist: William Hogarth, British 1697 - 1764

Date

1735

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Ralph Kirkpatrick, M20080

Machine Generated Data

Tags

Amazon
created on 2024-02-23

Art 100
Painting 100
Adult 97.8
Bride 97.8
Female 97.8
Person 97.8
Wedding 97.8
Woman 97.8
Person 97.6
Baby 97.6
Adult 97.3
Bride 97.3
Female 97.3
Person 97.3
Woman 97.3
Person 97.2
Adult 96.7
Bride 96.7
Female 96.7
Person 96.7
Woman 96.7
Adult 96.5
Bride 96.5
Female 96.5
Person 96.5
Woman 96.5
Adult 96.5
Bride 96.5
Female 96.5
Person 96.5
Woman 96.5
Person 96
Person 95.6
Person 94.2
Person 92.6
Adult 91.8
Bride 91.8
Female 91.8
Person 91.8
Woman 91.8
Person 91.7
Adult 86.6
Bride 86.6
Female 86.6
Person 86.6
Woman 86.6
Face 84.8
Head 84.8
Text 63.6
Drawing 60.3
Page 55.1

Clarifai
created on 2024-02-23

people 100
print 99.9
group 99.9
adult 99
man 98.8
engraving 98.7
many 98.3
art 98.2
child 97.3
soldier 96.2
several 96
war 95.4
leader 95
military 94.3
group together 93.8
lithograph 93.1
woman 92.8
illustration 91.6
administration 90.7
weapon 90.1

Imagga
created on 2024-02-23

sketch 100
drawing 98.1
representation 72.6
old 26.5
freight car 22.3
vintage 21.5
architecture 20.4
building 20.1
graffito 19.3
history 18.8
ancient 18.2
car 17.6
art 17.6
paper 17.2
retro 16.4
grunge 16.2
money 16.2
currency 14.4
decoration 14.2
antique 14.1
cash 13.7
wheeled vehicle 13.7
finance 13.5
landmark 12.6
financial 12.5
city 12.5
business 11.5
bill 11.4
travel 11.3
banking 11
bank 11
house 10.9
aged 10.9
structure 10.6
historical 10.3
black 10.2
sky 10.2
letter 10.1
texture 9.7
us 9.6
design 9.6
sculpture 9.6
wall 9.5
vehicle 9.5
dollar 9.3
tourism 9.1
dirty 9
wealth 9
facility 8.7
pay 8.6
rich 8.4
economy 8.3
street 8.3
historic 8.3
symbol 8.1
postmark 7.9
postage 7.9
postal 7.9
scene 7.8
stamp 7.7
culture 7.7
loan 7.7
mail 7.7
winter 7.7
temple 7.6
famous 7.4
style 7.4
facade 7.3
religion 7.2
snow 7.1

Google
created on 2024-02-23

Art 80.6
Painting 76.2
Illustration 71.3
Drawing 69.8
Visual arts 68.3
History 64.2
Vintage clothing 58.6
Printmaking 56.6
Paper product 55.9
Rectangle 55.6
Antique 55.6
Artwork 54.1
Room 51.2
Mythology 50.8
Paper 50.4

Microsoft
created on 2024-02-23

drawing 97.8
sketch 97.2
art 94
text 93
illustration 91.3
stone 7.3

Color Analysis

Face analysis

Amazon

Microsoft

AWS Rekognition

Age 21-29
Gender Female, 98.8%
Calm 98.6%
Happy 0.2%
Sad 0.1%
Confused 0%
Angry 0%
Disgusted 0%
Surprised 0%
Fear 0%

AWS Rekognition

Age 51-59
Gender Male, 97.7%
Sad 89.8%
Calm 39.9%
Confused 0.2%
Happy 0%
Fear 0%
Angry 0%
Surprised 0%
Disgusted 0%

AWS Rekognition

Age 72-80
Gender Female, 94.5%
Sad 90.1%
Calm 39.4%
Confused 0%
Happy 0%
Angry 0%
Disgusted 0%
Fear 0%
Surprised 0%

AWS Rekognition

Age 63-71
Gender Male, 100%
Calm 99.8%
Angry 0.1%
Fear 0%
Sad 0%
Confused 0%
Surprised 0%
Disgusted 0%
Happy 0%

AWS Rekognition

Age 66-74
Gender Male, 100%
Fear 99.6%
Sad 0.3%
Confused 0.1%
Angry 0%
Surprised 0%
Disgusted 0%
Happy 0%
Calm 0%

AWS Rekognition

Age 19-27
Gender Female, 90.1%
Calm 86.4%
Happy 2.2%
Sad 1.2%
Angry 0.1%
Confused 0%
Disgusted 0%
Fear 0%
Surprised 0%

AWS Rekognition

Age 44-52
Gender Male, 100%
Angry 92.2%
Fear 4.4%
Happy 1.1%
Confused 0%
Calm 0%
Surprised 0%
Sad 0%
Disgusted 0%

AWS Rekognition

Age 45-53
Gender Female, 65.2%
Confused 22.3%
Happy 17.5%
Angry 10.8%
Surprised 7.2%
Calm 6.4%
Fear 1.6%
Sad 1.3%
Disgusted 0%

AWS Rekognition

Age 54-64
Gender Male, 100%
Calm 84.5%
Happy 2.8%
Confused 0.8%
Sad 0.1%
Angry 0.1%
Surprised 0%
Disgusted 0%
Fear 0%

Microsoft Cognitive Services

Age 23
Gender Female

Microsoft Cognitive Services

Age 27
Gender Female

Feature analysis

Amazon

Adult
Bride
Female
Person
Woman
Baby
Adult 97.8%
Adult 97.3%
Adult 96.7%
Adult 96.5%
Adult 96.5%
Adult 91.8%
Adult 86.6%
Bride 97.8%
Bride 97.3%
Bride 96.7%
Bride 96.5%
Bride 96.5%
Bride 91.8%
Bride 86.6%
Female 97.8%
Female 97.3%
Female 96.7%
Female 96.5%
Female 96.5%
Female 91.8%
Female 86.6%
Person 97.8%
Person 97.6%
Person 97.3%
Person 97.2%
Person 96.7%
Person 96.5%
Person 96.5%
Person 96%
Person 95.6%
Person 94.2%
Person 92.6%
Person 91.8%
Person 91.7%
Person 86.6%
Woman 97.8%
Woman 97.3%
Woman 96.7%
Woman 96.5%
Woman 96.5%
Woman 91.8%
Woman 86.6%
Baby 97.6%

Captions

Microsoft
created on 2024-02-23

a close up of a stone wall 51.7%
a stone wall 51.3%
close up of a stone wall 44.2%

OpenAI GPT

Created by gpt-4 on 2024-12-06

This image is a monochrome engraving depicting a chaotic and crowded scene inside a room that resembles an asylum or a place where various disordered activities are taking place. The room is filled with different characters engaged in various strange behaviors and actions. On the left side, a figure is sitting on a floor with one hand raised as if in conversation or protest, while nearby, other individuals are engaged in a heated exchange, with one man appearing to restrain another who is lying on the ground. An onlooker seems disturbed or frantic, facing the chaotic pair. In the background on the left, figures huddle together, some seemingly in distress or contemplation, with their hands on their heads, and a person appears to be standing behind bars, suggesting confinement. Another individual is seated in a cell, not interacting with the turmoil outside. To the right, a group of three figures includes a lady in what resembles 18th or 19th-century attire, speaking with an individual attired in official or ceremonial dress. A person in the background observes them through a barred window from an adjacent space. In the foreground on the right, a figure in robes and a pointed hat sits on a high chair or throne-like seat, holding a scepter, and flanked by a monkey mimicking their pose. Another individual rests on the floor, leaning against a box and holding what seems to be a book or papers. The monkey and the seated figure are symbols often used to depict madness or folly in historical satire. One figure is reading a sheet of paper, and a pair of figures are sitting together with one pointing upward, as if lecturing or explaining something. There is also a dog in the scene, reinforcing the chaos with its aggressive pose towards one character. Overall, the scene is dense with symbolism and appears to be an allegorical or satirical representation of madness or folly, common in artwork from the 18th and 19th centuries. The engraving includes text at the bottom, which likely provides context or commentary specific to the scene, and which mentions the date June 8, 1783.

Created by gpt-4o-2024-05-13 on 2024-12-06

This image is an 18th-century illustration depicting a chaotic and distressing scene inside what appears to be an asylum or prison. The room is populated by various individuals in different states of distress, emotion, and activity. Some of the figures are dressed in tattered clothes and exhibit exaggerated expressions and gestures, emphasizing the disorder and despair of the place. The inmates include people engaging in various activities such as playing music, praying, and comforting each other. The image also showcases elements like barred windows and doors, reinforcing the setting as a place of confinement.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-06

The image appears to be a detailed engraving depicting a chaotic and crowded scene. In the foreground, there is a person lying down on the ground, seemingly injured or incapacitated, surrounded by a group of individuals. The background shows a building with a variety of people, some of whom appear to be engaged in confrontation or distress. The overall scene conveys a sense of disorder and unrest.

Created by claude-3-5-sonnet-20241022 on 2024-12-06

This is a famous engraving by William Hogarth called "A Rake's Progress" (Scene VIII), published in 1735. It depicts a chaotic scene inside what appears to be Bedlam (Bethlem Royal Hospital), a notorious psychiatric hospital in London. The scene shows various people in different states of mental distress and revelry. There are several figures including patients and visitors, with some dancing, others in despair, and musicians playing. The lighting comes dramatically through barred windows, creating a stark atmosphere. The image is done in the detailed etching style characteristic of Hogarth's work, with careful attention to expressions and gestures that tell a complex social story. This particular scene is the final one in the series, showing the ultimate fate of the main character after a life of debauchery and waste. It's a powerful commentary on 18th-century English society and mental health care.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-06

The image depicts a scene of chaos and disorder, with a group of people in various states of distress and disarray. The scene is set in a large room with stone walls and a high ceiling, and appears to be a depiction of a prison or asylum. In the foreground, several individuals are shown in states of physical and mental distress. One man is lying on the ground, clutching his head in agony, while another is sitting on the floor, his face contorted in a mixture of pain and madness. A third person is standing, but appears to be hallucinating, with a look of terror on their face. Other individuals in the scene are shown to be in various states of disarray, with some appearing to be in a state of panic or hysteria. One woman is shown to be screaming, while another is shown to be crying uncontrollably. The background of the image is dominated by a large stone wall, with a doorway leading out into the outside world. The overall atmosphere of the image is one of chaos and disorder, with a sense of hopelessness and despair. The image appears to be a commentary on the state of mental health care during the 18th century, highlighting the lack of understanding and treatment options available for those suffering from mental illness. It also raises questions about the treatment of the mentally ill during this time period, and the impact that this treatment had on their lives. Overall, the image is a powerful and thought-provoking commentary on the state of mental health care during the 18th century, and serves as a reminder of the importance of providing adequate care and support for those suffering from mental illness.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-06

This image is a black-and-white illustration of a chaotic scene in a room, likely a hospital or asylum. The room is filled with people, some of whom are dressed in old-fashioned clothing, while others are naked or partially clothed. Some individuals appear to be in distress, while others seem to be enjoying themselves. In the foreground, a man is being held down by two women, while another man looks on with a mixture of concern and amusement. To the right, a group of people are gathered around a table, where a man is sitting with his head in his hands. In the background, there are several doors and windows, as well as a staircase leading up to a higher level. The overall atmosphere of the image is one of chaos and disorder, with people behaving in unpredictable and sometimes disturbing ways. The illustration appears to be a commentary on the state of mental health care during the time period in which it was created, highlighting the challenges and difficulties faced by those who were struggling with their mental health.

Text analysis

Amazon

Thee
with
to
Him
build
Rule
of
this
June
upon
of Heaven
by
Course
thy
The
thus
Thou
Hogarth
Age
hear
that
Reign
Ruin
Chaos
can
here
25
Tyranny
darling
&
even
The Course thus run,See Him by Thee to Ruin Sold
Fancy's
headstrong
With
Horror,
according
Tyranny of Fancy's Reign !
Brain,
Fill'd
Pleafure,
Labarynths,
see
wild,
Stamp
Heaven.
the Shaking
Vast
run,See
self,&curfe
Publish'd
!
disjointed,
Vast Labarynths, & Mazes wild,
mechanic Fancy; that can build
of youth
Shapes
With Rule Shapelefs Meafure, but Seen
Sold
Doubt of Mercy
Madness, Thou Chaos of y. Brain,
And curfe thy self,&curfe thy gold
Shapelefs Meafure,
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with Terror
His rattling
of y.
Fancy;
act
ui Hogarth according act Partiament June 4. 25
Son!
ui
Chains
Vanity
And curfe
but Seen
Caft
mechanic
Mazes
effacdby
What Comfortfrom
Pleafure.
withDespair;
Horror.filld
gold
wou'd
Partiament
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sides of Spleen
Wou'd split
a
What art,That
4.
What art,That t Pleafure guist and Pain
'
t Pleafure guist and Pain
Inventedri.by H

Google

10 (17100 50 gefges Madness, Thou Chaos of y. Brain, With Rule disjointed, Jhapeless measure, Shapes of Pleasure, that but Jeen The headstrong Course of youth thus run, See Him by Thee to Ruin Sold, What art? That Pleasure giost and Pain Filled with Horror, filled with Pleasure: Word split the Shaking Sides of Spleen. What Comfort from this darling Jon! And curse thy self, & curfe thy Gold. Tyranny of Fancy's Reign! Shapes of Horror, that wou'd even. O Vanity of Age: here see His rattling Chains with Terror hear, Mechanic Fancy, that can build Caft Doubt of mercy upon Heaven. The Stamp of Heaven effaced by Thee Behold Death grappling with Despair, Vast Labarynths, & Mazes wild, Invented&.by W'm Hogarth & Publish'd according to act of Parliament June y. 25.1735.
10
(
17100
50
gefges
Madness
,
Thou
Chaos
of
y
.
Brain
With
Rule
disjointed
Jhapeless
measure
Shapes
Pleasure
that
but
Jeen
The
headstrong
Course
youth
thus
run
See
Him
by
Thee
to
Ruin
Sold
What
art
?
That
giost
and
Pain
Filled
with
Horror
filled
:
Word
split
the
Shaking
Sides
Spleen
Comfort
from
this
darling
Jon
!
And
curse
thy
self
&
curfe
Gold
Tyranny
Fancy's
Reign
wou'd
even
O
Vanity
Age
here
see
His
rattling
Chains
Terror
hear
Mechanic
Fancy
can
build
Caft
Doubt
mercy
upon
Heaven
Stamp
effaced
Behold
Death
grappling
Despair
Vast
Labarynths
Mazes
wild
Invented
.by
W'm
Hogarth
Publish'd
according
act
Parliament
June
25.1735