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Human Generated Data

Title

The Rake in Bedlam

Date

1735

People

Artist: William Hogarth, British 1697 - 1764

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R5694

Human Generated Data

Title

The Rake in Bedlam

People

Artist: William Hogarth, British 1697 - 1764

Date

1735

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R5694

Machine Generated Data

Tags

Amazon
created on 2022-06-11

Person 99
Human 99
Painting 97.5
Art 97.5
Drawing 95.9
Person 93.2
Person 91
Person 90.7
Person 88.7
Person 88.5
Person 88.2
Person 87.9
Person 83.3
Text 81
Sketch 71.5
Person 63.4
Page 58.1
Clothing 55.7
Apparel 55.7
Female 55

Clarifai
created on 2023-10-29

people 100
print 99.9
group 99.7
engraving 99.4
adult 98.8
many 98.5
military 98.4
man 98.3
war 98.1
illustration 97.6
soldier 97.6
art 97.3
lithograph 96.5
weapon 96.1
administration 94.9
several 93
group together 92.5
leader 90.6
woman 90.5
gun 88.9

Imagga
created on 2022-06-11

daily 37
sketch 23.3
drawing 22.8
old 22.3
architecture 22
history 21.5
building 18.7
art 18.2
sculpture 18.2
fire station 17.1
facility 16.9
city 16.6
station 16.5
statue 16.2
structure 15.9
vintage 15.7
representation 15.6
ancient 15.6
landmark 13.5
comic book 13.5
monument 13.1
memorial 12.8
tourism 12.4
newspaper 12.2
historic 11.9
black 11.4
historical 11.3
religion 10.7
freight car 10.6
antique 10.6
travel 10.6
stone 10.2
church 10.2
symbol 10.1
letter 10.1
house 10
product 9.8
postage 9.8
car 9.7
facade 9.7
stamp 9.7
decoration 9.7
mail 9.6
sky 9.6
culture 9.4
famous 9.3
exterior 9.2
aged 9
postmark 8.9
postal 8.8
capital 8.5
grunge 8.5
street 8.3
retro 8.2
national 8.2
man 8.1
circa 7.9
graffito 7.9
soldier 7.8
creation 7.8
university 7.8
war 7.7
door 7.6
sign 7.5
destination 7.5
brass 7.3
wheeled vehicle 7.3
figure 7.3
dirty 7.2
paper 7.1
window 7

Google
created on 2022-06-11

Microsoft
created on 2022-06-11

text 99.2
drawing 97.1
sketch 95.6
cartoon 95.2
person 89.6
gallery 84
clothing 74
illustration 73.6
black 72.2
people 67.3
white 64.2
group 58.2
old 56
room 52
posing 41
vintage 27.6
picture frame 7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 23-31
Gender Male, 100%
Sad 72.8%
Calm 52.6%
Surprised 7.3%
Fear 6.5%
Angry 6.1%
Confused 2.7%
Disgusted 1.2%
Happy 0.3%

Feature analysis

Amazon

Person
Painting
Person 99%

Categories

Captions

OpenAI GPT

Created by gpt-4 on 2025-02-18

The image appears to be an engraving taking place in a courtroom-like setting. Various individuals are depicted in 18th-century attire, engaged in dramatic and disorderly activities that resemble a chaotic scene. The room is filled with characters that exhibit a range of emotions and actions. On the left side, there is a door ajar, through which sunlight streams in and illuminates the room. In the background are barred windows suggestive of a public or official building. Key details such as facial expressions and features have been obscured with digital blurring, removing a significant part of the story that these elements would likely tell. Despite this alteration, the image conveys a sense of tumult and commotion, with figures gesturing dramatically, one of whom is lying on the floor, while others engage with each other in what appears to be a mix of distress, confrontation, and attention-seeking behavior. The bottom of the artwork contains a block of engraved text, indicating that it likely carries a specific historical or narrative context. However, without the obscured details or additional information not present in the image, a full interpretation is limited.

Created by gpt-4o-2024-05-13 on 2025-02-18

This image is an engraving depicting a scene set in what appears to be an asylum or a prison from the 18th century. The room is populated by various figures exhibiting different postures and behaviors; some are in despair, others are in a state of distress, and some appear to be indifferent. There are barred doors and windows, with one figure playing a violin, and others engaged in dramatic gestures. The scene is chaotic and conveys a sense of confinement and human suffering. The architectural details such as the barred cells and the institutional setting amplify the sense of despair and hopelessness among the individuals present.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2025-02-18

The image depicts a crowded and chaotic scene in what appears to be a prison or asylum setting. There are numerous figures, some of whom seem to be inmates or patients, in various states of distress or mistreatment. The image conveys a sense of suffering and social commentary on the conditions and treatment of the individuals shown. While the image contains human faces, I will not identify or name any of the individuals depicted, in accordance with the instructions provided.

Created by claude-3-opus-20240229 on 2025-02-18

The black and white engraving depicts a chaotic scene in a room, likely from the 18th century based on the clothing and setting. In the center, a woman appears to be having a fit or episode on the floor, with her clothes disheveled. She is surrounded by concerned onlookers, including several well-dressed ladies and gentlemen who seem distressed by her condition. To the sides, other figures express shock, horror or fascination at the unfolding spectacle. The scene takes place in an interior space with barred windows, suggesting it may be some kind of asylum or hospital ward. The engraving captures a dramatic moment of upheaval and aims to evoke an emotional response in the viewer through its vivid, exaggerated portrayal of human reactions and suffering.

Created by claude-3-5-sonnet-20241022 on 2025-02-18

This is "A Rake's Progress" - a famous series of engravings by William Hogarth from the 18th century, specifically showing a scene in Bedlam (Bethlem Royal Hospital), which was a notorious psychiatric hospital in London. The engraving depicts various inmates in different states of mental distress within the confines of the hospital. The scene is quite chaotic and theatrical, showing different characters exhibiting various behaviors and conditions. The setting shows a stark institutional interior with barred windows and cells. The artwork is characteristic of Hogarth's detailed social commentary style, using dark humor and satire to critique society of his time. The composition is complex, with multiple figures arranged throughout the space, and includes various symbolic elements typical of Hogarth's work. The image is rendered in black and white, showing the artist's masterful use of line and shading to create depth and drama in the scene.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-11

The image depicts a scene of chaos and despair, with a group of people in various states of distress. The scene is set in a dimly lit room, with a large stone wall in the background and a wooden door on the left side. The room is cluttered with furniture and debris, and the air is thick with smoke and dust. In the foreground, a group of people are huddled together, some of whom appear to be injured or ill. One man is lying on the ground, his body twisted in a unnatural position, while another man is sitting up, clutching his head in pain. A woman is kneeling beside him, holding his hand and trying to comfort him. To the right of the group, a man is standing, holding a sword and looking out the window. He appears to be in a state of agitation, his face twisted in anger or frustration. Behind him, a group of people are gathered, some of whom are laughing or crying. One woman is holding a child, who is screaming and flailing his arms. In the background, there are several other people, some of whom are sitting or lying down. One man is playing a musical instrument, while another is reading a book. The overall atmosphere of the image is one of chaos and disorder, with people struggling to cope with their circumstances. The image appears to be a commentary on the social and economic conditions of the time, highlighting the struggles and hardships faced by ordinary people. It may also be a commentary on the human condition, highlighting the resilience and determination of individuals in the face of adversity. The image is likely a work of art, possibly a painting or drawing, created by an artist who was trying to convey a message or tell a story. The use of chiaroscuro, a technique that uses strong contrasts between light and dark to create a sense of drama and tension, adds to the overall sense of chaos and disorder in the image. Overall, the image is a powerful and thought-provoking representation of the human experience, highlighting the struggles and hardships faced by ordinary people and the resilience and determination of individuals in the face of adversity.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-11

The image is a black-and-white engraving of a scene in an asylum, with the title "A Rake's Progress" at the bottom. The scene depicts a chaotic and disturbing atmosphere, with various individuals engaged in different activities. In the foreground, a man is being restrained by two women, while another man sits on the floor, holding his head in his hands. To the right, a group of people are gathered around a table, with one person holding a cross and another wearing a pointed hat. In the background, several doors lead to different rooms, and a window on the left side of the image allows natural light to enter. The overall mood of the image is one of chaos and disorder, with the individuals depicted appearing to be in a state of distress or madness. The use of dark shadows and stark contrasts adds to the sense of unease and tension in the scene.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-18

The image is an etching titled "The Chains of Slavery" by James Gillray, created in 1792. It depicts a scene inside a prison, illustrating the harsh conditions and injustices faced by prisoners. The image is filled with various figures, each representing different aspects of the prison system and its impact on the inmates. In the foreground, a man is shown lying on the ground, shackled and in a state of despair. He is surrounded by other prisoners, some of whom are also shackled and appear to be in a state of distress. The image conveys a sense of hopelessness and the brutal treatment of those who are incarcerated. Above the prisoners, there is a depiction of a courtroom, where a judge is shown wearing a crown and holding a gavel. This suggests the power and authority of the legal system, which is often criticized for its role in perpetuating injustice and inequality. In the background, there is a depiction of a ship, which may symbolize the transatlantic slave trade or the forced transportation of prisoners to penal colonies. This further emphasizes the theme of oppression and the exploitation of vulnerable individuals. The image also includes various symbols and inscriptions, such as a broken chain, a key, and a book, which may represent the desire for freedom, the power of the state, and the importance of knowledge and education. Overall, "The Chains of Slavery" is a powerful and thought-provoking image that critiques the prison system and the broader issues of social injustice and inequality. It highlights the human cost of these systems and calls for reform and compassion.

Created by amazon.nova-pro-v1:0 on 2025-02-18

The image is a black-and-white drawing that depicts a scene in a room with several people engaged in various activities. On the left side, there is a man sitting on the floor with a bowl and a cup in front of him. Next to him, there is a woman sitting on the floor with a dog beside her. In the center, there are two people standing near a door, and another person is standing near the window. On the right side, there is a man standing near a staircase. The image has a watermark with the text "Invented by Hogarth & Published according to Act of Parliament June 1735." The image appears to be a historical depiction of a scene from the past, possibly from the 18th century. The people in the image are dressed in clothing that is typical of that era, and the room has a simple, unadorned design. The drawing is detailed and captures the expressions and actions of the people in the scene. The watermark indicates that the image was created by William Hogarth, a famous English artist and satirist who was known for his detailed and humorous depictions of everyday life in 18th-century London.

Text analysis

Amazon

build
by
that
Reign
grappling
Thee
this
The
Ruin
of
with
can
even
What
And
here
headstrong
Fancy's
thy
rattling
Shapes
of Age
&
darling
last
Thou
to
the Shaking
Kim
Mechanic Fancy: that can build
Sold
Brain,
Heaven.
Pleafure,
Mazes
Pleafure
Mechanic
with Despair,
curfe
Shapes Would split of the Shaking that here Sides of Spleen but Seen The headstrong this darling Jon!
are
Tyranny of Fancy's Reign .
last Labarynthi. & Mazes wild,
laft
Doubt of
Gold
With
of Heaven
Jon!
act
they
laft Doubt of of Merey upon Heaven. The Латр of Heaven Haidby Thee
Counse of youch thas runsfee. Kim by Thee to Ruin Sold
see
Vanity of Age - see
Shapes Herrer, that wou'd even
Herrer,
Hu rattling Chains with Terrer hear,
Fill't with Kerrerfills with Pleafure .
And curfe thy self. carfe they Gold
according
What are Shat
wild,
-
upon
Publish'd
but Seen
Beheld Peath grappling with Despair,
Tyranny
Chains
Chave
Fancy:
Fill't
Madnejs, Thou Chave of y Brain,
hear,
.
Латр
Terrer
Vanity
thas
Hu
Inventeducky!! Mogarth & Publish'd according 4 act
Meature,
Labarynthi.
carfe
4
Haidby
of y
wou'd
With Rúte dispointed, Thapelefs Meature,
Merey
dispointed,
Rúte
runsfee.
Shat
Sides of Spleen
Kerrerfills
self.
Madnejs,
Beheld Peath
Inventeducky!!
Counse of youch
Would split
Mogarth
Thapelefs

Google

Madness, Thou Chaos of f Brain, What art That Plojure guest and Pain Tyranny of Fancy's Reign Mechanic Fancy, that can build Fast Labarynthi, & Mazes wild, LE With Rule dispointed apeles Mafure. Shapes of Pleasure, that but Jeen The headstrong Course of youth thus runke Him by Thee to Ruin Jold, Fillid wo it with herrer filled with Pleasure Woud split the Shaking sides of Spleen. What Comfort from this darling fon And curfe thy self.& care thy Gold Whapes of Ferrer, that werd even Vanity of Age here See This rattling Chains with Ferrer hear. Caft Doubt of mercy upon Heaven. The Stamp of Heaven faid by The Behold Death grappling with Despair, Invented by Hogarth & Published according to act of Parliament Jane yas. 1735.
Madness
,
Thou
Chaos
of
f
Brain
What
art
That
Plojure
guest
and
Pain
Tyranny
Fancy's
Reign
Mechanic
Fancy
that
can
build
Fast
Labarynthi
&
Mazes
wild
LE
With
Rule
dispointed
apeles
Mafure
.
Shapes
Pleasure
but
Jeen
The
headstrong
Course
youth
thus
runke
Him
by
Thee
to
Ruin
Jold
Fillid
wo
it
with
herrer
filled
Woud
split
the
Shaking
sides
Spleen
Comfort
from
this
darling
fon
And
curfe
thy
self
care
Gold
Whapes
Ferrer
werd
even
Vanity
Age
here
See
This
rattling
Chains
hear
Caft
Doubt
mercy
upon
Heaven
Stamp
faid
Behold
Death
grappling
Despair
Invented
Hogarth
Published
according
act
Parliament
Jane
yas
1735