Human Generated Data

Title

Angel with the Crown of Thorns

Date

c. 1667-1668

People

Artist: Gian Lorenzo Bernini, Italian 1598 - 1680

Classification

Sculpture

Credit Line

Harvard Art Museums/Fogg Museum, Alpheus Hyatt Purchasing and Friends of the Fogg Art Museum Funds, 1937.58

Human Generated Data

Title

Angel with the Crown of Thorns

People

Artist: Gian Lorenzo Bernini, Italian 1598 - 1680

Date

c. 1667-1668

Classification

Sculpture

Credit Line

Harvard Art Museums/Fogg Museum, Alpheus Hyatt Purchasing and Friends of the Fogg Art Museum Funds, 1937.58

Machine Generated Data

Tags

Amazon
created on 2019-04-07

Sculpture 98.6
Art 98.6
Statue 98.5
Figurine 95.2
Archaeology 59.7

Clarifai
created on 2018-03-23

sculpture 99.9
art 99.2
nude 98.5
statue 98.3
people 98.1
no person 97.8
adult 97.1
one 96.3
man 95.9
figurine 95.1
mammal 94.8
museum 94
ancient 93.7
religion 91.8
elephant 91.8
two 91
marble 86.5
portrait 84.6
figure 81.5
god 81.4

Imagga
created on 2018-03-23

sculpture 94.3
carving 79.6
statue 76.1
art 45.1
plastic art 42
ruler 38.2
ancient 27.7
elephant 25.2
culture 23.9
history 23.3
religion 22.4
monument 21.5
stone 21.1
temple 20.7
figure 20.1
architecture 18.7
old 17.4
god 17.2
travel 16.2
religious 15
tourism 14
head 13.4
antique 13
holy 12.5
oriental 12.3
face 12.1
historic 11.9
mammal 11.7
historical 11.3
decoration 11
spiritual 10.6
city 10
tourist 10
body 9.6
famous 9.3
church 9.2
peace 9.1
angel 8.8
prayer 8.7
animal 8.7
faith 8.6
close 8.6
east 8.4
traditional 8.3
human 8.2
landmark 8.1
symbol 8.1
museum 7.8
pray 7.8
spirituality 7.7
meditation 7.7
love 7.1

Google
created on 2018-03-23

sculpture 94.9
classical sculpture 82.3
clay 77.1
artifact 67.2
art 62.4
carving 59.5
stone carving 55.8
trunk 53.7
figurine 52.2

Microsoft
created on 2018-03-23

chain 31

Color Analysis

Captions

Azure OpenAI

Created on 2024-01-27

The image features a sculpture of a figure with both human and avian characteristics. The figure appears to be predominantly female, with a detailed, rounded torso and defined breasts. Notably, the head is missing, which creates an air of mystery about the subject's intended expression or direction of gaze. Large, unfurled wings extend from the back, adding to the mythical or angelic quality of the piece. The wings are not smooth but have texture that suggests feathers, although they are not individually detailed. The figure's arms are engaged in an action that draws attention to the center of the piece; the right hand appears to be holding or manipulating an object that resembles a scroll or some type of circular band. A sense of motion is conveyed, as if the figure were caught in the moment of thought or creation. The sculpture itself is untreated and has a raw, earthy look, indicative of unfired clay or terra-cotta. Visible scoring and textural marks on its surface suggest both the sculpting process and a sense of antiquity. The sculpture is set against a neutral grey backdrop that does not distract from its subject, and the lighting casts soft shadows that emphasize the figure's contours and the textures of the wings and drapery. The overall effect is one of a timeless and serene presence, a relic from a myth or a dream.

Anthropic Claude

Created on 2024-03-29

The image appears to be a sculpture depicting two intertwined human figures in an intimate embrace. The sculpture is made of clay or another earthen material, giving it a rough, textured appearance. The figures are abstracted and stylized, with elongated limbs and a sense of fluidity in their movements. The composition suggests a sense of movement and connection between the two forms. The overall impression is one of tenderness and human intimacy expressed through the sculptural medium.