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Human Generated Data

Title

The Dead Christ between the Virgin and Saint John the Evangelist

Date

c. 1475

People

Artist: Carlo Crivelli, Italian 1430/35 - before 1495

Related name: Luigi Cavenaghi, Italian 1844 - 1918

Classification

Paintings

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Arthur Sachs, 1924.21

Human Generated Data

Title

The Dead Christ between the Virgin and Saint John the Evangelist

People

Artist: Carlo Crivelli, Italian 1430/35 - before 1495

Related name: Luigi Cavenaghi, Italian 1844 - 1918

Date

c. 1475

Classification

Paintings

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Arthur Sachs, 1924.21

Machine Generated Data

Tags

Amazon
created on 2019-04-05

Art 99.9
Human 98.7

Clarifai
created on 2018-04-19

religion 99.9
art 99.9
painting 99.8
saint 99.8
Renaissance 99.5
god 99.4
Mary 99.2
church 99.1
people 98.9
aura 98.4
sculpture 98.1
adult 97.4
baby 96.3
veil 95.9
book 95.5
woman 95
spirituality 94.9
cross 94.9
chapel 94.7
baroque 94.3

Imagga
created on 2018-04-19

sculpture 95.4
carving 88.6
religion 53.8
art 49.3
temple 49.3
plastic art 45.1
statue 41.1
religious 31.9
ancient 30.3
god 28.7
culture 28.2
figure 23.7
stone 23.7
architecture 22.7
monument 22.4
spiritual 22.1
throne 21.3
travel 21.1
old 20.2
pray 19.4
spirituality 19.2
prayer 18.4
holy 18.3
church 17.6
chair of state 17.1
gold 16.5
east 15.9
worship 15.5
meditation 15.3
faith 15.3
history 15.2
tourism 14.9
armchair 14.5
face 14.2
oriental 14.2
carved 13.7
antique 13.1
golden 12.9
chair 12.3
decoration 12.3
belief 11.7
traditional 11.7
historic 11
peace 11
tourist 10.9
historical 10.4
famous 10.2
head 10.1
seat 9.9
southeast 9.9
bangkok 9.8
building 9.8
museum 9.7
praying 8.8
sacred 8.8
palace 8.7
saint 8.7
tradition 8.3
design 8
monastery 7.8
cathedral 7.7
decorative 7.5
symbol 7.4
ornate 7.3
detail 7.2

Google
created on 2018-04-19

art 91.8
painting 87.5
religion 73.6
carving 67.4
mythology 61.6
middle ages 58.2
stock photography 58.1
artwork 57.8
visual arts 53.2

Microsoft
created on 2018-04-19

sofa 98.9

Color Analysis

Face analysis

Amazon

Microsoft

Google

Imagga

AWS Rekognition

Age 38-59
Gender Male, 97.2%
Disgusted 15.4%
Happy 1%
Sad 7%
Confused 28.7%
Calm 33.9%
Surprised 3.4%
Angry 10.6%

Feature analysis

Amazon

Painting
Person

Clarifai

Human face
Clothing
Human nose
Human eye
Human mouth

AWS Rekognition

Painting 99.9%

Captions

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-04-28

a photograph of a painting of jesus on the cross with a woman

Created by general-english-image-caption-blip-2 on 2025-06-27

the crucifixion by sandro botticelli

OpenAI GPT

Created by gpt-4 on 2024-12-03

This image depicts a classical artwork showing two figures with golden halos, indicative of their holy or divine nature in the context of Christian iconography. They are wearing robes, one in green and the other in a blueish-green with a tan undergarment. The setting appears to be indoors, and the scene may have religious significance, as suggested by the halos and the serious demeanor of the figures.

One figure is seated and partially draped in a richly patterned red cloth with gold detailing, which adds an element of luxury and importance to the scene. Their interaction and proximity hint at a moment of care, support, or perhaps a biblical narrative unfolding between them.

The painting exhibits characteristics of Renaissance art, such as attention to anatomy and a sense for three-dimensional space on a two-dimensional plane. The colors are somber, yet the gold elements in the halos and the decorative cloth imply a scene of significance. Overall, the image is rich in symbolic and religious references.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-25

This appears to be a religious Renaissance painting depicting the Lamentation over the dead Christ. The image shows three figures mourning around a central figure who appears lifeless. The figures are painted in a classical Renaissance style with golden halos behind their heads, indicating their sacred nature. The composition uses rich colors including deep greens, golds, and burgundy, with a decorative patterned fabric visible in the lower portion of the painting. The emotional intensity of the scene is conveyed through the mournful expressions and poses of the figures. The painting demonstrates typical characteristics of Renaissance religious art, including attention to human anatomy, dramatic emotional expression, and use of religious symbolism like the halos.

Created by claude-3-5-sonnet-20241022 on 2024-12-28

This is a religious painting that appears to be from the Renaissance period, depicting a Pietà scene - the moment after the Crucifixion. The composition shows three figures with golden halos against a dark background. The central figure is shown with a crown of thorns, partially unclothed and appearing deceased. On either side are two other figures - one wearing a green veil and another in blue-green clothing with long curly hair. The painting includes rich details like an ornate red and gold brocade cloth draped in the foreground. The painting demonstrates typical Renaissance artistic techniques with its attention to human anatomy, emotional expression, and use of rich colors. The overall mood is one of profound sorrow and religious devotion.

Created by claude-3-haiku-20240307 on 2024-11-27

The image depicts a religious scene with three figures. In the center is the central figure, a male with a crown of thorns, who appears to be Jesus Christ after his crucifixion. He is supported by two individuals, a woman in a green robe and a man with curly hair, who are likely the Virgin Mary and Saint John. The figures are presented against a dark background with gold-colored halos, adding a sense of solemnity and spirituality to the scene. The overall composition and style suggest this is a Renaissance or early Renaissance religious painting.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-25

This image is a painting of Jesus Christ after his crucifixion, with two women mourning over his body. The painting is in the style of the Renaissance period, characterized by its use of realistic and detailed depictions of the human form.

Key Elements:

  • Jesus Christ: The central figure in the painting, depicted as a nude male with long hair and a beard. He is shown with his eyes closed, indicating that he has passed away.
  • Two Women: The two women are dressed in traditional Renaissance attire, with one wearing a green cloak and the other wearing a red cloak. They are both shown with their heads bowed in grief, mourning over Jesus' body.
  • Background: The background of the painting is a warm, golden color, which adds to the overall sense of sadness and mourning.

Symbolism:

  • Jesus' Body: The depiction of Jesus' body is symbolic of his sacrifice for humanity. His nudity represents his vulnerability and humility.
  • The Two Women: The two women represent the Virgin Mary and Mary Magdalene, who were both present at Jesus' crucifixion and burial.
  • The Background: The warm, golden background represents the divine light that surrounds Jesus, even in death.

Artistic Style:

  • Renaissance Style: The painting is done in the style of the Renaissance, which was characterized by its use of realistic and detailed depictions of the human form.
  • Use of Color: The use of warm, golden colors adds to the overall sense of sadness and mourning in the painting.
  • Composition: The composition of the painting is well-balanced, with the two women framing Jesus' body and creating a sense of symmetry.

Conclusion:

This painting is a powerful representation of the Christian faith, depicting the moment of Jesus' death and the grief of those who loved him. The use of realistic and detailed depictions of the human form, combined with the symbolic elements of the painting, creates a sense of depth and meaning that continues to resonate with viewers today.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-23

The image depicts a painting of the Pieta, a famous work by Albrecht Dürer. The painting shows the Virgin Mary holding the body of Jesus Christ after his crucifixion. Mary is dressed in a green robe and veil, while Jesus is depicted as a lifeless figure with his eyes closed and his head resting on Mary's shoulder. An angel is also present in the scene, standing to the right of Mary and gazing at Jesus with a look of sorrow.

The painting is rendered in a realistic style, with intricate details and textures that give the impression of a three-dimensional scene. The colors used are muted, with shades of brown, green, and blue dominating the palette. The overall effect is one of somberness and reverence, capturing the emotional intensity of the moment.

The painting is framed by a dark border, which adds to the sense of solemnity and gravity. The artist's use of chiaroscuro, a technique that uses strong contrasts between light and dark to create a sense of volume, adds depth and dimensionality to the scene. The painting is signed by the artist in the lower right corner, with the inscription "Albrecht Dürer fecit" (Albrecht Dürer made this).

Overall, the image is a powerful and moving depiction of one of the most iconic scenes in Christian art. It showcases Dürer's skill as a painter and his ability to convey complex emotions through his work.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-04

The painting depicts a religious scene with three people. The central figure is a man with a crown of thorns on his head. He is lying on a stone slab, with his arms resting on his knees. On either side of him are two women, one wearing a veil and the other with curly hair. They are looking at him with sad expressions. The background is a plain brown color.

Created by amazon.nova-lite-v1:0 on 2025-01-04

This painting depicts the Lamentation of Christ, a scene from the Passion of Christ. Christ is shown in the centre of the composition, his body slumped in the arms of the Virgin Mary and St John the Evangelist. The Virgin holds Christ's right arm, while St John holds his left. The Virgin wears a green robe, while St John wears a blue robe with a red mantle. The painting is a faithful copy of a lost work by Andrea Mantegna.

Google Gemini

Created by gemini-2.0-flash on 2025-04-26

The image is a painting depicting a religious scene, specifically a Lamentation of Christ. The central figure is the pale, lifeless body of Jesus Christ, with a crown of thorns upon his head and a visible wound on his left side. He is supported by two figures, both wearing halos, suggesting their holiness.

To Christ's left is a woman draped in a dark green robe and a pale pink undergarment. Her face is marked with sorrow and she gazes at Christ with compassion, her hand resting on his shoulder.

On Christ's right is another figure, possibly an angel or another holy woman, with long, curly brown hair. She is dressed in a green gown with a pale blue sleeve, covered by a red robe. Her expression mirrors the sorrow of the woman on the left.

The backdrop is a gold color with a deep red drapery behind Christ's head. The scene is set upon a stone structure covered with a cloth featuring an intricate red and gold pattern. The overall mood is somber and reverent, reflecting the grief of those mourning Christ's death.

Created by gemini-2.0-flash-lite on 2025-04-26

Here's a description of the image:

The image is a religious painting depicting the Lamentation of Christ, a common theme in Christian art. It portrays a moment of deep sorrow and mourning over the body of Jesus after his crucifixion.

Here's a breakdown:

  • Central Figure: Jesus Christ, stripped of his clothing and showing the wounds of the crucifixion. He has a crown of thorns and a halo around his head.
  • Supporting Figures: Two figures flank Jesus. One, on the left, is most likely Mary, the mother of Jesus, with a sorrowful expression and a head covering. On the right, another person also with a halo is depicted with tears in her eyes.
  • Setting: The figures are positioned within a shallow space that is most likely the sarcophagus. The background is dark.
  • Style: The painting exhibits characteristics of the Early Renaissance. There is a clear attempt at realistic depiction of the human form, with attention to anatomy and the rendering of light and shadow. The colors are rich and somber.
  • Overall Impression: The painting evokes a strong sense of grief, loss, and reverence for Christ. The expressions on the faces of the figures convey the emotional weight of the scene.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-25

The image depicts a religious painting known as a "Pietà," which is a common subject in Christian art representing the Virgin Mary cradling the dead body of Jesus after his crucifixion. Here are the key elements of the painting:

  1. Central Figure (Jesus Christ): The central figure is Jesus Christ, who is shown lifeless, with his head tilted to the side and eyes closed. His body is partially clothed, revealing wounds and the suffering he endured.

  2. Left Figure (Virgin Mary): To the left of Jesus is the Virgin Mary, his mother. She is dressed in traditional robes, with a veil covering her head. Her expression is one of profound sorrow and grief as she supports her son.

  3. Right Figure (John the Apostle): To the right of Jesus is John the Apostle, identifiable by his youthful appearance and the halo around his head. He is also dressed in robes and appears to be in a state of mourning, with his hands gently touching Jesus.

  4. Background and Setting: The background is relatively simple, with a dark, muted color palette that focuses attention on the figures. There is a hint of architectural elements, suggesting an indoor setting.

  5. Artistic Style: The painting exhibits characteristics of Renaissance art, with detailed rendering of the figures, use of light and shadow to create depth, and a focus on emotional expression.

This type of artwork is meant to evoke feelings of sorrow, reverence, and reflection on the sacrifice of Jesus Christ in Christian theology.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-06-25

This image is a painting depicting a religious scene, likely a representation of the "Lamentation of Christ" or "Pieta," a common subject in Christian art. The central figure is a nude man, presumably Jesus Christ, who is being supported by two other figures, one on each side. The person on the left, partially covered by a green veil, is likely a woman, possibly Mary Magdalene or the Virgin Mary, as she cradles the body of Christ. The person on the right, wearing a blue robe, appears to be Saint John the Evangelist, who is also part of the scene of Christ's death.

The figures are adorned with halos, indicating their divine or holy status. The background is simple, with a muted golden tone, which helps to focus attention on the central figures. The materials and technique suggest that this is a work from a period of religious art, possibly medieval or early Renaissance, given the style and the use of gold leaf for the halos. The painting conveys a profound sense of sorrow and piety, typical of such religious art.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-06-25

This is a religious painting depicting the Pietà, a scene in Christian art showing the Virgin Mary cradling the body of Christ after His crucifixion. The central figure is Jesus, who is shown lying in a lifeless state with wounds on His body, indicating His crucifixion. He is wearing a crown of thorns and a white cloth around His waist.

To the left of Jesus is Mary, His mother, dressed in a green veil and a red robe. She appears to be supporting Jesus's body. On the right side is another figure, likely the Apostle John, dressed in a blue robe with a red cloak. Both Mary and John are shown with halos, indicating their sanctity.

The painting is rich in detail, with intricate patterns on the fabric draped over the base they are resting on. The background is a simple, solid color, which helps to focus attention on the figures. The overall mood of the painting is somber and reflective, capturing the grief and sorrow of the scene.