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Human Generated Data

Title

The Virgin and Child

Date

c. 1295

People

Artist: Cenni di Pepo, called Cimabue, Italian 1240 - 1302

Classification

Paintings

Credit Line

Harvard Art Museums/Fogg Museum, Bequest of Lucy Wallace Porter, 1962.282

Human Generated Data

Title

The Virgin and Child

People

Artist: Cenni di Pepo, called Cimabue, Italian 1240 - 1302

Date

c. 1295

Classification

Paintings

Credit Line

Harvard Art Museums/Fogg Museum, Bequest of Lucy Wallace Porter, 1962.282

Machine Generated Data

Tags

Amazon
created on 2019-04-07

Art 98.1
Human 83.6

Clarifai
created on 2018-03-16

art 99.4
religion 98.7
painting 98.5
people 97.9
saint 96.4
god 95.8
illustration 94.2
woman 93.6
veil 93.3
Mary 92.3
one 91.9
Renaissance 91.2
aura 90.5
church 89.9
print 88.6
gown (clothing) 87.6
adult 87.5
spirituality 87.4
crown 86.4
book 85.5

Imagga
created on 2018-03-16

mosaic 59
religion 51.1
art 37.8
temple 37.4
transducer 36.9
church 32.4
culture 31.6
sculpture 30.9
god 29.7
religious 29.1
electrical device 27.7
statue 26.3
holy 24.1
golden 24.1
ancient 23.4
architecture 22.7
spirituality 22.1
gold 21.4
device 20.1
faith 20.1
icon 19.8
book jacket 19.6
face 19.2
covering 18.7
travel 18.3
tile 18.2
historic 17.4
old 17.4
prayer 17.4
antique 17.3
history 17
masterpiece 16.8
museum 16.5
pray 16.5
worship 16.4
famous 15.8
bible 15.7
painter 15.6
sacred 15.6
spiritual 15.4
shield 15.3
jacket 15.3
historical 15.1
tourism 14.9
symbol 14.8
bangkok 14.8
detail 13.7
palace 13.6
artist 13.5
saint 13.5
one 13.4
armor 12.8
belief 12.7
decoration 12.4
vintage 12.4
east 12.1
wrapping 11.6
meditation 11.5
colorful 11.5
money 11.1
landmark 10.8
orthodox 10.8
currency 10.8
grand 10.7
carving 10.6
painted 10.5
portrait 10.4
monument 10.3
closeup 10.1
prophet 9.9
postmark 9.9
postage 9.8
monastery 9.8
protective covering 9.8
close 9.7
stamp 9.7
mail 9.6
post 9.5
fine 9.5
altar 9.4
dollar 9.3
instrumentality 9.2
banking 9.2
letter 9.2
cash 9.2
peace 9.1
oriental 8.9
known 8.9
printed 8.9
postal 8.8
paintings 8.8
design 8.5
finance 8.5
traditional 8.3
tourist 8.2
figure 8
building 8
post mail 7.9
zigzag 7.9
byzantine 7.9
fame 7.9
shows 7.9
renaissance 7.9
paper 7.8
envelope 7.8
color 7.8
delivery 7.8
banknote 7.8
cutting 7.7
stone 7.7
wall 7.7
communications 7.7
door 7.6
bill 7.6
unique 7.6
man 7.4
ornate 7.3
global 7.3
paint 7.3
wealth 7.2
throne 7.2
bank 7.2

Google
created on 2018-03-16

art 93.4
painting 77.7
history 70.9
middle ages 65
portrait 60.7
modern art 59.5
artwork 59.3
miniature 54.2

Microsoft
created on 2018-03-16

text 99.5
book 97.8
old 93.9
door 51.7

Color Analysis

Face analysis

Amazon

Google

Imagga

AWS Rekognition

Age 26-43
Gender Female, 93.6%
Sad 87.3%
Surprised 1.5%
Confused 8.5%
Happy 0.6%
Calm 1.3%
Disgusted 0.4%
Angry 0.4%

Feature analysis

Amazon

Painting
Person

Clarifai

Human face
Clothing
Human nose
Human eye

AWS Rekognition

Painting 98.1%

Categories

Imagga
created on 2018-03-16

paintings art 96.6%
events parties 2%
pets animals 0.6%
people portraits 0.4%
food drinks 0.1%
streetview architecture 0.1%

Captions

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-04-28

a photograph of a painting of a woman holding a baby

Created by general-english-image-caption-blip-2 on 2025-06-27

a painting of the virgin holding a child

OpenAI GPT

Created by gpt-4 on 2024-01-27

The image appears to be a fragment of an old painting featuring a figure wearing a deep black robe with gold detailing along the hem and sleeve edges. The figure is holding a child dressed in a green and orange garment, with the child's bare feet dangling down. The background of the painting is heavily cracked and damaged with time, showing a dark, aged surface with portions where the underlying material is visible. The painting shows signs of significant wear, suggesting considerable age, and the edges of the canvas or panel seem worn and possibly chipped, indicating the artwork has not been recently restored.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-24

This is a medieval religious painting, likely from the 14th or 15th century, depicting Madonna and Child. The artwork shows a tender moment between mother and child, with the mother wearing a dark blue or black cloak and the child dressed in orange/red garments with a greenish undertone. The painting has a characteristic medieval style with a dark background and shows signs of age, with cracking in the paint (known as craquelure) and worn edges. The figures are portrayed in the traditional Byzantine-influenced style common in medieval religious art, with the mother's cloak (likely meant to be a representation of Mary's traditional blue mantle) taking up much of the composition. The painting appears to be a panel painting and shows considerable wear and deterioration around the edges, suggesting its significant age.

Created by claude-3-haiku-48k-20240307 on 2024-03-29

The image appears to be a religious icon or painting depicting the Virgin Mary holding the infant Jesus. The woman in the painting is wearing a black cloak and has a halo around her head, indicating her status as a holy figure. The child she is holding is wrapped in green and orange robes. The painting has a cracked and aged appearance, suggesting it is an old and revered work of religious art.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-26

The image depicts a painting of the Virgin Mary holding the infant Jesus. The painting is rendered in a style reminiscent of medieval art, characterized by a somber color palette and a focus on religious iconography.

Key Features:

  • Virgin Mary: Mary is depicted wearing a black robe with a red headscarf, which is a common representation of her in medieval art. Her facial expression is serene, conveying a sense of devotion and maternal love.
  • Infant Jesus: Jesus is shown as a young child, dressed in a green tunic and an orange cloak. He is being held by Mary, who cradles him in her arms. Jesus' facial expression is also serene, with his eyes cast downward in a gesture of humility.
  • Background: The background of the painting is dark and muted, which serves to emphasize the figures of Mary and Jesus. The overall effect is one of simplicity and austerity, which was typical of medieval religious art.
  • Condition: The painting appears to be old and worn, with visible cracks and damage to the surface. This suggests that it may have been created many centuries ago and has undergone significant wear and tear over time.

Artistic Style:

The painting is executed in a style that is characteristic of medieval art, particularly the Byzantine tradition. The use of gold leaf and the emphasis on religious iconography are both hallmarks of this style. The painting's somber color palette and focus on religious themes also reflect the artistic conventions of the time.

Symbolism:

The painting is rich in symbolism, with Mary and Jesus representing the central figures of Christianity. The image conveys a sense of devotion and reverence for the divine, as well as a deep respect for the maternal bond between Mary and Jesus. The use of gold leaf and the emphasis on religious iconography serve to reinforce these themes and create a sense of awe and wonder in the viewer.

Conclusion:

In conclusion, the painting is a beautiful example of medieval art, characterized by its somber color palette, focus on religious iconography, and emphasis on the maternal bond between Mary and Jesus. The image conveys a sense of devotion and reverence for the divine, and its use of gold leaf and religious symbolism serves to reinforce these themes. Despite its age and wear, the painting remains a powerful and evocative work of art that continues to inspire and move viewers to this day.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-24

The image depicts a painting of the Virgin Mary holding the infant Jesus, a traditional representation of the Madonna and Child. The Virgin Mary is shown wearing a black robe with a red headscarf, while the infant Jesus is dressed in a green tunic and an orange shawl. The painting is rendered in a style reminiscent of medieval art, with bold lines and vibrant colors.

The background of the painting is a warm, earthy tone, which adds to the overall sense of intimacy and warmth in the scene. The Virgin Mary's gentle expression and the infant Jesus's curious gaze create a sense of tenderness and connection between the two figures.

The painting appears to be an old and worn piece, with visible signs of aging such as cracks and fading. This adds to the sense of history and tradition that surrounds the image, and suggests that it may have been created in a time when religious art was highly valued and revered.

Overall, the image is a beautiful and moving representation of the Madonna and Child, capturing the essence of their relationship and the love that they share.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-01-04

The image is a painting of the Virgin Mary holding a baby Jesus. The painting is in a vintage style, with a brownish-yellowish background. The Virgin Mary is wearing a black dress and a red cape, while the baby Jesus is wearing an orange dress and a red cape. The painting has a cracked texture, with some parts of the painting missing. The painting is probably an old artwork.

Created by amazon.nova-pro-v1:0 on 2025-01-04

The image depicts a woman holding a baby in her arms. She is wearing a black robe with a red inner layer. The baby is wearing a green outfit with an orange outer layer. The woman's head is covered with a black cloth. The woman's face is looking towards the baby, and the baby's face is looking towards the woman. The background is brown, and the image is captured from a top-angle view.

Google Gemini

Created by gemini-2.0-flash on 2025-04-26

The image shows a weathered, possibly ancient, icon of Mary and the child Jesus. The style is reminiscent of Byzantine or early Italian religious art, with a focus on symbolic representation rather than realistic depiction.

Mary, the central figure, is draped in a dark cloak that covers her head and shoulders, leaving only her face and hands visible. A thin orange or red band lines the edge of her cloak where it frames her face. Her skin appears pale, and her expression is solemn and contemplative. The lines and cracks in the paint give her face a textured, almost weathered appearance.

The child Jesus is held in Mary's arms, positioned on the right side of the image. He is draped in an orange robe that contrasts with his pale skin and the muted green of his undergarment. His gaze is directed upwards, and his right hand is raised in a gesture of blessing or acknowledgment.

The background of the icon is a dark, textured surface, which appears to be aged or damaged. There are circular halos behind the heads of both figures, adding to the iconography of the piece. The overall color palette is muted, with dark blues, browns, and oranges dominating the image, creating a somber and reverent atmosphere.

The visible cracks and deterioration of the artwork suggest that it is an old piece, possibly centuries old, adding to its historical and religious significance.

Created by gemini-2.0-flash-lite on 2025-04-26

Here's a description of the image:

Overall:

The image is a religious icon depicting the Virgin Mary and the Christ Child. It's an early painting, likely from the medieval period, judging by the style and condition. The painting has a rectangular shape with a dark, aged frame. The colors are muted and the paint shows signs of age with cracks.

Depiction:

  • Virgin Mary: She's shown seated, holding the Christ Child. She is draped in a dark blue cloak, lined with a red or reddish-orange color. Her face is pale, and she appears contemplative, with her cheek resting on her hand. Her halo is suggested through subtle circular strokes.
  • Christ Child: He is seated on Mary's lap. He is depicted as a young boy with a serious expression and a slight upward gaze. He's wearing a green garment and a bright red-orange drapery.
  • Setting: The background is simple. The painting is likely mounted on a wooden panel, with dark tones surrounding the figures.

Style and Condition:

  • Style: The artwork has characteristics of Byzantine or early Italian art, featuring stylized figures and a focus on spiritual themes.
  • Condition: The icon appears old, with cracked paint and some areas where the under-layers are visible, adding to its historic appearance.

Overall Impression:

The image is a poignant representation of the sacred bond between mother and child, imbued with the reverence and quiet beauty of early religious art. The condition of the painting suggests a work of considerable age and history.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-26

The image depicts an aged religious icon, likely representing the Virgin Mary and the infant Jesus, known as the Madonna and Child. The style and condition of the painting suggest it is quite old, possibly from the medieval or early Renaissance period.

Key details include:

  1. Figures:

    • Virgin Mary: She is shown with a solemn expression, wearing a dark cloak with a red undergarment visible at the sleeves and neckline. Her head is covered with a red and orange headscarf. She is holding the infant Jesus tenderly in her arms.
    • Infant Jesus: The child is depicted with a serene expression, wearing a green garment. He is nestled close to Mary, with his head leaning towards hers.
  2. Color and Style:

    • The colors used are rich and somewhat muted, typical of older religious icons. The background is dark, which helps to highlight the figures.
    • The painting style is relatively flat and two-dimensional, characteristic of early religious art.
  3. Condition:

    • The icon shows significant signs of wear and age, including cracking, flaking, and discoloration of the paint. This adds to the historical and antique feel of the piece.
  4. Composition:

    • The composition is simple and focused, with the two figures taking up most of the space. The emphasis is on the intimate and protective relationship between Mary and Jesus.

Overall, this image is a classic representation of the Madonna and Child, reflecting the reverence and importance of this theme in Christian art.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-06-25

This is an image of a religious painting, likely depicting the Virgin Mary holding the Christ Child, a common subject in Christian art. The painting appears to be on a wooden panel, as evidenced by the visible cracks and the texture of the surface. There is a dark border surrounding the image, which seems to be part of the original artwork or added at a later date. The Virgin Mary is shown with a serene expression, holding the Christ Child close to her chest. The Christ Child is dressed in a green garment with a red cloak. The background is dark and simple, which helps to focus attention on the subjects. The colors used are primarily muted and earthy, with hints of red and green, and there is a sense of agedness to the painting, as indicated by the visible cracks in the paint.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-06-25

This image is a religious painting, likely from the late medieval or early Renaissance period, judging by its style and technique. The central figure is a woman, presumably the Virgin Mary, holding the Christ Child. Both figures are rendered with serene expressions, and the composition focuses on their tender interaction.

The Virgin Mary is depicted wearing a black robe with a red undergarment visible at the neckline and sleeves. She has a halo around her head, signifying her sanctity. The Christ Child, seated on her lap, is dressed in a green tunic with an orange-red cloak draped over his shoulders. He is also haloed, indicating his divine nature. The Child appears to be reaching out with one hand, possibly touching the Virgin's face, while the other hand is held by Mary.

The painting shows signs of age, with visible cracks and areas where the paint has chipped off, revealing the underlying layers. The background is a dark, almost black color, which contrasts with the figures and emphasizes their importance. The overall condition of the painting suggests it is an antique piece, likely of significant historical and artistic value.