Human Generated Data

Title

Proportion and Rhythm

Date

1942-1949

People

Artist: Stanley Stockton, American active New Orleans c. 1948

Classification

Drawings

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, Gift of Professor R.D. Feild, BR49.366

Copyright

© Estate of Stanley C. Stockton

Human Generated Data

Title

Proportion and Rhythm

People

Artist: Stanley Stockton, American active New Orleans c. 1948

Date

1942-1949

Classification

Drawings

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, Gift of Professor R.D. Feild, BR49.366

Copyright

© Estate of Stanley C. Stockton

Machine Generated Data

Tags

Clarifai
created on 2018-08-22

paper 95.2
business 94.8
designing 93.9
illustration 93.6
data 92.6
graph 91
graphic 88.6
vectors 88.5
internet 87.5
symbol 87.1
technology 86.4
no person 85.9
diagram 85.6
facts 84.6
written report 83.2
schedule 82
time 80.5
design 80.4
calendar 80.2
flat 79.6

Imagga
created on 2018-08-22

crossword puzzle 100
puzzle 100
game 94.9
business 24.9
paper 19.6
design 19.2
letter 16.5
board 16.2
icon 14.3
technology 14.1
text 14
calendar 13.6
mine 13.5
graphic 13.1
number 13.1
blank 12.9
office 12.9
symbol 12.8
sign 12.8
message 12.8
black 12.6
information 12.4
page 12.1
computer 12.1
note 12
document 11.1
web 11
finance 11
equipment 10.9
month 10.8
digital 10.5
chart 10.5
plan 10.4
word 10.4
set 10.2
communication 10.1
excavation 10
modern 9.8
pattern 9.6
write 9.4
close 9.1
newspaper 8.9
planning 8.7
date 8.6
drawing 8.6
post 8.6
industry 8.5
art 8.5
display 8.4
color 8.4
book 8.2
time 8.2
data 8.2
collection 8.1
success 8.1
scoreboard 8
day 7.9
schedule 7.8
education 7.8
reminder 7.8
card 7.7
object 7.3
competition 7.3
school 7.2
home 7.2

Google
created on 2018-08-22

text 94.8
line 72.8
design 71.9
font 69.2
area 67.2
material 66
square 65.3
pattern 64.4
paper 64.1
art 61.7
product 58
diagram 56.7
drawing 52.6
rectangle 50.1

Microsoft
created on 2018-08-22

text 96.9

Color Analysis

Categories

Imagga

text visuals 89.4%
paintings art 10.5%
interior objects 0.1%

Captions

Microsoft
created on 2018-08-22

a close up of a sign 86.2%
close up of a sign 82.5%
a sign on a wall 71.1%

Azure OpenAI

Created by gpt-4 on 2024-11-17

This image features an artistic poster that explores the concepts of "PROPORTION AND RHYTHM." It is divided into four sections, featuring different abstract artworks that illustrate these principles. At the top, there are two squares that contain complex, geometric structures—one in black and white with interlocking shapes and the other in various colors, with the same pattern but filled in to emphasize different elements. Below these geometric squares, there are two rectangles. The left rectangle contains abstract, organic shapes in pastel colors, floating on a turquoise background. This artwork is accompanied by the phrase "From The Parts To The Whole," suggesting a focus on how individual elements can integrate into a cohesive design. The right rectangle shows a similar set of abstract, interweaving shapes in black outline against a white background, with the accompanying phrase "From The Whole To The Parts," alluding to looking at the overall form and then examining its individual components. At the bottom right of the poster, there's a signature or credit that reads "STANLEY STOCKTON SEC. II." The poster uses a mix of color and monochrome design elements to visually communicate ideas about design, proportion, and rhythm.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-11-17

The image is titled "Proportion and Rhythm" and it explores the concepts of proportion and rhythm through various visual elements. The upper left section shows a geometric abstract pattern, while the upper right section displays a colorful abstract composition. The lower left section contains organic, curving shapes in vibrant colors, and the lower right section shows a dynamic, flowing line pattern. The text at the bottom states "From The Whole To The Parts" and "From The Parts To The Whole", indicating that the artwork is examining the relationship between the whole and its component parts. The image serves as an exploration of artistic principles like proportion, geometry, color, and rhythm.

Meta Llama

Created on 2024-11-29

The image presents a poster titled "PROPORTION AND RHYTHM," showcasing four abstract compositions. The title is prominently displayed in black text at the top of the poster, with the words "From The Whole To The Parts" written below each composition. **Composition 1:** The first composition features a series of rectangles arranged in a seemingly random pattern. The rectangles are outlined in black and vary in size, with some overlapping others. The background of this composition is white. **Composition 2:** The second composition consists of various shapes, including squares, rectangles, and triangles, in a range of colors such as red, yellow, green, gray, and white. These shapes are arranged in a way that creates a sense of movement and energy. **Composition 3:** The third composition is a colorful arrangement of abstract shapes, including curved lines, circles, and irregular shapes. The colors used in this composition include pink, orange, blue, and brown. **Composition 4:** The fourth composition features a simple yet striking design, consisting of a single black line that forms a series of interconnected loops and curves. The background of this composition is beige. **Additional Text:** At the bottom of the poster, the text "STANLEY STOCKTON SEC. II" is written in small black letters. **Overall:** The poster effectively conveys the idea of proportion and rhythm through its use of abstract compositions and varied colors. The different arrangements of shapes and lines create a sense of visual interest and dynamic movement, making the poster engaging and thought-provoking.

Text analysis

Amazon

AND
From
The
PROPORTION
PROPORTION AND RHYTHM
Whole
From The Parts To The Whole
Parts
RHYTHM
From The Whole To The Parts
To
STANLEY
STOCKTON
STANLEY STOCKTON SEC. II
SEC. II

Google

PROPORTION AND RHYTH From The Whole To The Parts From The Parts To The Whole STA N LEY STOCKTON SEC. II
AND
The
To
Parts
STA
N
LEY
STOCKTON
SEC
.
II
PROPORTION
RHYTH
From
Whole