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Human Generated Data

Title

Proportion and Rhythm

Date

1942-1949

People

Artist: Frances Aleman, American active New Orleans c. 1948

Classification

Drawings

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, Gift of Professor R.D. Feild, BR49.365

Human Generated Data

Title

Proportion and Rhythm

People

Artist: Frances Aleman, American active New Orleans c. 1948

Date

1942-1949

Classification

Drawings

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, Gift of Professor R.D. Feild, BR49.365

Machine Generated Data

Tags

Amazon
created on 2019-03-22

Text 93.5
Word 85.3
Labyrinth 63.1
Maze 63.1
Symbol 59
Alphabet 55.2

Clarifai
created on 2019-03-22

paper 94.3
no person 92.7
business 91.7
symbol 91.3
ticket 90.5
designing 90.1
data 90.1
illustration 88.1
internet 87.9
vectors 87.1
technology 86.5
signalise 86.4
text 84
ticket stub 83.9
facts 83.2
graphic 83.1
access 80
communication 79.9
World Wide Web 79.4
graph 79.2

Imagga
created on 2019-03-22

mine 53.3
excavation 41.9
icon 31.7
sign 28.6
symbol 27.6
facility 24.7
design 21.4
business 21.3
set 19.8
graphic 19
web 17
information 16
icons 15.8
button 15
paper 14.3
station 14.2
computer 13.8
blank 13.7
symbols 13.4
technology 13.4
element 13.2
art 13.1
card 12.8
sewage system 12.4
communication 11.8
object 11.7
police station 11.7
black 11.4
note 11
template 11
board 10.6
modern 10.5
text 10.5
square 10
chart 9.6
document 9.3
page 9.3
frame 9.2
message 9.2
diagram 8.6
empty 8.6
money 8.5
bus 8.5
number 8.4
car 8.4
banner 8.3
letter 8.3
data 8.2
office 8.2
digital 8.1
bank 7.9
letters 7.8
drawing 7.7
display 7.7
direction 7.6
menu 7.6
arrow 7.6
style 7.4
network 7.4
yellow 7.3
vehicle 7.3
school 7.2
window 7.1

Google
created on 2019-03-22

Text 95.9
Font 94.1
Line 84.7
Design 74.4
Parallel 67.4
Graphic design 63
Art 58.1
Graphics 57.5
Illustration 54.5

Microsoft
created on 2019-03-22

text 97.9
design 97.9
typography 40
illustration 8.6

Color Analysis

Categories

Imagga

text visuals 96.6%
paintings art 3%

Captions

Microsoft
created on 2019-03-22

a close up of a sign 88.4%
close up of a sign 84.7%
a sign on a wall 74.3%

OpenAI GPT

Created by gpt-4 on 2025-03-05

This image appears to be an educational or illustrative poster that explains the concepts of proportion and rhythm in design or art. There are two sets of images, each accompanied by a descriptive phrase. In the top row, there are two rectangular frames side by side. On the left, there is a line drawing consisting of interconnected geometric shapes creating a complex pattern. On the right, the same pattern is shown but with blocks of color (yellow, brown, and black) added to some of the shapes to highlight a rhythm or pattern. Below these two frames is the phrase "From the whole to the parts." In the bottom row, again there are two rectangular frames. On the left, there is a colorful abstract composition with various shapes like circles and curves in vibrant colors like blue, orange, yellow, and red. On the right, there is a line drawing of what seems to be the same composition, allowing you to see the structure of the design without the influence of color. Below this pair is the phrase "From the parts to the whole." At the bottom right of the poster, there is a signature or text that seems to say "Frances Aleman," followed by "Section II" and the number "4," which might suggest this poster is part of a series or an educational module. The image is designed to educate on how parts relate to the whole in a composition, and vice versa, as well as how rhythm and proportion can affect the visual impact of a piece of artwork or design.

Created by gpt-4o-2024-05-13 on 2025-03-05

This image is a didactic poster titled "PROPORTION and RHYTHM". It consists of four sections, grouped into two pairs, that demonstrate concepts of visual composition titled "From the whole to the parts" and "From the parts to the whole". In the first pair, titled "From the whole to the parts," the top-left section shows a black and white abstract geometric design made up of interlocking shapes, while the top-right section displays the same design with certain sections highlighted in different colors (green, brown, and black). In the second pair, titled "From the parts to the whole," the bottom-left section is a colored abstract composition with shapes in primary colors (yellow, blue, red, and black), including semicircular, angular, and organic forms. The bottom-right section shows the same arrangement of shapes in a simplified black and white line drawing. The name "Frances Aleman" and the designation "Section II" are written in the bottom-right corner of the poster, attributing the work to the individual.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2025-01-21

The image shows a collection of visual compositions exploring the concepts of proportion and rhythm. The top section contrasts abstract geometric patterns, while the bottom section showcases more organic, expressive shapes. The text indicates that the goal is to demonstrate the relationship between the whole and its parts, from the overall composition to the individual elements. The image suggests a focus on visual balance, harmony, and the interplay of different forms and structures.

Created by claude-3-5-sonnet-20241022 on 2025-01-21

This is an educational art diagram titled "PROPORTION and RHYTHM" that demonstrates two different artistic approaches. The image is divided into four panels showing two different exercises. The top two panels demonstrate "From the whole to the parts" - the left panel shows a black and white geometric abstract design, while the right panel shows the same design colored in with brown, black, and lime green. The bottom two panels illustrate "From the parts to the whole" - showing what appears to be an abstract figure or design. The left panel uses bold colors (blue, orange, and yellow) while the right panel shows the same design as a simple line drawing. The piece appears to be instructional material, possibly from a design or art course, and is credited to "Frances Aleman Section II" at the bottom right corner. It demonstrates how artistic compositions can be approached either by breaking down a whole into parts or by assembling parts into a whole, while maintaining proportion and rhythm in the design.

Created by claude-3-opus-20240229 on 2025-01-21

The image shows the concepts of proportion and rhythm in design, contrasting how they apply when going from the whole to the parts versus from the parts to the whole. In the top left, an abstract layout suggests how proportion divides and relates elements within the whole composition. In the top right, colored rectangles illustrate rhythm as repetition with variation of parts. Below, two diagrams further explore these ideas. On the left, curved colored shapes demonstrate moving from the parts to assemble the whole. On the right, line drawings breaking apart a shape represent going from the whole to understand the constituent parts. The simple illustrations and concise text aim to educate the viewer about these foundational principles of visual organization and how they function in both directions - synthesizing parts into a whole, and analyzing a whole into its parts.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-01-21

The image is a poster titled "PROPORTION and RHYTHM" that features four abstract designs, each with a unique color scheme and composition. The title is written in black text at the top of the poster, with the subtitle "From the whole to the parts" written below it. The four designs are arranged in two rows, with two designs per row. Each design is contained within a rectangular border, and they are labeled as follows: * Top-left design: A geometric pattern featuring various shapes and lines in shades of brown, yellow, and black. * Top-right design: A stylized representation of a tree or plant, with branches and leaves depicted in shades of green, brown, and yellow. * Bottom-left design: An abstract composition featuring curved lines, shapes, and geometric forms in shades of orange, blue, and yellow. * Bottom-right design: A stylized representation of a bird or animal, with wings and a body depicted in shades of gray and black. At the bottom of the poster, there is a note that reads "From the parts to the whole," which suggests that the designs are meant to be viewed as a progression from individual elements to a cohesive whole. The poster also includes a small inscription in the bottom-right corner that reads "Frances Aleman Section II," which may indicate the creator or owner of the poster. Overall, the poster appears to be an educational tool or art project that explores the concepts of proportion and rhythm in design. The use of abstract shapes and colors creates a visually striking and thought-provoking image that invites the viewer to consider the relationships between different elements and how they contribute to the overall composition.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-01-21

The image is a poster that explores the relationship between proportion and rhythm in art, featuring four abstract designs with text that reads "PROPORTION and RHYTHM" at the top. The poster is divided into two rows, with two squares in each row, each containing an abstract design. * **Top-Left Square** * The square features a maze-like design with black lines on a white background. * The design is symmetrical, with identical patterns on both sides of the center line. * The maze-like pattern creates a sense of movement and energy. * **Top-Right Square** * The square contains a geometric design with brown, yellow, and green shapes on a white background. * The design features a mix of straight and curved lines, creating a dynamic and playful feel. * The use of different colors adds visual interest and depth to the design. * **Bottom-Left Square** * The square features a colorful abstract design with blue, orange, yellow, and purple shapes on a white background. * The design includes a mix of geometric and organic shapes, creating a sense of movement and energy. * The use of bright colors adds a playful and dynamic feel to the design. * **Bottom-Right Square** * The square contains a simple yet effective design with black lines on a white background. * The design features a mix of geometric and organic shapes, creating a sense of balance and harmony. * The simplicity of the design allows the viewer to focus on the shapes and their relationships. Overall, the poster effectively explores the relationship between proportion and rhythm in art, using a variety of abstract designs to illustrate different concepts. The use of color, shape, and line creates a visually appealing and engaging poster that encourages the viewer to think critically about the relationship between proportion and rhythm.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-21

The image shows a page with four sections, each containing a different illustration. The page is titled "Proportion and Rhythm" and is divided into two main sections. The top section is labeled "From the whole to the parts" and features two illustrations. The bottom section is labeled "From the parts to the whole" and also features two illustrations. The illustrations are simple and abstract, using basic shapes and colors to convey the concepts of proportion and rhythm. The overall design of the page is clean and minimalist, with a focus on the illustrations and their accompanying text.

Created by amazon.nova-lite-v1:0 on 2025-01-21

The image appears to be a diagram or visual representation of the concepts of "Proportion" and "Rhythm" in art or design. It consists of four distinct sections, each illustrating a different aspect of these concepts. The top section is labeled "From the whole to the parts" and features a maze-like pattern made up of interconnected shapes and lines. This section likely represents the idea of breaking down a whole composition into its individual parts or elements. The second section is labeled "From the parts to the whole" and depicts a colorful, abstract composition made up of various shapes and colors. This section may illustrate how individual parts or elements can be combined to create a cohesive and harmonious whole. The third section is labeled "Proportion" and features a simple, geometric shape with a central axis and symmetrical parts. This section likely represents the concept of proportion, which refers to the relative size and scale of different elements within a composition. The fourth section is labeled "Rhythm" and depicts a series of repeating shapes and patterns, creating a sense of movement and flow. This section may illustrate the concept of rhythm, which refers to the repetition and variation of elements to create a sense of order and harmony. Overall, the image appears to be a visual guide or explanation of the concepts of proportion and rhythm in art and design, using different visual elements and patterns to illustrate each concept.

Created by amazon.nova-lite-v1:0 on 2025-01-10

The image is a white sheet of paper with a title and four different drawings on it. The title reads "Proportion and Rhythm," and it is written in black font. The drawings are in black and white, and they are arranged in a grid-like pattern. The first drawing is a maze, and the second drawing is a series of shapes that are connected to each other. The third drawing is a series of lines that are connected to each other, and the fourth drawing is a series of shapes that are connected to each other.

Created by amazon.nova-pro-v1:0 on 2025-01-10

The image is a visual representation of the concepts of "proportion and rhythm" in art. It consists of four distinct sections, each demonstrating different aspects of these concepts. The top left section features a black-and-white maze-like pattern, while the top right section displays a colorful, abstract design with geometric shapes. The bottom left section shows a vibrant, abstract design with overlapping shapes and colors, while the bottom right section features a line drawing of a bird.

Text analysis

Amazon

parts
the
PROPORTION
From
whole
From the parts to the whole
From the whole to the parts
to
RHYTHM
Aleman
Frances
Frances Section Aleman II
PROPORTION and
Section
II
and

Google

PROPORTION
and
the
parts
From
Section
PROPORTION and RHNTHM From the whole to the parts From the parts to the whole Frances Aleman Section I
RHNTHM
whole
to
Frances
Aleman
I