Human Generated Data

Title

Figure Grouping

Date

1942-1949

People

Artist: Stanley Stockton, American active New Orleans c. 1948

Classification

Drawings

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, Gift of Professor R.D. Feild, BR49.356

Copyright

© Estate of Stanley C. Stockton

Human Generated Data

Title

Figure Grouping

People

Artist: Stanley Stockton, American active New Orleans c. 1948

Date

1942-1949

Classification

Drawings

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, Gift of Professor R.D. Feild, BR49.356

Copyright

© Estate of Stanley C. Stockton

Machine Generated Data

Tags

Amazon
created on 2019-04-09

Text 99
Label 99
Advertisement 77.3
Poster 76.7
Collage 72.1
Art 72
Rug 71
Sticker 69.6
Drawing 57.3
Animal 56.8

Clarifai
created on 2018-08-22

no person 97.3
illustration 96.7
retro 91.5
people 88.1
art 87.7
vintage 86.7
vector 85.7
child 84.9
collection 83.5
design 82.9
game 82.8
set 81.8
symbol 81
group 80.1
decoration 79.3
graphic design 79.3
education 78.7
pattern 78.4
graphic 77.8
leisure 77.2

Imagga
created on 2018-08-22

container 37.1
envelope 36.5
card 28.9
design 23.8
paper 23.5
vintage 21.5
stamp 20.2
cereal 19.9
symbol 19.5
set 19.5
collection 18.9
retro 18.9
pattern 18.5
box 17.6
cartoon 17
element 16.6
breakfast food 16.3
decoration 16.1
old 16
packet 15.7
mail 15.3
floral 15.3
package 15
drawing 14.8
postage 14.8
graphic 14.6
money 14.5
celebration 14.4
frame 14.2
holiday 13.6
food 13.3
texture 13.2
letter 12.9
decorative 12.5
art 12.5
flower 12.3
gift 12.1
banner 12
postmark 11.8
board 11.7
business 11.5
cute 11.5
post 11.5
greeting 11.1
icon 11.1
insulating material 10.9
postal 10.8
cards 10.7
color 10.6
sign 10.5
grunge 10.2
colorful 10
border 10
philately 9.9
currency 9.9
bank 9.9
fun 9.7
new 9.7
shape 9.7
print 9.4
wallpaper 9.2
banking 9.2
cash 9.2
financial 8.9
bookmark 8.7
notebook 8.6
ornament 8.6
elements 8.4
birthday 8.3
traditional 8.3
heart 8.3
note 8.3
present 8.2
building material 8.2
backgrounds 8.1
star 8.1
season 7.8
leaf 7.8
handkerchief 7.8
party 7.7
invitation 7.7
international 7.7
seamless 7.6
unique 7.6
label 7.5
style 7.4
backdrop 7.4
fabric 7.4
shopping 7.3
message 7.3
hat 7.3
wealth 7.2

Google
created on 2018-08-22

text 85.9
font 59.8
paper 56.3
product 54.3
art 54.2

Microsoft
created on 2018-08-22

gallery 94.5
scene 79.7
room 71.8

Color Analysis

Feature analysis

Amazon

Rug 71%

Categories

Imagga

paintings art 100%

Captions

Microsoft
created on 2018-08-22

a close up of a painted wall 56%
close up of a painted wall 49.7%

Azure OpenAI

Created on 2024-11-21

The image is a chart titled "Figure Grouping," and it appears to be a didactic illustration, likely used in an art or design context to demonstrate principles of visual perception and composition. The chart is divided into six sections, each illustrating a different concept with an example: Top Left: Under the heading "SHAPE," there are abstract jagged shapes in a dual-tone color scheme, emphasizing the form and outlines of figures. Top Right: Designated "DIRECTION," this section shows curvy, flowing shapes in three colors, suggesting movement or a specific visual flow across the composition. Middle Left: Titled "VISUAL TEXTURE," the illustration presents a collage-like collection of shapes with different textures and patterns, with some areas appearing rough and others smoother. Middle Right: Labeled "HUE," this example displays different shades of blue squares with varying intensities and hues, highlighting the property of color. Bottom Left: Indicated as "SPATIAL TENSION 1," this frame features assorted shapes and colors overlaid in a manner that creates visual tension through overlap and spatial relationships. Bottom Right: "CONTACT OVERLAP INTERPENETRATION," here, the composition has various shapes interacting with one another through overlapping and interplay, exploring how figures relate within a shared space. At the bottom of the chart, there's a signature or label that reads "S.C. STOCKTON SEC. 2." This indicates the section or part of a larger series or educational material, and "S.C. STOCKTON" is likely the creator or curator of the chart. The overall design suggests a mid-20th-century graphic design or educational style, focusing on principles of design that are relevant for understanding figure-ground relationship, color theory, and composition.

Anthropic Claude

Created on 2024-11-21

This image appears to be a visual guide or reference for different principles of figure grouping in art or design. It is divided into several sections, each demonstrating a different concept: 1. Shape - The first section shows various abstract geometric shapes arranged in a grouping. 2. Direction - The second section depicts a jumbled pattern of shapes in different orientations. 3. Visual Texture - The third section shows an image composed of rough, irregular textures and fragments. 4. Hue - The fourth section displays a grouping of various shades of blue shapes. 5. Contact Overlap Interpenetration - The fifth section features an image with overlapping and interlocking abstract shapes. 6. Spatial Tension 1, 2, 3 - The final three sections demonstrate different compositions using a variety of angular, overlapping shapes creating a sense of tension and movement. The overall presentation appears to be an educational or instructional guide for studying the principles of figure grouping and composition in visual design or art.

Meta Llama

Created on 2024-11-29

The image presents a comprehensive visual representation of figure grouping, showcasing various techniques for categorizing and organizing visual elements. The title "Figure Grouping" is prominently displayed at the top, followed by six distinct sections that illustrate different approaches to figure grouping. * **Shape** * This section features a collection of abstract shapes in different colors and sizes, arranged in a random pattern. * The shapes are grouped together based on their visual similarity, with similar colors and forms clustered together. * **Direction** * This section displays a series of lines and curves that are grouped together based on their direction. * The lines and curves are arranged in a way that creates a sense of movement and flow, with similar directions grouped together. * **Visual Texture** * This section showcases a variety of textures, including smooth, rough, and patterned surfaces. * The textures are grouped together based on their visual similarity, with similar textures clustered together. * **Hue** * This section features a range of colors, from bright and vibrant to muted and pastel. * The colors are grouped together based on their hue, with similar colors clustered together. * **Contact Overlap Interpenetration** * This section displays a series of shapes that overlap and intersect with each other. * The shapes are grouped together based on their contact and overlap, with similar shapes clustered together. * **Spatial Tension 1** * This section features a collection of shapes that are arranged in a way that creates tension and balance. * The shapes are grouped together based on their spatial relationship, with similar shapes clustered together. * **Spacial Tension 2** * This section displays a series of shapes that are arranged in a way that creates tension and balance. * The shapes are grouped together based on their spatial relationship, with similar shapes clustered together. * **Spacial Tension 3** * This section features a collection of shapes that are arranged in a way that creates tension and balance. * The shapes are grouped together based on their spatial relationship, with similar shapes clustered together. In summary, the image provides a comprehensive overview of figure grouping techniques, showcasing different approaches to categorizing and organizing visual elements. By examining the various sections, viewers can gain a deeper understanding of how to effectively group figures together based on their visual characteristics.

Text analysis

Amazon

Grouping
Figure Grouping
Figure
INTERPENETRATION
TEXTURE
SHAPE
DIRECTION
SPACIAL
TEXTURE HUE CONTACT OVERLAP
OVERLAP
HUE
CONTACT
STOCKTON
VISUAL
TENSION
TENSION 2 3
2
3
A
SEC. 2
C.
S. C. STOCKTON SEC. 2
D
S.

Google

Figure Grouping SHAPE DIRECTION VISUAL TEXTURE HUE CONTACT OVERLAP INTERPENETRATION SPACIAL TENSION 1 S. C. STOCKTON SEC. 2
Figure
Grouping
SHAPE
DIRECTION
VISUAL
TEXTURE
CONTACT
INTERPENETRATION
TENSION
1
S.
C.
STOCKTON
SEC.
2
HUE
OVERLAP
SPACIAL