Human Generated Data

Title

Die Sichel: Monatschrift für neue Dichtung und Grafik, yr. 2 (August 1920)

Date

1920

People

Artist: Various Artists,

Artist: Opfermann Karl, German 1891 - 1960

Classification

Books

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, Gift of Louis W. Black, BR56.109

Human Generated Data

Title

Die Sichel: Monatschrift für neue Dichtung und Grafik, yr. 2 (August 1920)

People

Artist: Various Artists,

Artist: Opfermann Karl, German 1891 - 1960

Date

1920

Classification

Books

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, Gift of Louis W. Black, BR56.109

Machine Generated Data

Tags

Amazon
created on 2021-12-15

Page 99.4
Text 99.4
Newspaper 88.7

Clarifai
created on 2023-10-25

no person 99.6
text 99.6
page 99.4
paper 96
poetry 95.4
information 95.3
booklet 95
facts 91.5
print 91.1
retro 91.1
war 91
writing 90.8
one 89.9
education 89.3
layout 88.6
template 88.6
scripture 88.1
presentation 86.8
document 85.8
art 85.3

Imagga
created on 2021-12-15

newspaper 60.3
daily 56.2
product 50.1
creation 42.7
definition 42.3
cloud 41.4
association 38.5
book 37.9
artwork 35.8
creative 35.4
advertising 32.7
decorative 32.7
idea 32.1
cover 31.5
advertisement 31
associated 30.6
brochure 30.3
carpet 30.2
advertise 30.2
collection 29.8
design 29.3
composition 29.3
backdrop 28.9
conceptual 28.3
art 28.2
graphic 27.8
information 27.5
decor 27.5
business 27.4
element 27.4
text 26.3
data 24.7
decoration 24.7
letter 23.9
page 21.4
bible 19.6
religion 18.9
old 18.9
paper 18.9
copy 18.6
word 18
religious 17.9
keywords 17.8
prayer 17.4
brass 17.3
continuity 16.8
drapery 16.8
menu 15.6
holy 15.5
read 15.4
god 15.4
print 15.1
fabric 15.1
antique 14.9
detail 14.5
collage 14.5
faith 14.4
open 13.5
memorial 13.1
document 13
education 13
fare 13
communication 12.6
spiritual 12.5
testament 11.9
black 11.4
development 11.4
gospel 10.9
words 10.8
pages 10.8
ink 10.6
ancient 10.4
church 10.2
energy 10.1
best 9.8
new 9.7
bookmark 9.7
structure 9.6
cross 9.4
study 9.3
close 9.2
history 9
chapter 8.9
scripture 8.9
analysis 8.8
pray 8.8
mix 8.7
life 8.6
writing 8.5
company 8.4
human 8.3
global 8.2
financial 8
emphasize 7.9
felt 7.9
fluorescent 7.9
highlight 7.9
passage 7.9
important 7.9
dye 7.9
more 7.8
mosaic 7.8
belief 7.8
king 7.8
news 7.8
drawing 7.8
knowledge 7.7
draw 7.6
commercial 7.5
vintage 7.5
connection 7.3
computer 7.2
day 7.1
highlighter 7
modern 7

Google
created on 2021-12-15

Publication 84.3
Font 82.7
Book 80
Newsprint 73.2
Newspaper 73.1
Paper 69.9
Paper product 68.1
Parallel 66
Document 61.1
History 58.1
Rectangle 51.8

Microsoft
created on 2021-12-15

text 100
letter 63.6

Color Analysis

Feature analysis

Amazon

Book

Clarifai

No features identified

AWS Rekognition

Book 99.6%

Categories

Imagga
created on 2021-12-15

text visuals 100%

Captions

Microsoft
created by unknown on 2021-12-15

text 99.7%

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-05-18

a photograph of a book with a picture of a man in a suit and tie

OpenAI GPT

Created by gpt-4o-2024-11-20 on 2025-06-17

The image shows a page from a German publication titled Die Sichel, dated August 1920. The page features text organized into three columns with distinct sections. At the top, there is a decorative illustration depicting stylized figures and foliage, accompanied by the title "DIE SICHEL" in bold, along with descriptions of the publication as a monthly magazine for "new poetry and graphics."

This issue is designated as the "Second Year, Issue 6." Below the illustration and title, there's an article by Gustav Sack titled "Im Regen" (In the Rain), written as prose text. Following that, there are two additional pieces by the same author: "Das Opfer" (The Sacrifice) and "Der Federkiel" (The Quill), presented as poetic texts with distinctive formatting.

The layout merges literary content with artistic design elements typical of early 20th-century avant-garde publications. The typography is clean and organized, focusing on clarity while maintaining aesthetic appeal.

Created by gpt-4o-2024-08-06 on 2025-06-17

The image is a scan of a page from a publication titled "DIE SICHEL," with the subtitle indicating it is the second year, issue 6, of a monthly magazine for new poetry and graphics, dated August 1920. The page is primarily composed of text in German, structured in columns, with a small graphic image in the upper left corner. This graphic appears to be a woodcut-style illustration depicting an abstract or stylized figure, possibly a person working with a sickle, which ties into the publication's title meaning "The Sickle."

The content on the page includes the beginning of a piece by Gustav Sack, titled "Im Regen," which translates to "In the Rain." The text below this title features a narrative or descriptive style, reflecting on the sensory experience of rain and its effect on mood or scenes. Below "Im Regen," two more works are indicated, titled "Das Opfer" and "Der Federkiel," both attributed to Gustav Sack, and "Der Federkiel" appears to be a short poem. The layout of the page is formal, maintaining consistent margins and typographical alignment, characteristic of early 20th-century printed literature.

Anthropic Claude

Created by anthropic.claude-3-haiku-20240307-v1:0 on 2025-06-18

The image appears to be the cover page of a magazine called "Die Sichel" (The Sickle) from August 1920. The cover features an illustration of a person, likely a man, working with a sickle or scythe. The text on the cover discusses various topics related to poetry and literature, though I cannot identify any specific individuals mentioned. The overall focus seems to be on creative writing and artistic expression.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-18

This appears to be a page from a German literary magazine called "DIE SICHEL" (The Sickle) from August 1920. At the top of the page, there's a woodcut-style illustration showing a figure with a sickle. The page contains several texts by Gustav Sack, including poems and prose pieces. The main text appears to be titled "Im Regen" (In the Rain), and there are also two poems: "Das Opfer" (The Sacrifice) and "Der Federkiel" (The Quill). The layout is typical of early 20th century literary magazines, with clean typography and clear section breaks between the different pieces. The text is printed in a traditional German blackletter typeface, which was common for publications of that era.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-06-09

The image displays a page from a German newspaper or magazine, featuring a woodcut illustration of a man holding a hammer and a chisel. The text is written in German and includes the date "AUGUST 1920" at the top.

  • Title and Date
    • The title of the page is "DIE SICHEL" and is accompanied by a subtitle that reads "ZWEITER JAHRGANG MONATSCHRIFT FUR NEUE DICHUNG UND GRAFIK".
    • The date "AUGUST 1920" is printed below the title.
  • Woodcut Illustration
    • A woodcut illustration of a man holding a hammer and a chisel is located in the top-left corner of the page.
    • The illustration appears to be a representation of a craftsman or artist at work.
  • Text
    • The text on the page is written in German and appears to be an article or essay.
    • The text is divided into sections, with headings and subheadings that provide structure and organization.
    • The text is written in a formal style, suggesting that it may be a literary or academic piece.
  • Layout
    • The page has a simple layout, with the title and date at the top and the text below.
    • The text is arranged in a column, with headings and subheadings that provide visual interest and organization.
    • The page has a beige background, which provides a neutral and unobtrusive backdrop for the text and illustration.

Overall, the image suggests that the page is from a literary or academic publication, possibly a journal or magazine focused on art and culture. The woodcut illustration adds a touch of elegance and sophistication to the page, while the formal text provides a sense of authority and expertise.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-06-09

The image is a page from a German magazine or newspaper, featuring an article with a title and text in German. The page has a beige background with black text and a small illustration at the top.

Title: "DIE SICHEL" (The Sickle) is written in large letters at the top of the page, followed by "ZWEITER JAHRGANG" (Second Year) and "MONATSCHRIFT FÜR NEUE DICHTUNG UND GRAFIK" (Monthly Magazine for New Poetry and Graphics). Below the title is a small illustration of a man holding a sickle, surrounded by leaves and vines.

Article: The article is written in German and appears to be a literary piece, possibly a poem or short story. It is divided into sections with headings such as "GUSTAV SACK + IM REGEN" (Gustav Sack + In the Rain) and "GUSTAV SACK + DAS OPFER" (Gustav Sack + The Sacrifice).

Layout: The page is laid out in a simple and elegant design, with clear headings and paragraphs. The text is written in a serif font, which gives it a classic and sophisticated look.

Overall: The image suggests that the magazine or newspaper is focused on literature and art, and that it features original works by German authors and artists. The use of a sickle as a symbol may indicate that the publication is interested in themes related to nature, agriculture, and social justice.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-06-06

The image is a page from a magazine or journal, featuring a poem titled "Die Sichel" (The Sickle) by Gustav Sack. The page has a black-and-white illustration of a man holding a sickle and a woman with a crown, likely representing the poem's theme. The text is written in German and appears to be a continuation of a previous poem or story. The page has a simple layout with a title at the top, followed by the poem's text and the illustration. The image conveys a sense of nostalgia and introspection, with the poem's themes of aging, loss, and the passage of time.

Created by amazon.nova-pro-v1:0 on 2025-06-06

The image is a page from a book, likely a literary or philosophical text, given the style and content. The page is from the early 20th century, specifically August 1920, as indicated by the date at the top. The text is written in German and is divided into two columns.

The top of the page features a decorative header with the title "DIE SICHEL" (The Sickle) and a subtitle "ZWEITER JAHRGANG" (Second Year). Below this, there is a small illustration depicting a person holding a sickle, suggesting the theme or symbolism related to the text.

The left column contains prose, which appears to be a narrative or descriptive passage. The text is dense and continuous, with no visible breaks or subheadings within this segment. The content seems to describe a scene or situation, possibly involving characters or a setting, though specific details are not immediately clear without a full translation.

The right column contains two separate sections, each titled with the name "GUSTAV SACK." These sections are likely excerpts or essays by the author Gustav Sack. The first section is titled "DASOPHER" and the second "DER FEDERKIEL." Both sections begin with a small illustration of a feather, which may symbolize writing or intellectual thought.

The text in these sections is also written in German and appears to be more philosophical or reflective in nature compared to the prose in the left column. The language is formal and the sentences are structured, indicating a deliberate and thoughtful composition.

Overall, the page presents a blend of narrative and philosophical content, with visual elements that enhance the thematic elements of the text. The use of German and the specific references to Gustav Sack suggest that this is a literary work, possibly part of a collection or anthology.

Google Gemini

Created by gemini-2.0-flash on 2025-05-16

Here are the bounding box detections:

[
  {"box_2d": [201, 448, 218, 511], "label": "AUGUST"},
  {"box_2d": [264, 68, 282, 209], "label": "GUSTAVSACK"},
  {"box_2d": [501, 69, 517, 118], "label": "schehen"},
  {"box_2d": [733, 114, 749, 233], "label": "Dieser Geruch"},
  {"box_2d": [396, 48, 415, 117], "label": "kurz vor"},
  {"box_2d": [765, 540, 782, 612], "label": "Himmel"},
  {"box_2d": [367, 509, 384, 561], "label": "Koketten"},
  {"box_2d": [252, 450, 269, 574], "label": "wie man so"},
  {"box_2d": [681, 605, 698, 702], "label": "GUSTAV SACK"},
  {"box_2d": [791, 130, 807, 170], "label": "küßle"},
  {"box_2d": [159, 454, 177, 535], "label": "um den"},
  {"box_2d": [468, 485, 484, 551], "label": "Diesmal"},
  {"box_2d": [102, 652, 119, 699], "label": "hören"},
  {"box_2d": [836, 69, 854, 111], "label": "Dann"},
  {"box_2d": [791, 275, 807, 364], "label": "irgendwohin"},
  {"box_2d": [216, 504, 233, 583], "label": "Regenlache"},
  {"box_2d": [421, 606, 438, 703], "label": "GUSTAV SACK"},
  {"box_2d": [216, 608, 233, 738], "label": "ein nasses"},
  {"box_2d": [750, 70, 766, 133], "label": "dieser"},
  {"box_2d": [159, 692, 177, 767], "label": "wieder"},
  {"box_2d": [834, 614, 851, 658], "label": "laechelnd"},
  {"box_2d": [862, 540, 879, 584], "label": "losen"},
  {"box_2d": [454, 247, 471, 345], "label": "Tauben und"},
  {"box_2d": [746, 490, 763, 553], "label": "Vibrieren"},
  {"box_2d": [83, 650, 99, 698], "label": "Regen"},
  {"box_2d": [862, 144, 879, 200], "label": "stapfle"},
  {"box_2d": [217, 69, 233, 108], "label": "S I"},
  {"box_2d": [761, 490, 778, 568], "label": "endlosem"},
  {"box_2d": [125, 527, 141, 595], "label": "Dächern"},
  {"box_2d": [83, 583, 99, 619], "label": "dieser"},
  {"box_2d": [613, 490, 630, 525], "label": "Licht"},
  {"box_2d": [660, 334, 676, 391], "label": "dieses"},
  {"box_2d": [83, 519, 99, 552], "label": "Regen"},
  {"box_2d": [312, 696, 329, 740], "label": "eine"},
  {"box_2d": [531, 333, 548, 425], "label": "weißgrauen"},
  {"box_2d": [174, 49, 192, 175], "label": "DIE SICHEL"},
  {"box_2d": [681, 69, 698, 115], "label": "liegend"},
  {"box_2d": [675, 48, 694, 104], "label": "Endlich"},
  {"box_2d": [777, 709, 793, 741], "label": "Gras"},
  {"box_2d": [367, 574, 384, 631], "label": "wegen"},
  {"box_2d": [305, 362, 323, 403], "label": "wie"},
]

Created by gemini-2.0-flash-lite on 2025-05-16

Here's a description of the image:

The image is a page from a literary magazine called "Die Sichel" ("The Sickle"). It is from the second year of publication, with the date "August 1920" printed prominently. The page is divided into two main sections:

  • Top Section: This section contains the magazine's masthead and a short introductory piece about "Regen" (rain), written in German. The masthead features a stylized, somewhat abstract woodcut illustration, likely of a sickle. The title "Die Sichel" is in bold, large letters. Below the title are the details of the publication: "ZWEITER JAHRGANG" (Second Year), "MONATSCHRIFT FÜR NEUE DICHTUNG UND GRAFIK" (Monthly Magazine for New Poetry and Graphic Art) and "AUGUST 1920". The introductory piece appears to describe the experience of listening to rain in a metaphorical way, referencing the emotions, the sounds, and the feeling of being in such a setting.

  • Bottom Section: The lower portion of the page contains two poems, both attributed to "GUSTAV SACK +:". They are titled "IM REGEN" (In the Rain) and "DER FEDERKIEL" (The Quill Pen). The first of these poems describes a story set in the rain. The second of these poems describes a view towards a blue world and how the author feels towards it. The text in both poems seems to follow a free verse structure.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-01

The image is a page from a publication titled "Die Sichel," which is a monthly journal for new poetry and graphics, dated August 1920. The page features three poems by Gustav Sack.

  1. Gustav Sack †: Im Regen

    • The poem describes a scene in the rain, where the narrator is walking and observing the environment. The rain is depicted as a living entity, with fingers touching the narrator and making them feel as if they are being caressed. The poem also mentions the sounds of the rain, comparing it to the sounds of a mill and the rustling of leaves. The narrator feels a sense of comfort and familiarity with the rain, as if it is an old friend.
  2. Gustav Sack †: Das Opfer

    • This poem is about a person who feels lonely and seeks solace in their own hands. The narrator describes a longing for someone to hold their hands and to feel the warmth of another person's touch. The poem conveys a sense of isolation and a desire for connection.
  3. Gustav Sack †: Der Federkiel

    • The poem describes a quill pen, comparing it to a glass and a lover's lips. The quill is depicted as a delicate and precious object, with a blue well that is as deep as a salt mine. The poem suggests that the quill is a tool for expressing deep emotions and thoughts.

The poems are written in a lyrical and descriptive style, using vivid imagery and metaphors to convey the narrator's feelings and experiences. The overall tone is introspective and melancholic, with a focus on the natural world and the emotions it evokes.

Qwen

No captions written

Text analysis

Amazon

DIE
das
haben,
den
Treue
Sie
DIE SICHEL
wie
hören,
dann
und
ihm
werden
SICHEL
faul
sich
wieder
in
die
müssen
gebrochen
einer
eine
dem
der
greifen,
ohne
oder
Regen
mit
und auf den Leib sieht, der sich ihm immer
zugehört
Mannes
auch
verstehen,
Leib
immer
Apathie
wollüstigen Apathie und blinkend wie eine
Aber
auf
sagt,
ihn
sieht,
zu haben, in
DICHTUNG
feln, wochenlang müssen Sie ihm zugehört
Blick
noch
Rinnen
NEUE DICHTUNG
aus den Rinnen und von den Dächern Tröp-
NEUE
noch darbietet, faul und träge und in einer
FÜR
wie man so sagt, ohne die Treue gebrochen
Dächern
des
UND
Tröp-
es
ein
MONATSCHRIFT
blinkend
wochenlang
zu
haben, um den Blick des Mannes zu be-
be-
AUGUST
Regenlache oder ein nasses Schieferdach,
aus
AUGUST 1920
UND GRAFIK
Regenlache
von
1920
"Dieser
man
wollüstigen
GRAFIK
greifen, mit dem er sich wieder umwendet
er
nasses
Schieferdach,
um
er,
JAHRGANG
träge
feln,
Aber Sie müssen ihn hören, das tripp-frapp
Regen - dieser
darbietet,
und werden es dann auch verstehen, daß er,
so
"Dieser Regen - dieser Regen - _"
umwendet
-
ZWEITER
tripp-frapp
_"
daß

Google

„Dieser Regen – dieser Regen - -" Aber Sie müssen ihn hören, das tripp-Irapp aus den Rinnen und von den Dächern Tröp- DIE SICHEL z WEI TER JA HRGANG feln, wochenlang müssen Sie ihm zugehört haben, um den Blick des Mannes zu be- greifen, mit dem er sich wieder umwendet und auf den Leib sieht, der sich ihm immer noch darbietet, faul und träge und in einer wollüstigen Apathie und blinkend wie eine Regenlache oder ein nasses Schieferdach, und werden es dann auch verstehen, daß er, wie man so sagt, ohne die Treue gebrochen zu haben, in die bequemeren Arme seiner Frau zurückkehrte. MONATSCHRIFT FÜR NEUE DICHTUNG UND GRAFIK AUGUST 1920 GUSTAV SACK t: IM REGEN Das ist gewik eine affektiert andeutende Und damals, in dem langen Regen, geschah eine andere Geschichte, Sie wissen, wie das und graziöse Art, eine lange Geschichle zu unsere Glieder hohl und bleiern macht, und erzählen; aber wie könnte man eine Ge- uns am Ende einsargen will, wenn wochen- schichte, die kurz erzählt werden muk und die lang die Kastanienblätter ihre Finger hängen locken will, so erzählen, daß sie nicht den lassen, und es in einem ewigen Getröpfel bis tief nach Mitternacht von den Dächern tropft; man sie leizten Grundes ja überhaupt er- kurz vor Sonnenaufgang geschieht dann eine zählf? Pause im Regen, er kann nicht mehr und die Drosseln mögen eine Weile flöten, aber wenn der erste wieder los und die Tauben und Spatzen ziehen die Köpfe ein. In den ersten Tagen ballt man die Hände, dann läßt man es ge- schehen und läßt sich treiben, frostlos, mut- los, ganz willenlos, und vergikt über dem endlosen Getröpfel, daß über der weißgrauen Decke eigentlich ein blauer Himmel hängt. Und nun werden Sie meine Geschichte ver- stehen, Als er sie endlich durch seine Gleichgültig- keit dahin gebracht hatte, dak sie ihn zu sich bestellte - nachmittags um drei, wenn mein Mann zum Café ist - hatte man sich schon mit diesem Regen abgefunden; aber trotz- dem - Sie verstehen nun dieses trotzdem - ging er zu ihr und fand sie auf ihrem Divan liegend, dreißigjährig und in einer trägen Nacktheit Anstrich des Koketten bekäme, wegen dessen GUSTAV SACK t: gekommen ist, gießt er A P FE Diesmal sollst du noch entrinnen, heil aus meinen Händen schlüpfen, morgen werd' ich dich einspinnen, dich an meine Feder kniüpfen, nackt auf meine Feder spießen werde ich dein kleines Herz, Licht soll von ihm niederfließen strömend ewig tiefenwärts, schüren wirst du ihre Glut, dak du meine Fackel wirst, bis in unsrer Feuerflut Feder sowie Herz zerbirst. GUSTAV SACK t: DER FEDE RKIEL wozu auch die Präliminarien! sie hälten heute alles vereitelt. „Aber dieser Geruch! Ich fuhr bis an Ihre Tür, aber dieser Geruch, er liegt in der Luft, dieser Geruch! faul, stickend, dieser entsetz- liche Regengeruch!" Dann küßle er sie, flüchtig, irgendwohin auf ihren Leib, den sie ihm träge und in einer wollüstigen Apathie darbot. Dann zog er seinen Rock aus, hängte ihn bedachtsam über einen Stuhl und stapfle, richtig stapfte, ans Fenster und sah hinaus -: Gleich einem umgestülpten Glas, das von der Lerchen Liederschlag in endlosem Vibrieren tönt, hängt nun der Himmel jeden Tag über dem srotzend fetten Gras. Doch mir ward diese blaue Welt feindlich zu einem Satyrspiel, das meiner Nöte lächelnd höhnt leich einem Federkiel in seinen losen Händen hält. mic
„Dieser
Regen
dieser
-
-"
Aber
Sie
müssen
ihn
hören,
das
tripp-Irapp
aus
den
Rinnen
und
von
Dächern
Tröp-
DIE
SICHEL
z
WEI
TER
JA
HRGANG
feln,
wochenlang
ihm
zugehört
haben,
um
Blick
des
Mannes
zu
be-
greifen,
mit
dem
er
sich
wieder
umwendet
auf
Leib
sieht,
der
immer
noch
darbietet,
faul
träge
in
einer
wollüstigen
Apathie
blinkend
wie
eine
Regenlache
oder
ein
nasses
Schieferdach,
werden
es
dann
auch
verstehen,
daß
er,
man
so
sagt,
ohne
die
Treue
gebrochen
bequemeren
Arme
seiner
Frau
zurückkehrte.
MONATSCHRIFT
FÜR
NEUE
DICHTUNG
UND
GRAFIK
AUGUST
1920
GUSTAV
SACK
t:
IM
REGEN
Das
ist
gewik
affektiert
andeutende
Und
damals,
langen
Regen,
geschah
andere
Geschichte,
wissen,
graziöse
Art,
lange
Geschichle
unsere
Glieder
hohl
bleiern
macht,
erzählen;
aber
könnte
Ge-
uns
am
Ende
einsargen
will,
wenn
wochen-
schichte,
kurz
erzählt
muk
lang
Kastanienblätter
ihre
Finger
hängen
locken
erzählen,
sie
nicht
lassen,
einem
ewigen
Getröpfel
bis
tief
nach
Mitternacht
tropft;
leizten
Grundes
ja
überhaupt
er-
vor
Sonnenaufgang
geschieht
zählf?
Pause
im
kann
mehr
Drosseln
mögen
Weile
flöten,
erste
los
Tauben
Spatzen
ziehen
Köpfe
ein.
In
ersten
Tagen
ballt
Hände,
läßt
ge-
schehen
treiben,
frostlos,
mut-
los,
ganz
willenlos,
vergikt
über
endlosen
Getröpfel,
weißgrauen
Decke
eigentlich
blauer
Himmel
hängt.
nun
meine
Geschichte
ver-
stehen,
Als
endlich
durch
seine
Gleichgültig-
keit
dahin
gebracht
hatte,
dak
bestellte
nachmittags
drei,
mein
Mann
zum
Café
hatte
schon
diesem
abgefunden;
trotz-
verstehen
dieses
trotzdem
ging
ihr
fand
ihrem
Divan
liegend,
dreißigjährig
trägen
Nacktheit
Anstrich
Koketten
bekäme,
wegen
dessen
gekommen
ist,
gießt
A
P
FE
Diesmal
sollst
du
entrinnen,
heil
meinen
Händen
schlüpfen,
morgen
werd'
ich
dich
einspinnen,
an
Feder
kniüpfen,
nackt
spießen
werde
dein
kleines
Herz,
Licht
soll
niederfließen
strömend
ewig
tiefenwärts,
schüren
wirst
Glut,
Fackel
wirst,
unsrer
Feuerflut
sowie
Herz
zerbirst.
DER
FEDE
RKIEL
wozu
Präliminarien!
hälten
heute
alles
vereitelt.
„Aber
Geruch!
Ich
fuhr
Ihre
Tür,
Geruch,
liegt
Luft,
faul,
stickend,
entsetz-
liche
Regengeruch!"
Dann
küßle
sie,
flüchtig,
irgendwohin
ihren
Leib,
darbot.
zog
seinen
Rock
aus,
hängte
bedachtsam
einen
Stuhl
stapfle,
richtig
stapfte,
ans
Fenster
sah
hinaus
-:
Gleich
umgestülpten
Glas,
Lerchen
Liederschlag
endlosem
Vibrieren
tönt,
hängt
jeden
Tag
srotzend
fetten
Gras.
Doch
mir
ward
diese
blaue
Welt
feindlich
Satyrspiel,
meiner
Nöte
lächelnd
höhnt
leich
Federkiel
losen
hält.
mic