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Human Generated Data

Title

The Shadows (2)

Date

19th century

People

Artist: Jean Ignace Isidore, called Grandville, French 1803 - 1847

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, 1929.22.1.7

Human Generated Data

Title

The Shadows (2)

People

Artist: Jean Ignace Isidore, called Grandville, French 1803 - 1847

Date

19th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, 1929.22.1.7

Machine Generated Data

Tags

Amazon
created on 2022-06-11

Duel 99.5
Person 99.3
Human 99.3
Person 98.4
Art 94.6
Drawing 90.9
Person 89.2
Painting 80.7
Sketch 67.1
Text 64.2

Clarifai
created on 2023-10-29

people 99.8
illustration 99.7
print 99.7
group 98.3
art 98.1
engraving 96.6
adult 96.3
man 95.8
weapon 95.2
cavalry 94.3
wear 94.3
sword 93.7
lithograph 93.6
two 92.8
warrior 91.4
mammal 91
veil 89
military 84.3
three 84
music 81.7

Imagga
created on 2022-06-11

sketch 63.1
drawing 54
representation 37.8
book jacket 33.8
statue 33.5
art 27.8
jacket 26.3
sculpture 25.4
old 20.2
wrapping 20
religion 17
monument 16.8
man 16.8
covering 14.5
detail 14.5
horse 14.2
city 14.1
architecture 14.1
decoration 13.8
travel 12.7
tourism 12.4
comic book 12
god 11.5
faith 11.5
famous 11.2
church 11.1
graffito 11.1
landmark 10.8
black 10.8
history 10.7
saint 10.6
outdoors 10.4
ancient 10.4
religious 10.3
culture 10.3
symbol 10.1
soldier 9.8
catholic 9.7
male 9.2
sky 8.9
holy 8.7
historical 8.5
outdoor 8.4
animal 8.1
design 7.9
dance 7.9
desert 7.8
antique 7.8
person 7.6
pattern 7.5
decorative 7.5
historic 7.3
artwork 7.3
paint 7.2
building 7.1

Google
created on 2022-06-11

Microsoft
created on 2022-06-11

text 99
outdoor 98.2
sketch 95
book 95
drawing 94.3
cartoon 94
black and white 85.8
person 85.7
horse 74.5
clothing 66.5
posing 52

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 34-42
Gender Male, 97.1%
Happy 55.6%
Fear 14%
Sad 8.3%
Surprised 7.8%
Calm 4.6%
Confused 4.3%
Disgusted 4.3%
Angry 4.2%

Feature analysis

Amazon

Person
Painting
Person 99.3%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-19

The image is a detailed black-and-white illustration from the satirical French journal "La Caricature," dated 1834 (issue number 169). The scene seems to be set on a grand stage or in a large, elegant hall, shown by the ornate chandelier and the audience seated in balconies around the room. There are three main characters, all dressed in exaggerated, theatrical costumes that are reminiscent of medieval jester outfits. The figure on the left is holding a large sword and is wearing a helmet with a tall plume. This character has a sash around their torso labeled "CHARIVARI." Their outfit features many bells, adding to the jester-like appearance. The figure in the center is heavyset and wears a large, crumpled hat reminiscent of a dunce cap. The back of the center figure's outfit has a rough drawing of bells, reinforcing the jester theme. This character's pose, showing only their back to the viewer, gives a sense of their potential bewilderment or passivity. The figure on the right is the most animated. He wears a pointed hat with feathers and a cape, with an energetic pose suggesting that he is speaking or performing. This character holds a document labeled "Lecture" under one arm, and his facial expression is lively, perhaps mocking or exaggeratedly jesting towards the audience or the other characters. The audience around the figures is depicted in less detail but gives the sense of a full, attentive house, adding to the grand and theatrical atmosphere of the scene. At the bottom of the image, the caption in French reads "Ah! je te connais jaillasse!" which translates to "Ah! I know you rascal!" This suggests a narrative of recognition or confrontation, likely laced with humor or satire. The piece overall appears to be a humorous or critical portrayal, common in satirical publications of the period.

Created by gpt-4 on 2025-02-19

This is a black and white image depicting a scene which appears to be from an etching or engraving. The scene is set within a grand interior, possibly a theater or ballroom, suggested by the presence of a chandelier and rows of figures that resemble an audience in balconies. In the foreground, three main characters dominate the scene, dressed in extravagant and somewhat exaggerated clothing that could be from the late 17th or 18th century. The central figure is gleefully dancing or skipping forward, holding in his left hand what seems to be a document or book labeled "Lecture". This character wears a wide-brimmed hat adorned with a long feather, a cape, knee-length breeches, stockings, and buckle shoes, and has a very animated expression on his face. His right hand is extended towards the figure to his left. The character on the left side of the image is facing away from the viewer and appears to be playing a stringed instrument, possibly a violin, also wearing period-appropriate attire with a large, wide brimmed hat. This figure's posture suggests movement, as if they are energetically performing. On the right side of the image, another character is observing the dancing figure with their back partly turned to the viewer. This character is very rotund with a pronounced posterior and is also dressed in clothing indicative of an earlier fashion. At the very top of the image, text reads "La Caricature Journal" and "Pl.357", indicating that this image is likely plate 357 from a journal named "La Caricature." Additional text below the scene includes "Chez Aubert gal. vero dodat," which may refer to the gallery or publisher, and "L. de Becquet, rue furstenberg 6," which could be associated with the printer or distributor. Additional French text is lightly visible beneath the characters, which appears like a caption or dialogue; however, the resolution is not clear enough to read this text accurately. The humorous nature of the image, alongside the title of the journal "La Caricature," suggests that the scene could be a satirical depiction meant to entertain or make a statement on social or political conditions of the time it refers to or was produced in.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-19

This is a historical caricature or satirical illustration that appears to be from "La Caricature Journal" (as noted in the title). The scene shows three figures on what appears to be a checkered floor in what might be a ballroom or theater, with a chandelier overhead and an audience visible in the background. The central figure is depicted in loose, light-colored clothing with a conical hat. On either side are two figures dressed in what appears to be Renaissance or theatrical costume with feathered hats and ornate clothing. They seem to be in some sort of performative or confrontational stance. The illustration has a theatrical quality to it, and the caption in French reads "Ah! je te connais paillasse!" which roughly translates to "Ah! I know you, clown!" or "Ah! I know you, buffoon!" The artistic style is typical of 19th-century lithographic prints, with careful attention to shading and detail. The scene appears to be making some kind of political or social commentary through theatrical metaphor, which was common in French satirical publications of the period.

Created by claude-3-opus-20240229 on 2025-02-19

The image depicts a satirical political cartoon from 1819 titled "Je te connais masque" ("I know you, masked one"). The cartoon shows two men dressed in fancy, exaggerated 17th century costumes and masks facing each other in a grand ballroom with a chandelier overhead. One man points accusingly at the other, who raises his hand in a defensive gesture. The image uses a masquerade ball setting to make a commentary about hidden identities, motives or agendas in the political sphere of early 19th century France.

Created by claude-3-haiku-20240307 on 2025-02-19

The image appears to depict a theater or performance scene. It shows several individuals in elaborate costumes and poses, suggesting they are performers or actors. One figure appears to be a clown or jester, while another is dressed in ornate, regal attire. The scene takes place on a stage or platform, with a chandelier overhead and a crowd of spectators visible in the background. The overall composition and style suggest this is a historical or vintage illustration, rather than a contemporary photograph.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image is a political cartoon from 1829, created by French artist Honoré Daumier. It depicts a scene in a large, ornate room with a chandelier hanging from the ceiling. The room is filled with people, but the focus is on three main figures. On the left, a man dressed in a suit of armor and holding a sword is shown attacking another man, who is wearing a large, puffy shirt and pants. The man in armor is labeled "Gand" (a reference to the French Revolution), while the other man is labeled "Bourbon" (a reference to the royalist faction). On the right, a third man is shown dancing and playing a drum, labeled "Caricature". He is wearing a tall hat and a coat with a feather in it. The background of the image shows a large crowd of people watching the scene unfold. The overall mood of the image is one of chaos and conflict, with the two men in the center engaged in a fierce battle. The man on the right, playing the drum, adds a sense of energy and movement to the scene. The image is likely meant to comment on the political tensions of the time, with the two men representing opposing factions and the drummer representing the power of satire and ridicule.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

The image is a black-and-white illustration of three men in a large room, with the title "La Caricature (Journal) 169" at the top left and "PL. 357" at the top right. The men are dressed in exaggerated costumes, with one wearing a pointed hat and holding a sword, another wearing a large hat and holding a pen, and the third wearing a pointed hat and holding a bag labeled "Caricature". The background features a large chandelier and a crowd of people watching the scene unfold. The overall atmosphere suggests a comedic or satirical tone, with the men's antics and costumes adding to the humor.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-19

The black-and-white illustration depicts three people wearing costumes and dancing in a hall. They are all wearing hats and shoes. The person on the right is holding a book and a pen. The person on the left is holding a sword, and the person in the middle is holding a stick. Behind them, many people are sitting on the benches. A chandelier is hanging from the ceiling.

Created by amazon.nova-lite-v1:0 on 2025-02-19

The image is a black-and-white illustration from the French magazine "La Caricature," dated 1832. The illustration depicts a scene of three figures performing a comedy act in a theater. The central figure, dressed in a costume with a large hat and a long feather, is holding a stick and appears to be dancing or gesturing. The figure on the left, wearing a hat and holding a musical instrument, seems to be playing it while also dancing. The figure on the right, dressed in a cloak and holding a bag, is also dancing and appears to be interacting with the central figure. The image captures a lively and humorous atmosphere, with the three performers engaging in a comedic routine. The illustration is signed by the artist "J. J. Grandville," and the title of the image is "Ah! Je te connais, jaillaisse!" which translates to "Ah! I know you, jailbird!" The image is framed by a white border and has a watermark in the bottom left corner.

Text analysis

Amazon

Caricature
te
paillasse!
conuais
vicature
an!je te conuais paillasse!
La
La Caricature (Journal) 169
CHARNAR
(Journal)
169
an!je
P1.357.
when
Besquet,
Lid Besquet, nut
nut
Lid
when dadah
dadah

Google

La Caricature Journal) 169. Zee Chubert galerisi dadah. CHARIVART Acet છે . હ ah! je te connais paillasse! PL.357. OFF ricature L. Becquet, rue Parshombery
La
Caricature
Journal
)
169
.
Zee
Chubert
galerisi
dadah
CHARIVART
Acet
છે
ah
!
je
te
connais
paillasse
PL.357
OFF
ricature
L.
Becquet
,
rue
Parshombery