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Human Generated Data

Title

"Oh, my humane Austria," in "Arbeiter-Illustrierte Zeitung"

Date

1934

People

Artist: John Heartfield, German 1891 - 1968

Classification

Prints

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, American Friends of the Busch-Reisinger Museum Fund, 1998.23.9

Copyright

© Artists Rights Society (ARS), New York

Human Generated Data

Title

"Oh, my humane Austria," in "Arbeiter-Illustrierte Zeitung"

People

Artist: John Heartfield, German 1891 - 1968

Date

1934

Classification

Prints

Credit Line

Harvard Art Museums/Busch-Reisinger Museum, American Friends of the Busch-Reisinger Museum Fund, 1998.23.9

Copyright

© Artists Rights Society (ARS), New York

Machine Generated Data

Tags

Amazon
created on 2021-12-14

Weapon 63.4
Weaponry 63.4
Architecture 57.7
Building 57.7
Clothing 57.1
Apparel 57.1

Clarifai
created on 2023-10-25

no person 99.4
retro 98.4
old 96.9
antique 96.4
ancient 94.2
wear 93.9
art 93.9
sepia 93.1
vintage 93
paper 93
traditional 92.9
still life 91.9
dirty 89.8
clay 86.7
people 86.4
two 86.3
stacks 84.2
one 82.8
collection 82.2
handmade 80.9

Imagga
created on 2021-12-14

hat 31
cowboy hat 30.8
container 22.3
headdress 18.6
clothing 16.9
cup 16.6
brown 16.2
old 16
covering 15.8
drink 15
coffee 14.8
decoration 14.5
traditional 13.3
bobbin 13.1
pot 12.9
thimble 12.8
object 12.4
black 12
food 11.9
decorative 11.7
luxury 11.1
cap 11.1
close 10.8
antique 10.8
box 10.7
gold 10.7
shop 10.7
device 10.5
beverage 10.1
protective covering 10.1
vintage 9.9
breakfast 9.8
art 9.8
caffeine 9.7
vessel 9.7
celebration 9.6
closeup 9.4
tradition 9.2
dark 9.2
leather 9
style 8.9
gift 8.6
holiday 8.6
culture 8.5
sugar 8.4
support 8.4
ribbon 8.3
morning 8.1
kitchen 8
sconce 8
wooden 7.9
bag 7.9
ancient 7.8
teapot 7.7
western 7.7
golden 7.7
wood 7.5
taste 7.4
symbol 7.4
retro 7.4
color 7.2
sweet 7.1
mug 7.1

Google
created on 2021-12-14

Microsoft
created on 2021-12-14

text 99.8
book 97
old 42.7

Color Analysis

Categories

Imagga

interior objects 99.8%

Captions

OpenAI GPT

Created by gpt-4 on 2024-12-21

This is a sepia-toned image depicting two artillery shells standing upright, with additional elements giving the impression that the shells are like Easter eggs, perhaps to create a satirical or critical message. The shell on the left has a crank mechanism attached near the top and a white cap that resembles an Easter egg cap. The shell on the right is adorned with a bow. Both shells are wrapped with ribbons that have a cross pattern resembling a medical or humanitarian symbol. Below the shells, there is a small image of a toy lamb on wheels, commonly associated with innocence and peace. The lamb is placed incongruously against the backdrop of the shells, likely serving as a part of the commentary. There is text in German on the image that reads "O, du mein humanes Oesterreich," which translates to "Oh, you my humane Austria," and "Je größer das Kaliber, umso größer die Humanität," which means "The larger the caliber, the greater the humanity." These phrases likely contain irony or are a part of a critique regarding the military and humanitarian issues, suggesting a juxtaposition between the concepts of war and humaneness. Furthermore, there is text on the bottom of the shells: "Sauglings-Munition Patent Fey" and "Modell Dollfuss," which translate to "Infant's Ammunition Patent Fey" and "Dollfuss Model," respectively. This adds another layer of meaning, referencing specific patents, models, or individuals associated with the image, possibly adding to the critical nature of its message. Lastly, the image appears to be a historical or archival document due to the style of the photography and typography, indicative of the early 20th century aesthetic, and is probably related to political or social commentary of its time.

Created by gpt-4o-2024-05-13 on 2024-12-21

The image is a monochromatic photograph featuring two large artillery shells that are labeled with red crosses, indicating medical symbolism. One shell is topped with a baby hat, complete with a bow and a pom-pom, while the other has a ribbon tied around it. In front of the shells, there is a small gas mask and a children's toy lamb on wheels. The image's tone and context suggest it is a piece of war-time propaganda or satirical art, likely making a statement on the absurdity or horror of war juxtaposed with elements of civilian life and innocence. The text in German at the top reads: "O, du mein humanes Österreich!" translating to "O, my humane Austria!" The text below translates to "The bigger the caliber, the greater the humanity," which appears to be a sarcastic or ironic comment. This likely illustrates a dark critique of the seemingly humane or humanitarian efforts in wartime Austria, contrasting the innocence associated with babies and children against the brutal reality of warfare.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-21

The image appears to be an advertisement for military supplies or equipment. It shows two large, metallic containers or vessels, likely for storing or transporting some kind of material. The text at the top of the image is in German and appears to be a call to support the "humanes Österreich" or "humane Austria". The overall tone and imagery suggest this is promoting or glorifying the use of military technology, though the reference to "humanity" in the text at the bottom is intriguing and may be attempting to frame it in a positive light. Without being able to identify any individuals, the image seems to be focused on the military equipment and supplies on display.

Created by claude-3-5-sonnet-20241022 on 2024-12-21

This is a powerful piece of anti-war satire from 1934 Austria. The image shows artillery shells decorated with red crosses and bows to look like baby bottles, labeled "Säuglings-Munition" (Infant Ammunition). The German text at the top reads "O, du mein humanes Österreich!" (Oh, my humane Austria!) and at the bottom "Je größer das Kaliber, umso größer die Humanität" (The larger the caliber, the greater the humanity). The image uses dark irony to critique militarization and the false pretense of "humanitarian" warfare by juxtaposing symbols of nurturing care (baby bottles, medical crosses) with instruments of destruction (artillery shells). The sepia toning and decorative elements like bows and a small toy lamb on wheels further emphasize the grotesque contrast between innocence and violence. This political artwork appears to be commenting on the growing militarization in 1930s Europe while calling out the hypocrisy of framing warfare as humanitarian intervention. It's a striking example of how visual satire can deliver powerful anti-war messages.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-21

The image is a vintage poster, likely from the early 20th century, featuring a sepia-toned photograph of two large metal containers with lids, each adorned with a red cross and a ribbon tied around them. The containers are placed on a table or surface, with a small figurine of a donkey and a piece of paper or fabric draped over the right container. At the top of the poster, the text "O, du mein humanes Österreich!" is written in large letters, with the date "11. März 1934" below it. The bottom of the poster features the phrase "Je größer das Kaliber, umso größer die Humanität" in smaller letters. The overall design and layout of the poster suggest that it is an advertisement or promotional material for a product or service, possibly related to medicine or healthcare, given the presence of the red cross symbols. The use of a sepia tone and vintage-style typography adds to the nostalgic and retro aesthetic of the image.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-21

The image is a vintage poster with a sepia tone, featuring two large metal objects that resemble artillery shells. The objects are adorned with white bands and red crosses, giving them a medical appearance. A knitted hat sits atop the right object, while a small toy sheep and a baby's rattle are placed in front of the objects. **Key Features:** * **Objects:** Two large metal objects resembling artillery shells * **Adornments:** White bands and red crosses, giving a medical appearance * **Hat:** A knitted hat sits atop the right object * **Toys:** A small toy sheep and a baby's rattle are placed in front of the objects **Text:** * **Top:** "O, du mein humanes Österreich!" (Oh, you my humane Austria!) * **Bottom:** "Je größer das Kaliber, umso größer die Humanität" (The larger the caliber, the greater the humanity) **Overall Impression:** The poster appears to be a commentary on the irony of using weapons for humanitarian purposes. The use of medical symbols and the placement of toys in front of the objects create a sense of contrast between the destructive power of the objects and the innocent and vulnerable nature of the toys. The text at the top and bottom of the poster adds to this irony, suggesting that the larger the weapon, the greater the humanity.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-28

This image is a vintage propaganda poster from Austria, circa 1914. It features two large artillery shells, one labeled "Sauglings-Munition Patent Fey" and the other "Dollfuss." The poster depicts the shells as if they are baby bottles, with knitted caps and bows on top, giving them a human and innocent appearance. The caption at the top reads "O, du mein menschliches Oesterreich!" which translates to "O, my human Austria!" The poster aims to evoke sympathy and compassion for the "innocent" victims of the war, while also promoting the idea that larger artillery shells are more humane. The image is intended to manipulate the viewer's emotions and justify the use of larger and more destructive weapons in the conflict.

Created by amazon.nova-pro-v1:0 on 2025-02-28

The image is a vintage advertisement poster that appears to be from the early 20th century. The poster is in black and white and features two large cylindrical objects, which are decorated with red crosses and ribbons. These objects are likely artillery shells, which have been repurposed for the advertisement. One of the shells has a knitted hat with a ribbon tied around it, and the other has a bow tied around its middle. At the bottom of the poster, there is a small wooden toy of a sheep. The text at the top of the poster reads "O, du mein menschliches Österreich!" which translates to "O, you my human Austria!" The text at the bottom of the poster reads "Je größer das Kaliber, umso größer die Humanität," which translates to "The larger the caliber, the greater the humanity." The poster appears to be promoting a message of peace and humanity, using the imagery of repurposed artillery shells to convey this message. The use of the German language and the reference to Austria suggest that the poster was likely created in Austria or for an Austrian audience.

Text analysis

Amazon

du
Je
größer
das
Kaliber,
die
mein
Je größer das Kaliber, umso größer die Humanität
Fey
humanes
Humanität
Patent
umso
eine
bie
Die
11.
nidit
»О, du mein humanes Osterreich!«
Säuglings-Munition Patent Fey
dodell
Osterreich!«
lein.
ber
der
Orenze
1934
der Babi der Cpfee eine Orenze Sebten, bie humanite
»О,
dodell Volliuss
humanite
orcabe mil fie bie
nidit umbefonnt lein. Die Romenen moren Shrigema
11. 985m 1934
moren
fie
Bertvenbeng
Säuglings-Munition
Babi
Romenen
orcabe
Daffen
ber aus Bertvenbeng acfommenien Daffen
Cpfee
Wien.
Volliuss
mil
Wien. Constag
acfommenien
Constag
umbefonnt
Reldobon
and jo
aus
Sebten,
Shrigema
985m

Google

»O, du mein humanes Osterreichl« >> ten, Comntag 11. Märg 1834 nidit unbelannt fein. Die Ranenen moren brigenk. der gur Vertvenbrng nefonmenten Maffen lerrabe tpeil fie bie Enistauna belhletinten ms jo ber Babl ber Cpler elne Grenje feglen, bie humanite Sauglings-Munition Patenit Pey odell Dolliuss Je größer das Kaliber, umso größer die Humanität
»O,
du
mein
humanes
Osterreichl«
>>
ten,
Comntag
11.
Märg
1834
nidit
unbelannt
fein.
Die
Ranenen
moren
brigenk.
der
gur
Vertvenbrng
nefonmenten
Maffen
lerrabe
tpeil
fie
bie
Enistauna
belhletinten
ms
jo
ber
Babl
Cpler
elne
Grenje
feglen,
humanite
Sauglings-Munition
Patenit
Pey
odell
Dolliuss
Je
größer
das
Kaliber,
umso
die
Humanität