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Human Generated Data

Title

Indra (Taishakuten) Deva of the East with Attendant, One of a Pair of Shrine Doors Depicting Brahmâ (Bonten) and Indra, Two of the Twelve Deva Kings (Jūniten) with Attendants

Date

Muromachi period, 15th century

People

-

Classification

Paintings

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, Gift of Charles Bain Hoyt, 1928.184.B

Human Generated Data

Title

Indra (Taishakuten) Deva of the East with Attendant, One of a Pair of Shrine Doors Depicting Brahmâ (Bonten) and Indra, Two of the Twelve Deva Kings (Jūniten) with Attendants

Date

Muromachi period, 15th century

Classification

Paintings

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, Gift of Charles Bain Hoyt, 1928.184.B

Machine Generated Data

Tags

Amazon
created on 2020-04-24

Art 94.3
Human 81.1
Ornament 74.6
Tapestry 74.6
Building 74.5
Architecture 74.5
Archaeology 61.5
Home Decor 60.9
Pottery 59.5
Temple 56.8
Worship 56.1
Shrine 56.1

Clarifai
created on 2020-04-24

art 99.4
religion 99.2
painting 99.2
old 96.2
architecture 95.8
wall 95.6
church 95.2
door 94.1
ancient 93.6
building 93.4
saint 93.1
temple 92.8
antique 91.2
no person 90.5
decoration 90.4
travel 89.4
Gothic 89.1
god 88.5
artistic 87.1
aura 86.6

Imagga
created on 2020-04-24

door 46.8
old 43.2
texture 33.3
wood 31.7
antique 30.3
bookmark 29
architecture 27.3
structure 27
entrance 26.1
ancient 25.9
wooden 25.5
vintage 24
detail 23.3
wall 23.1
building 23
altar 21.5
art 21.3
carving 20.9
religion 20.6
decoration 18.8
metal 18.5
sculpture 17.3
design 17
house 16.7
aged 16.3
grunge 16.2
paint 15.4
temple 15.2
home 15.2
traditional 15
doorway 14.7
gate 14.6
pattern 14.4
rusty 14.3
handle 13.4
gold 13.2
historic 12.8
lock 12.7
brown 12.5
frame 12.5
retro 12.3
religious 12.2
iron 12.1
latch 12.1
entry 11.8
closed 11.6
device 11.4
brass 11.2
ornament 11.2
style 11.1
culture 11.1
security 11
rough 10.9
rust 10.6
surface 10.6
rustic 10.6
weathered 10.5
close 10.3
east 10.3
decorative 10
history 9.8
material 9.8
exit 9.8
enter 9.7
textured 9.6
architectural 9.6
knocker 9.6
painted 9.5
oriental 9.4
ornate 9.2
furniture 8.9
decor 8.8
construction 8.6
church 8.3
dirty 8.1
doors 7.9
window 7.8
color 7.8
travel 7.7
ornamental 7.6
symbol 7.4
yellow 7.3

Google
created on 2020-04-24

Painting 90.9
Art 90.1
Visual arts 78.9
Textile 71.8
Modern art 68.5
Middle ages 64.3
Tapestry 63.8
History 62.6
Artwork 53.4
Still life 52.9

Microsoft
created on 2020-04-24

painting 99.6
drawing 89.4
art 74.5
person 74.5
old 72.5
visual arts 63.4
painted 23.5
dirty 10.1

Color Analysis

Face analysis

Amazon

Imagga

AWS Rekognition

Age 21-33
Gender Female, 53.9%
Fear 45%
Happy 45.1%
Angry 45.1%
Surprised 45.7%
Confused 45%
Disgusted 45%
Sad 45.3%
Calm 53.9%

Feature analysis

Amazon

Painting
Person

Clarifai

Person
Human face
Human head

AWS Rekognition

Painting 92.7%

Categories

Imagga
created on 2020-04-24

paintings art 94.6%
nature landscape 2.5%
streetview architecture 1.5%

Captions

Microsoft
created by unknown on 2020-04-24

graffiti on a wall 65.3%
a close up of a door 65.2%
a close up of an old building 65.1%

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-04-28

a photograph of two large paintings of a woman and a man

Created by general-english-image-caption-blip-2 on 2025-06-27

two painted doors with images of buddha and tibetan goddesses

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2024-12-29

This image features an intricate and detailed painting on what appears to be a pair of antique doors, possibly of Buddhist or traditional East Asian origin. The artwork depicts several figures adorned with elaborate garments and ornate headpieces. The figures are surrounded by a variety of decorative elements including flames, floral patterns, and divine attributes. The background is predominantly dark and weathered, indicating the aged nature of the piece. The overall ambiance of the painting suggests a spiritual or religious theme, with an emphasis on reverence and opulence.

Created by gpt-4 on 2024-12-03

The image presents a pair of ornate, aged double doors with intricate detailing and artwork. The doors are weathered and exhibit signs of significant wear, with patches of paint that have flaked away and areas where the bare wood surface is exposed, suggesting antiquity and previous grandeur. Each door panel displays a full-length figure adorned with decorative garments and accessories, likely indicative of a form of traditional or ceremonial dress. The overall impression is reminiscent of historical art and craftsmanship. The color palette consists of muted blues, greens, whites, and hints of gold, with the background of the artwork being a deep, faded blue. The central divide between the doors is a straightforward wooden beam which has a much warmer and lighter tone than the painted parts.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-27

This is a traditional Japanese Buddhist painting, likely from a temple door or panel. The artwork depicts Buddhist deities or bodhisattvas in an ornate style characteristic of medieval Japanese religious art. The figures are adorned with elaborate headdresses and flowing robes decorated with intricate patterns. They have halos (nimbus) behind their heads, which is a common feature in Buddhist iconography. The painting uses a muted color palette dominated by blues, greens, and golds, and shows signs of age with a weathered, patinated surface. The composition is divided by wooden frames or supports, and the background has a distinctive dark blue-gray tone. The style and execution suggest this is likely from the Heian or Kamakura period of Japanese art history. The painting exhibits the refined aesthetic and spiritual qualities typical of Buddhist temple artwork from this era.

Created by claude-3-5-sonnet-20241022 on 2024-12-26

This is a traditional East Asian religious painting, specifically appearing to be Buddhist artwork on wooden panels or doors. The image shows four figures painted in a classical style, with two larger central figures wearing elaborate headdresses and ornate robes, likely depicting bodhisattvas or Buddhist deities. They have halos or nimbus behind their heads and are adorned with decorative elements typical of Buddhist iconography.

The figures are painted against a dark blue-gray background, and there are flame-like elements at the top of the central figures' halos. The painting technique appears to be quite old, with visible wear and aging on the surface. The artwork is divided by a vertical wooden beam in the center, creating two panels.

The smaller figures on either side appear to be attendants or devotees, painted in simpler attire. The overall color palette includes greens, reds, whites, and golds, though much of the original pigmentation has faded with time. This style of religious painting was common in Buddhist temples and monasteries throughout East Asia, particularly in China, Korea, and Japan.

The painting shows significant historical patina and wear, suggesting it's quite old, possibly dating back several centuries. The artistic style and composition are characteristic of traditional Buddhist religious art from this region.

Created by claude-3-haiku-20240307 on 2024-11-27

This image depicts two elaborate and ornate paintings on what appear to be wooden panels or screens. The paintings feature various figures in intricate, colorful robes and headdresses against a dark background. The figures seem to be deities or important religious or cultural figures, possibly from an Asian or East Asian artistic tradition. The paintings are detailed and visually striking, with a sense of spirituality and symbolism. Without identifying any individuals, the image presents an engaging and captivating artistic work that reflects a rich cultural tradition.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-23

This image depicts a pair of ancient, weathered doors adorned with intricate paintings. The doors, likely made of wood, are divided into two panels, each featuring a central figure flanked by smaller attendants.

The central figures are depicted in a serene, meditative pose, with their eyes closed and hands clasped together in front of them. They wear elaborate headdresses and ornate robes, which are rendered in muted colors that have faded over time. The attendants, positioned on either side of the central figures, are dressed in simpler attire and appear to be engaged in various activities.

The background of the paintings is a soft blue-gray color, which provides a subtle contrast to the vibrant hues of the figures' clothing. The overall effect is one of tranquility and contemplation, inviting the viewer to step into a world of serenity and reflection.

The doors themselves appear to be quite old, with visible signs of wear and tear, including cracks, scratches, and faded paint. Despite their age, the paintings remain remarkably well-preserved, a testament to the skill and craftsmanship of the artists who created them.

Overall, this image presents a captivating glimpse into the artistic traditions of a bygone era, offering a window into a world of beauty, spirituality, and cultural heritage.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-22

The image presents a pair of antique, weathered wooden panels featuring intricate paintings of two female figures and two male figures.

The left panel showcases a female figure adorned in a long, flowing robe with a green and white pattern, complemented by a green headdress. She is depicted standing on a circular platform, with her right hand holding a long, thin object that resembles a staff or scepter. A smaller male figure, dressed in a green robe, kneels to her right, holding an object in his hands. The background of this panel is a muted blue hue, with a subtle pattern of darker blue and brown tones.

The right panel features a female figure wearing a long, flowing robe with a predominantly white and brown pattern, paired with a headdress that boasts a large, round, brown circle at the top. Her left hand holds a long, thin object, possibly a staff or scepter, while her right hand grasps a small, round object. A smaller male figure, dressed in a white robe, stands to her right, holding an object in his hands. The background of this panel is also a muted blue hue, with a subtle pattern of darker blue and brown tones.

Both panels display signs of aging and wear, with visible cracks and discoloration. The overall appearance suggests that these panels are part of a larger, possibly religious or cultural artifact, such as a temple door or screen.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-04

The image depicts a pair of wooden doors, possibly from a cabinet, adorned with intricate paintings. The paintings feature two prominent figures, each standing on a lotus pedestal. The figures are dressed in elaborate costumes and headdresses, with one figure holding a scroll and the other holding a fan. The background of the paintings is adorned with various patterns and designs, and the overall color scheme is predominantly blue and gold.

Created by amazon.nova-lite-v1:0 on 2025-01-04

The image shows a pair of wooden doors with elaborately painted designs. The doors are painted in a dark blue color, and the paint appears to be somewhat faded and worn, suggesting age. Each door features a central figure, both of which appear to be deities or important figures. The figure on the left is depicted with a serene expression, wearing a crown and traditional attire, possibly a Buddhist deity. The figure on the right is similarly adorned, with a crown and flowing robes, and also appears to be a deity or a figure of reverence. Both figures are surrounded by intricate patterns and flames, adding to the spiritual or ceremonial nature of the image. The overall composition suggests a sense of reverence and importance, possibly indicating a religious or cultural significance.

Google Gemini

Created by gemini-2.0-flash on 2025-04-26

Here is a description of the image:

The image shows a pair of wooden doors decorated with what appear to be Buddhist figures, possibly from an ancient temple. The overall aesthetic is aged and weathered, with significant wear and discoloration across the surface, suggesting the doors are antique.

The doors are divided by a vertical wooden beam, and on each panel, there is a central figure that is likely a Buddha or Bodhisattva. These figures are depicted with ornate headdresses, elaborate robes, and radiant halos. Each figure is accompanied by a smaller attendant on either side.

The figures are drawn in an illustrative style, with detailed facial features and intricate patterns adorning their clothing. The color palette consists of faded blues, greens, browns, and gold.

The condition of the doors indicates they have been exposed to the elements or subjected to wear over a long period of time. This antique appearance adds to the doors' aesthetic appeal and historic value.

Created by gemini-2.0-flash-lite on 2025-04-26

Here's a description of the image:

The image shows a pair of wooden doors, likely from a temple or shrine, each intricately painted with religious figures. The artwork exhibits signs of age and wear, adding to its historical significance.

Key features and observations:

  • Subject Matter: The primary focus is on figures of spiritual or divine beings, possibly bodhisattvas or deities. They are depicted with halos, suggesting their sacred status.

  • Composition: The two doors create a diptych, meant to be viewed together. The figures are arranged on the panels.

  • Style and Technique: The style is indicative of traditional East Asian religious art. The figures are painted with delicate brushstrokes and vibrant colors, although the artwork shows signs of fading and damage due to age.

  • Details:

    • The figures wear elaborate clothing, crowns, and jewelry.
    • The background is a faded blue.
    • Smaller attendant figures are visible, likely servants or other spiritual beings.
  • Condition: The wooden panels are showing signs of age and the paint is worn, chipped, and faded, which adds to the artwork's historical value.

The image is a fascinating example of ancient religious art, depicting divine figures in a style that reflects cultural and artistic traditions.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-25

The image depicts a traditional East Asian painted screen or door featuring two panels with intricate artwork. Each panel showcases a central figure, likely deities or important historical or mythological figures, adorned in elaborate, colorful robes and headdresses. The figures are surrounded by smaller attendants or companions.

Left Panel:

  • The central figure is standing, wearing a green robe with detailed patterns and a golden headdress decorated with flowers.
  • The figure holds an object in their right hand, possibly a scepter or staff.
  • An attendant, dressed in a white robe with green accents, stands to the left of the central figure, holding what appears to be a scroll or book.

Right Panel:

  • The central figure is also standing, wearing a multicolored robe with intricate designs and a golden headdress adorned with flowers and jewels.
  • This figure holds an object in their left hand, possibly a fan or another type of ceremonial item.
  • An attendant, dressed in a white robe with green and red accents, stands to the right of the central figure, holding an object that looks like a vase or container.

The background of both panels is a muted blue-gray, with some areas showing signs of wear and age, adding to the antique feel of the artwork. The overall style and detailing suggest that this could be a piece from a historical or cultural site, possibly a temple or palace. The artwork is rich in symbolism and craftsmanship, reflecting the artistic traditions of the region.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-06-24

This image depicts a pair of traditional Japanese screen paintings, known as byobu, which are folding screens often used in Japanese homes and temples. The screens feature detailed illustrations of two central figures, likely deities or important religious figures, adorned with ornate headdresses, elaborate robes, and halos, signifying their divine status. These figures are surrounded by smaller figures that appear to be attendants or supplementary characters.

The style of the paintings suggests they may be from the Edo period (1603–1868), a time when Japanese art developed distinctive characteristics. The painting technique, with its use of vibrant colors and intricate patterns, reflects the artistic style of that era. The condition of the paintings shows signs of age, with areas of wear and aging visible, particularly on the robes and backgrounds, which are common in historically significant artwork.

The figures are depicted in a way that is characteristic of Japanese religious iconography, with serene expressions and gestures that convey a sense of divinity and wisdom. The attention to detail in the clothing and accessories indicates the high value placed on symbolism in these representations.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-06-24

This image depicts a traditional East Asian painting, likely of Buddhist or Taoist origin, presented on a two-panel screen. The artwork is heavily detailed and features four figures, each adorned in ornate, flowing robes and intricate headpieces.

  1. Left Panel:

    • Central Figure: The central figure appears to be a deity or a highly revered personage, possibly a bodhisattva or a celestial being. They are seated on a lotus throne and are surrounded by a halo-like aura. The figure is dressed in elaborate robes with intricate patterns, and their headpiece is adorned with jewels and other decorative elements.
    • Attendant Figure: To the left of the central figure, there is a smaller attendant figure. This figure is also dressed in ornate robes and appears to be holding something, possibly a ceremonial object or a scroll. The attendant's posture suggests reverence or service to the central figure.
  2. Right Panel:

    • Central Figure: The central figure on this panel is similar in appearance to the one on the left panel, suggesting they may represent the same deity or a related figure. This figure is also seated on a lotus throne and is adorned with a halo-like aura, intricate robes, and an elaborate headpiece.
    • Attendant Figure: To the right of the central figure, there is another smaller attendant figure. This figure is also dressed in ornate robes and appears to be holding a tray or a ceremonial object. The attendant's posture and attire suggest a role of service or reverence.

The background of the painting is predominantly dark blue with signs of wear and age, indicating that the artwork is quite old. The overall composition, style, and attire of the figures suggest a deep cultural and religious significance, likely rooted in Buddhist or Taoist traditions. The use of gold, intricate patterns, and ceremonial objects further emphasizes the divine or sacred nature of the depicted figures.