Human Generated Data

Title

Misty Landscape

Date

15th-16th century

People

Artist: Xia Gui 夏圭, Chinese 1190 - 1225

Classification

Paintings

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, Gift of Dr. Denman W. Ross, 1929.239

Human Generated Data

Title

Misty Landscape

People

Artist: Xia Gui 夏圭, Chinese 1190 - 1225

Date

15th-16th century

Classification

Paintings

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, Gift of Dr. Denman W. Ross, 1929.239

Machine Generated Data

Tags

Amazon
created on 2019-04-05

Art 99.8
Painting 99.8
Nature 74.5
Water 74.5
Outdoors 74.5
Sea 74.5
Ocean 74.5
Shoreline 68.5
Wood 62.4
Coast 62.4

Clarifai
created on 2018-04-19

art 99.6
illustration 99.5
painting 99.5
print 99.4
veil 99.4
people 99.2
one 98.7
wear 97.5
adult 97.4
no person 96.6
portrait 95.5
man 94.5
vintage 93.2
ancient 90.8
bird 90.7
retro 90.2
woodcut 89.8
side view 89.2
old 88.9
lithograph 87.8

Imagga
created on 2018-04-19

hat 99.9
headdress 61.6
clothing 50.1
cowboy hat 46.3
sombrero 40.8
covering 28.5
consumer goods 22.8
bonnet 16.3
brown 13.2
sport 12.4
symbol 11.4
close 11.4
cap 11
texture 10.4
object 10.3
black 10.2
closeup 10.1
head 10.1
toilet seat 9.2
fashion 9
ball 8.8
leather 8.5
design 8
cowboy 7.9
play 7.8
western 7.7
summer 7.7
old 7.7
accessory 7.6
seat 7.6
hand 7.6
pattern 7.5
style 7.4
sports 7.4
competition 7.3
shadow 7.2
top 7.1

Google
created on 2018-04-19

circle 61.4
painting 58.4
visual arts 54.8

Microsoft
created on 2018-04-19

Color Analysis

Feature analysis

Amazon

Painting 99.8%

Categories

Imagga

Captions

Microsoft
created on 2018-04-19

a close up of an animal 30.4%
a close up of a person 30.3%
close up of an animal 25.4%

Azure OpenAI

Created on 2024-12-03

This is an image of a circular, monochromatic East Asian ink wash painting. At the center and left side of the composition is a prominent rocky landscape or cliff adorned with trees, which appears to be the focal point of the piece. Several trees can be seen clustered at the top and along the ridges of the cliffs, suggesting a rugged terrain. On the lower left, at the base of the cliffs, there is a small structure nestled among trees, which might represent a traditional dwelling or temple. There is a path leading away from this structure, possibly descending down the mountainside or into a valley. At the bottom of the image, a body of water is depicted, and there is a small boat with one or two occupants floating on it, providing a sense of scale and human presence within the otherwise tranquil and natural scene. The background of the painting is nuanced with lighter shades, hinting at distant mountains or a misty atmosphere, which is typical in this genre of painting, aiming to convey a sense of depth and vastness. The overall mood of the painting is serene and harmonious, with the use of soft, muted tones and delicate brushwork that are characteristic of traditional East Asian painting. This type of imagery is common in classical Chinese, Korean, and Japanese art, where the focus is often on nature, simplicity, and the philosophical and aesthetic principles of Taoism or Zen Buddhism.

Anthropic Claude

Created on 2024-11-27

This image depicts a landscape painting in a circular format, likely created using traditional Chinese ink wash techniques. The landscape features a mountainous terrain with dense forest growth along the slopes and peaks. The mountains rise up in the background, creating a sense of depth and scale. In the foreground, there appears to be a small body of water or a river winding through the landscape. The overall tone and hues of the painting suggest a moody, atmospheric quality, with the mountains and forests rendered in shades of gray and black against a warm-toned background.

Meta Llama

Created on 2024-11-23

The image depicts a serene landscape painting, likely created in the traditional Chinese style. The painting is rendered in black ink on a circular piece of paper or silk, with a subtle beige border surrounding it. In the foreground, a majestic mountain range dominates the scene, its peaks stretching upwards towards the sky. The mountains are depicted in varying shades of gray, with darker tones used to create depth and dimensionality. The artist has skillfully captured the rugged texture of the mountains, with visible brushstrokes adding to the sense of movement and energy. To the left of the mountains, a small village is nestled among the trees, its buildings and structures barely visible. The village appears to be surrounded by lush greenery, with trees and foliage spilling over the edges of the painting. In the background, a body of water stretches out, its surface reflecting the light and creating a sense of calmness. A small boat is visible on the water, adding a sense of scale and perspective to the painting. The overall effect of the painting is one of tranquility and harmony, with the natural world depicted in all its beauty and complexity. The use of black ink on a circular canvas creates a sense of intimacy and focus, drawing the viewer's eye to the heart of the composition. The painting is likely a representation of the traditional Chinese aesthetic, which values simplicity, balance, and harmony. The use of muted colors and subtle brushstrokes creates a sense of understatement, allowing the viewer to focus on the natural beauty of the landscape. Overall, the image is a stunning example of traditional Chinese painting, showcasing the artist's skill and attention to detail. The painting invites the viewer to step into the serene world of the mountains, villages, and water, and to experience the beauty and tranquility of the natural world.