Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon

AWS Rekognition
Age | 26-43 |
Gender | Female, 50.3% |
Angry | 49.6% |
Sad | 50% |
Disgusted | 49.6% |
Surprised | 49.6% |
Calm | 49.6% |
Happy | 49.6% |
Confused | 49.5% |
Feature analysis
Amazon
Clarifai

AWS Rekognition
Rug | 98.1% | |
Categories
Imagga
created on 2018-03-23
streetview architecture | 75.8% | |
interior objects | 17.3% | |
paintings art | 5.1% | |
nature landscape | 1% | |
text visuals | 0.3% | |
food drinks | 0.2% | |
beaches seaside | 0.1% | |
macro flowers | 0.1% | |
pets animals | 0.1% | |
Captions
Microsoft
created by unknown on 2018-03-23
an old stone building | 49.2% | |
an old brick building | 49.1% | |
a close up of an old building | 49% | |
Clarifai
No captions written
Salesforce
Created by general-english-image-caption-blip on 2025-04-29
a photograph of a large antique chinese tapestry with a large painting of a man
Created by general-english-image-caption-blip-2 on 2025-06-27
a large chinese silk tapestry with many figures
OpenAI GPT
Created by gpt-4 on 2024-01-25
This is an image of an intricately designed textile depicting what appears to be a traditional ceremonial scene. The main figures, robed in elaborate outfits, are situated in a symmetrical layout and are surrounded by ornate patterns and motifs that suggest a cultural or religious significance. Below this central tableau is a line of figures dressed in more simplistic attire, standing against a backdrop with text, possibly indicating a narrative or descriptive element associated with the scene above. The overall aged appearance of the textile suggests it may be of historical significance.
Anthropic Claude
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-24
This appears to be an ancient Buddhist painting or scroll, likely from East Asia (possibly China or Korea). The artwork is created on what looks like cloth or silk and shows a hierarchical arrangement of Buddhist deities and figures. The composition is divided into different levels:
At the top, there are several large Buddhist deities or bodhisattvas seated in ornate halos or mandorlas, decorated with intricate patterns. They appear to be wearing elaborate robes and crowns typical of Buddhist iconography.
The middle section shows architectural elements, possibly representing temples or palatial structures, with detailed geometric patterns and traditional East Asian architectural features.
At the bottom of the scroll, there is a row of smaller figures dressed in what appears to be official or scholarly robes, all wearing similar dark-colored garments and headgear. They are depicted in a uniform line, suggesting they might be donors, officials, or devotees.
The overall color palette consists of faded browns, reds, and blues, indicating this is quite an old piece. The artwork shows signs of age with some wear and discoloration, but the detailed craftsmanship is still evident in the surviving imagery.
This type of religious artwork was common in Buddhist temples and monasteries, often used for devotional purposes and to illustrate Buddhist teachings and cosmology.
Created by claude-3-haiku-48k-20240307 on 2024-03-29
This image appears to be an intricate and richly decorated Buddhist or Hindu religious textile or tapestry. The central figure appears to be a seated Buddhist or Hindu deity, surrounded by other deities, figures, and ornate floral and geometric patterns. The lower portion of the image depicts rows of standing human figures, possibly worshippers or devotees. The overall composition and artistic style suggest this is a significant religious or ceremonial object from an Eastern cultural tradition.
Meta Llama
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-26
The image depicts a tapestry featuring a large, central figure surrounded by numerous smaller figures. The central figure is adorned with a red robe and a black hat, while the surrounding figures are dressed in various attire, including robes and hats. The tapestry appears to be an ancient or vintage piece, with a faded color palette that suggests it has been exposed to time and wear.
The overall design of the tapestry is intricate and detailed, with each figure carefully rendered in a style that is reminiscent of traditional Asian art. The use of red and black as primary colors adds a sense of drama and contrast to the piece, while the faded quality of the colors gives it a sense of age and history.
In terms of composition, the tapestry is divided into several sections, with the central figure serving as a focal point. The surrounding figures are arranged in a way that creates a sense of movement and energy, with some figures facing towards the center and others facing away. This creates a sense of depth and dimensionality, drawing the viewer's eye into the tapestry and encouraging them to explore its details.
Overall, the tapestry is a beautiful and intricate piece of art that showcases the skill and craftsmanship of its creator. Its faded colors and intricate design make it a unique and captivating work that is sure to inspire admiration and appreciation from those who see it.
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-22
The image depicts a tapestry featuring a large central figure surrounded by smaller figures, with a border at the bottom.
The tapestry is rectangular in shape and appears to be made of fabric or a similar material. The central figure is depicted in a seated position, wearing a red robe and a black hat. The figure is surrounded by several smaller figures, all of which are dressed in robes and appear to be Buddhist monks or nuns. The figures are arranged in a circular pattern around the central figure, with some of them holding objects such as staffs or books.
At the bottom of the tapestry, there is a border featuring a series of small figures. These figures are depicted in a standing position and appear to be dressed in similar attire to the central figure and the surrounding figures. The background of the tapestry is a light brown color, which provides a subtle contrast to the darker colors used for the figures.
Overall, the image suggests that the tapestry is a representation of a Buddhist scene, possibly depicting a gathering of monks or nuns around a central figure. The use of red and black colors adds a sense of depth and contrast to the image, while the intricate details of the figures and the border create a sense of texture and visual interest.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-01-04
The image is a painting of a religious scene with a golden-brown background. The painting depicts several people in different poses and costumes. The painting is divided into three sections. The top section depicts a person sitting on a throne with a crown on his head. The middle section depicts a group of people in different poses, and the bottom section depicts a group of people in black costumes.
Created by amazon.nova-lite-v1:0 on 2025-01-04
The image shows an old, worn-out tapestry or banner with a religious theme. The banner depicts several figures, including a central figure sitting on a throne, possibly a deity or religious leader. Surrounding the central figure are several other figures, some of which are depicted as standing or kneeling. The banner also features a row of figures at the bottom, possibly representing devotees or followers. The banner's design and colors suggest that it may be of Chinese origin, possibly from the Tang or Song dynasty. The banner's age and condition suggest that it has been in use for a long time and has undergone significant wear and tear.
Google Gemini
Created by gemini-2.0-flash on 2025-04-26
The image shows an antique hanging scroll, likely a Buddhist thangka, featuring multiple figures in a religious scene.
At the top, a central Buddha figure is seated in a lotus position, with attendants or bodhisattvas surrounding him. These figures have a distinct Asian appearance, with detailed robes and headdresses. The colors are muted, mainly consisting of reds, browns, and greens, suggesting age or weathering.
Below the central religious figures, there are depictions of secular figures, possibly patrons or donors, standing in formal attire. These figures are arranged in rows and appear to be of East Asian descent.
In between the religious and secular elements, there are sections of text, likely in Chinese characters, which may be prayers, dedications, or narratives related to the scene. The entire composition is vertically oriented, with a border that seems to be made of fabric. The overall condition of the scroll suggests it is quite old, with signs of wear and fading of colors.
Created by gemini-2.0-flash-lite on 2025-04-26
Here is a description of the image:
Overall Impression:
The image is of an ancient, well-preserved Buddhist painting on fabric, likely a silk or linen scroll. The painting has a worn and aged appearance, suggesting it is quite old. The colors are muted, with reds, browns, and greens as the dominant hues. The overall composition is hierarchical, centered around a main Buddha figure with attendant figures.
Composition:
- Central Figure: A large Buddha is the focal point, seated in a meditative pose. He is likely adorned in robes with a halo or aura around his head.
- Surrounding Figures: The Buddha is flanked by additional figures, possibly Bodhisattvas or other important Buddhist figures. These figures also have halos and appear to be in various postures of worship or contemplation.
- Lower Section: A row of figures, possibly donors or devotees, are arranged in the lower section.
- Background: The backdrop features architectural elements, possibly representing temples or celestial realms. The upper portions have decorative elements with a mandala-like appearance.
- Script: There are areas of text that are likely Buddhist scripture or inscriptions associated with the painting's purpose.
Style and Technique:
- The painting style is indicative of Asian Buddhist art, perhaps from China, Korea, or Japan.
- The artwork likely features delicate brushstrokes with colors applied in layers.
- The aging of the fabric has added texture and some staining, giving it a historical quality.
- The composition shows a clear sense of hierarchy and symbolism, essential features of Buddhist iconography.
Condition:
- The painting shows wear and tear.
- The fabric is likely fragile with visible creases, folds, and some tears.
In Summary:
This image showcases a significant historical artifact of Buddhist art. It has a rich and detailed composition and is an essential record of its historical context.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-25
This image appears to be a historical or religious tapestry or painting, likely of East Asian origin, given the style and iconography. Here is a detailed summary:
Central Figures:
- The central part of the image features three prominent figures, likely deities or important religious figures. They are seated and have halos around their heads, indicating their divine or revered status.
- The central figure is larger and more prominent than the others, suggesting it might be the main deity or figure of worship.
Surrounding Figures:
- Surrounding the central figures are multiple smaller figures, also with halos, likely representing lesser deities, attendants, or disciples.
- These figures are arranged in a symmetrical pattern, adding to the balance and harmony of the composition.
Background and Details:
- The background is intricately detailed with patterns and designs, possibly representing celestial or heavenly realms.
- There are architectural elements, such as pagodas or temples, which are common in East Asian religious art.
- The use of red, gold, and brown hues suggests a rich and ornate setting, typical of religious art.
Bottom Section:
- The bottom section features a row of standing figures, possibly donors, worshippers, or historical figures.
- These figures are depicted in a more realistic style compared to the divine figures above, indicating their mortal status.
Artistic Style:
- The style of the painting is reminiscent of traditional East Asian religious art, with a focus on symmetry, intricate detailing, and the use of vibrant colors.
- The figures are stylized, with exaggerated features and poses, which is common in religious iconography.
Overall, this image is a rich and detailed representation of a religious or mythological scene, likely used for worship or as a decorative piece in a temple or religious setting.
Qwen
Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-06-26
This image appears to be a historical religious or cultural painting, possibly from East Asia, given the style and attire of the figures depicted. The central figure, seated on a throne-like chair, is likely a deity or a high-ranking figure, indicated by the elaborate robes and the halo-like aura around their head. This figure is flanked by other figures, also depicted with halos, suggesting they are important or sacred beings, possibly notables or deities themselves.
Below these central figures, there is a large inscription or text, which could be a scripture, a prayer, or a historical narrative, written in a stylized script. Surrounding the central area are additional figures and smaller scenes, possibly representing stories or characters related to the main scene above.
At the bottom of the painting, there is a row of individuals dressed in traditional attire, standing in a line, possibly representing a group of attendants, worshippers, or a narrative related to the main figures above. The background includes intricate patterns and additional figures, adding to the complexity and richness of the composition.
The overall style and elements of the painting suggest it could be a Buddhist scroll, a traditional Chinese or Korean religious artwork, or a similar type of cultural artifact, given the presence of halos and the traditional attire. The wear and texture of the fabric indicate that the painting may be quite old.
Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-06-26
This image is a traditional Chinese scroll painting, likely from the Tang or Song dynasty, depicting a group of Buddha figures and disciples. The central figure is seated in a meditative pose on a throne, wearing a red robe and flanked by other deities and bodhisattvas. The figures are surrounded by intricate patterns and decorative elements, including halos and floral motifs. Below the central scene, there are rows of smaller figures, possibly representing monks or followers, standing in a line. The painting is rich in detail and uses a palette of earthy tones, reds, and blacks. The text along the bottom likely contains inscriptions or prayers related to the depicted scene. The overall composition and style suggest that this is a religious or ceremonial piece, possibly used for worship or as a votive offering.