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Human Generated Data

Title

One of the Ten Kings of Hell

Date

15th - 16th century

People

-

Classification

Paintings

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, Gift of Clifford A. Kaye, 1966.89.3

Human Generated Data

Title

One of the Ten Kings of Hell

Date

15th - 16th century

Classification

Paintings

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, Gift of Clifford A. Kaye, 1966.89.3

Machine Generated Data

Tags

Amazon
created on 2019-04-09

Human 98.3
Art 90.1

Clarifai
created on 2018-02-19

illustration 99.8
painting 99.6
art 99.5
people 99.2
print 97.1
adult 95.3
man 95
woman 94.4
religion 93.8
saint 92.9
group 92.4
Renaissance 91.6
veil 90.2
gown (clothing) 89
kneeling 86.7
text 86.5
aura 86.3
baby 84.8
one 84.7
god 83.5

Imagga
created on 2018-02-19

rug 63.8
old 46
furnishing 45.7
vintage 43
texture 39.6
grunge 36.6
antique 35.5
covering 34.7
paper 31.4
retro 30.3
puzzle 29
art 28
ancient 27.7
aged 27.2
pattern 23.9
rusty 21
dirty 20.8
brown 20.6
design 20.3
mosaic 20.1
paint 19.9
game 19.9
material 19.7
wallpaper 19.2
rough 19.1
frame 18.3
parchment 18.2
rust 17.3
worn 17.2
grungy 17.1
surface 16.8
decoration 16.4
damaged 16.2
tile 15.6
border 15.4
weathered 15.2
wall 14.5
torn 14.5
obsolete 14.4
decorative 14.2
textured 14
color 13.9
transducer 13.8
backdrop 13.2
empty 12.9
blank 12.9
letter 12.8
messy 12.6
stained 12.5
detail 12.1
close 12
burnt 11.7
decay 11.6
flower 11.5
decor 11.5
backgrounds 11.4
sheet 11.3
metal 11.3
floral 11.1
historic 11
history 10.7
rustic 10.6
canvas 10.4
page 10.2
rusted 9.8
stain 9.6
aging 9.6
iron 9.3
document 9.3
structure 9.2
collection 9
ragged 8.8
artistic 8.7
cardboard 8.6
yellow 8.6
grain 8.3
metallic 8.3
religion 8.1
colorful 7.9
text 7.9
burned 7.8
shabby 7.8
faded 7.8
leaf 7.8
scrapbook 7.8
culture 7.7
painted 7.6
post 7.6
traditional 7.5
fabric 7.4
note 7.4
device 7.3
graphic 7.3
world 7.1
colors 7.1

Google
created on 2018-02-19

art 96.2
tapestry 83.4
painting 79.2
textile 69.1
history 63.3
artwork 62.6
miniature 61.9
modern art 60.2
collection 54.8
middle ages 53.9
visual arts 50.3

Microsoft
created on 2018-02-19

bedclothes 56
old 43.2
several 11.2
fabric 10.5

Color Analysis

Face analysis

Amazon

Imagga

AWS Rekognition

Age 35-52
Gender Male, 85.9%
Calm 49%
Happy 2.9%
Confused 9.3%
Sad 8.1%
Angry 12.9%
Disgusted 13.7%
Surprised 4%

Feature analysis

Amazon

Person
Painting

Clarifai

Clothing
Human face
Person
Human head

AWS Rekognition

Person 98.3%

Categories

Captions

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-04-28

a photograph of a painting of a man in a crown

Created by general-english-image-caption-blip-2 on 2025-07-01

a painting depicting a man and woman sitting at a table

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2024-12-30

The image depicts an intricate and detailed scene with a large figure seated on a throne, dressed in regal attire with rich colors and elaborate patterns. The scene around this figure is animated with numerous smaller characters engaged in various activities. The setting is likely indoors, featuring architectural elements such as columns and decorative elements. The figures below appear to be diverse in their actions and expressions, contributing to a dynamic and complex composition. The overall style of the artwork suggests it may belong to a traditional or historical genre, possibly of East Asian origin, with its emphasis on detailed costume, architecture, and narrative scenes.

Created by gpt-4 on 2024-11-17

The image is a detailed artwork, resembling a classic East Asian painting, possibly of a historic or mythological scene. It features several figures, with some appearing in the foreground engaged in what looks like a lively, dynamic scene with various expressions and postures suggestive of action or confrontation. There are traditional garments, armor, and weapons, hinting at a scene of historical significance or storytelling. The setting includes architectural elements, such as red pillars and screens, indicating an indoor location. The detailed patterns and designs on clothing and decorative borders of the artwork are typical of historical East Asian art. The overall composition is rich in detail and color, offering a glimpse into the cultural and artistic traditions from which it originates.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-28

This appears to be a traditional East Asian religious or mythological painting, likely from China or Japan. The scene depicts what seems to be a judgment or tribunal scene with a large central figure in red robes seated at an elevated desk or table. The figure wears an ornate headdress and appears to be in a position of authority.

Below the main figure, the scene is filled with various demons, spirits, and supernatural beings in different colors and forms. Some appear to be engaged in punishment or torment of other figures. The overall composition suggests this might be depicting a scene from Buddhist or Taoist mythology, possibly representing judgment in the afterlife or hell realm.

The painting uses traditional techniques and color palette, with reds, greens, and browns being prominent. The architectural elements include red pillars and traditional East Asian building details. The top and bottom of the image are bordered with decorative patterns.

The style and subject matter suggest this is likely a religious scroll painting, possibly from the medieval or pre-modern period, depicting supernatural judgment and karmic retribution themes common in East Asian religious art.

Created by claude-3-5-sonnet-20241022 on 2024-12-27

This appears to be a traditional East Asian (likely Chinese) painting depicting a scene with supernatural or religious themes. The composition shows a large figure in red robes seated at a desk or table in an architectural setting with red pillars. Below this central figure is a chaotic scene populated with various demons, spirits, and other supernatural beings in different colors and forms. Some appear to be engaged in combat or various activities, while others seem to be tormented souls or spirits.

The painting style is characteristic of Buddhist or Taoist religious art, possibly depicting a judgment scene or spiritual tribunal. The artwork uses traditional mineral pigments on what appears to be silk or paper, with a brownish background tone. The top and bottom of the image are bordered with decorative patterns featuring dragon motifs.

The composition creates a clear hierarchy, with the authoritative figure above presiding over the supernatural chaos below. The artistic technique shows great detail in depicting the various supernatural beings, each with distinct characteristics and expressions. The color palette primarily consists of reds, greens, browns, and blues, creating a rich and dramatic scene.

Created by claude-3-haiku-20240307 on 2024-11-17

The image appears to be an ornate and detailed painting depicting a complex scene. At the center of the image is a figure wearing ornate robes and a crown-like headdress, seated at a table or desk with various objects and documents around them. This central figure appears to be an important or authoritative person.

Surrounding this central figure is a chaotic and lively scene, with numerous smaller figures engaged in various activities. The background is filled with intricate patterns and decorative elements, creating a sense of richness and grandeur. The overall style and imagery suggest this is a traditional East Asian or Chinese artistic work.

The scene conveys a sense of power, authority, and complexity, with the central figure overseeing or presiding over the bustling activity around them. The level of detail and symbolism in the painting suggests it may depict a significant historical or cultural event or narrative.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-24

This image depicts a painting of the Buddhist underworld, specifically the hell realm. The painting is divided into two main sections: the top and bottom.

Top Section:
In the top section, a figure sits at a desk, surrounded by two attendants. The central figure wears a red robe with a white sash and a crown-like headpiece. He appears to be holding a staff or scepter in his right hand. The attendants on either side of him are dressed in armor and helmets, suggesting they may be guardians or enforcers of the underworld.

Bottom Section:
The bottom section of the painting shows a chaotic scene of various figures engaged in different activities. Some are shown being tortured or punished, while others seem to be performing tasks or rituals. The figures are depicted in various states of undress, with some wearing loincloths or other minimal clothing. The background of this section is dark and ominous, with flames and smoke rising from the ground.

Overall:
The painting appears to be a representation of the Buddhist concept of hell, where souls are punished for their misdeeds in life. The central figure in the top section may represent the ruler of the underworld, while the attendants and figures in the bottom section represent the various souls being punished. The overall atmosphere of the painting is one of darkness and suffering, emphasizing the consequences of wrongdoing in the Buddhist belief system.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-23

The image depicts a painting of a man sitting at a desk, surrounded by various figures in the background. The man is wearing a red robe with blue accents and a gold crown, and he appears to be holding a pen or brush in his hand. He is seated at a desk with a glass top, which is adorned with various objects such as a vase, a book, and a small figurine.

In the background, there are several figures scattered about, including people, animals, and objects. Some of these figures appear to be engaged in various activities, such as fighting, dancing, or playing musical instruments. Others seem to be simply standing or sitting, looking on.

The overall atmosphere of the painting is one of chaos and disorder, with many of the figures appearing to be in motion or engaged in some kind of activity. The colors used in the painting are muted and earthy, with shades of brown, beige, and red dominating the palette.

The painting appears to be an illustration from a book or manuscript, possibly from an ancient or medieval text. The style of the painting is reminiscent of traditional Chinese or Japanese art, with its use of bold lines, simple forms, and muted colors.

Overall, the image presents a vivid and dynamic scene, full of energy and movement. It suggests a sense of drama and tension, as if the figures in the painting are caught up in some kind of struggle or conflict. Despite the chaos and disorder, however, the painting also conveys a sense of beauty and elegance, with its intricate details and delicate lines.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-01-04

The image depicts a traditional Chinese painting scene featuring a royal court setting. In the center, a seated figure, likely an emperor, is shown wearing a red robe and a crown, indicating his high status. The emperor is surrounded by several officials, one of whom is wearing a green robe and holding a staff, possibly indicating his role as a minister or advisor. The scene is set in a grand hall with red columns and a red curtain in the background, suggesting a formal and important gathering.

Below the emperor and officials, a chaotic scene unfolds. There are numerous figures, some of which appear to be demons or monsters, engaging in various activities. Some demons are depicted as holding weapons, while others seem to be causing destruction or chaos. The setting is filled with fire and smoke, adding to the sense of turmoil and conflict.

The painting is framed with decorative borders, including a pattern of dragons, which is a common motif in Chinese art symbolizing power and protection. The overall composition is rich in detail, with intricate clothing and expressive faces, showcasing the artist's skill in depicting a dramatic and dynamic scene.

Created by amazon.nova-pro-v1:0 on 2025-01-04

The painting depicts a scene of a king seated on a chair, wearing a crown, and holding a scepter. He is surrounded by several people, including a man standing beside him holding a spear and a man sitting on the floor with a book. In front of them is a desk with a book on it. Several people are standing behind them. The painting also depicts a group of people in a different area.

Google Gemini

Created by gemini-2.0-flash on 2025-04-26

Here is a description of the image:

The image is an artistic depiction reminiscent of traditional East Asian art, featuring a scene that appears to represent a judgment or punishment. At the top of the image, a distinguished, bearded figure wearing a crown and dressed in elaborate robes is seated at a table. This central figure is flanked by two attendants—one to the right appears to be armed, possibly a guard or warrior.

Below this upper echelon, the scene transitions into what seems to be a realm of torment, populated by numerous smaller figures in various states of distress. Some appear naked or partially clothed, while others are being subjected to different forms of torture by demonic entities. One group is huddled together, while others are seen falling or being forced into implements of torture.

The entire scene is framed by decorative borders, top and bottom, featuring repetitive motifs. The color palette is dominated by earth tones—browns, reds, and yellows—which contribute to the overall mood of severity and suffering. The composition suggests a hierarchy, with the seated figure presiding over a realm of punishment.

Created by gemini-2.0-flash-lite on 2025-04-26

This is a vibrant and detailed depiction of an East Asian religious or mythological scene, likely a scroll painting given its format. Here's a breakdown:

Overall Composition:

  • The image is vertically oriented, suggesting it was designed as a hanging scroll.
  • The artwork is divided into levels or tiers. The uppermost tier depicts a judge or ruler, attended by figures. The lower tiers are filled with various figures, and likely represent some kind of punishment or judgment.

Central Figures and Symbols:

  • Judge/Ruler: The central figure in the upper tier is a man seated at a table. He wears formal robes (red), a tall headpiece, and has a dignified, somewhat stern expression. This figure is likely a judge, a king of the underworld, or a deity presiding over some kind of judgment or ritual.
  • Attendants: The judge is flanked by attendants, a man in armor holding a staff and a man in a green robe.
  • Figures in Distress: The lower tiers are filled with various figures. Some seem to be suffering, tortured, or under punishment. These figures are diverse in appearance, some are human and some are demonic or animalistic.

Color Palette and Style:

  • The colors are rich and saturated, with a focus on red, green, and earth tones.
  • The style is consistent with traditional East Asian painting, with fine lines, attention to detail, and a stylized representation of human and supernatural forms.

Possible Narrative and Interpretation:

  • The scene most likely depicts a form of judgment or punishment, possibly a scene from the afterlife, a religious court, or an allegory of justice.
  • The setting suggests a court, with the judge presiding over a scene of trials.
  • The figures in distress could be being punished for misdeeds or are being held in judgment.

Overall Impression:

The painting is a compelling work of art, rich in detail, symbolism, and cultural significance. It likely conveys a moral message about justice, consequence, and the afterlife within an East Asian religious or philosophical context.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-25

The image appears to be a traditional Chinese painting, likely from the Ming or Qing dynasty, depicting a scene of a royal court or an official setting. Here's a detailed summary:

  1. Central Figure: The central figure is a man dressed in elaborate robes, likely indicating he is an emperor or a high-ranking official. He is seated on a raised platform, suggesting his position of authority. He wears a crown and is surrounded by attendants.

  2. Surrounding Figures: There are several other figures around the central figure. Some are dressed in official robes, indicating they might be court officials or advisors. Others are in more colorful, elaborate attire, possibly indicating they are performers or entertainers.

  3. Setting: The scene is set in a grand hall with red pillars and intricate architectural details, typical of imperial Chinese architecture. The background shows a landscape with mountains and trees, adding to the grandeur of the scene.

  4. Activities: The figures are engaged in various activities. Some appear to be presenting documents or gifts to the central figure, while others seem to be performing or engaging in some form of entertainment. There are also figures who appear to be in conversation or discussion.

  5. Artistic Style: The painting is rich in detail and color, with intricate patterns and designs on the clothing and architecture. The use of perspective and the arrangement of figures suggest a well-thought-out composition, typical of traditional Chinese court paintings.

Overall, the image captures a moment in a royal or imperial court, showcasing the hierarchy, activities, and grandeur of the setting.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-07-11

This image is a traditional Chinese painting, likely depicting a scene from a Buddhist or Taoist context, depicting the judgment of the dead. The central figure appears to be a deity or judge seated on a throne, surrounded by attendants, possibly guardians or assistants. The lower section of the painting shows various hellish creatures and souls, some of which appear to be being tortured or punished, while others seem to be in a state of torment or suffering. The overall composition and style suggest that this painting is meant to illustrate the concept of judgment and the various fates awaiting the souls of the deceased in the afterlife. The use of vibrant colors and detailed illustrations is characteristic of traditional Chinese art, and the scene is likely meant to educate and warn viewers about the consequences of their actions in life.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-07-11

This image is a traditional Chinese painting depicting a scene from Buddhist or Taoist mythology, likely related to the afterlife and judgment. The painting is rich in detail and color, featuring a central figure seated on a throne, who appears to be a deity or judge, possibly Yama, the King of Hell. This figure is dressed in elaborate robes and has a serious expression, holding a scepter or similar object.

To the right of the central figure is another prominent figure in armor, holding a weapon, possibly a sword or spear, suggesting a guardian or enforcer role. Below the central figure, there are several smaller figures engaged in various activities. Some of these figures appear to be undergoing punishment or judgment, while others seem to be observing or assisting.

The lower part of the painting shows a chaotic scene with numerous figures, some of whom are in distress or being punished. There are also demonic figures present, adding to the sense of a purgatorial or hellish environment. The background includes clouds and architectural elements, contributing to the otherworldly atmosphere of the scene.

The painting is framed with decorative borders featuring intricate patterns, enhancing its visual appeal and emphasizing its cultural significance. Overall, the image conveys a sense of divine judgment and the consequences of one's actions in the afterlife, a common theme in traditional Chinese religious art.