Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon

AWS Rekognition
Age | 22-34 |
Gender | Male, 97.1% |
Happy | 0.4% |
Surprised | 1.1% |
Confused | 0.7% |
Calm | 15.5% |
Angry | 28.9% |
Sad | 2.1% |
Fear | 50.1% |
Disgusted | 1.3% |
Feature analysis
Amazon

Poster | 58.6% | |
Categories
Imagga
paintings art | 84.2% | |
streetview architecture | 15.7% | |
Captions
Microsoft
created on 2019-11-07
a close up of a book | 73.1% | |
close up of a book | 67.2% | |
a hand holding a book | 67.1% | |
OpenAI GPT
Created by gpt-4o-2024-05-13 on 2025-02-03
This image is a historical illustration, likely a political cartoon, titled "Actualités" with the number 38 at the top. It features an old man, representing the figure of Death, holding a scythe and gesturing toward several figures who seem to be pleading or reaching towards him. The old man is depicted with a stern and dismissive expression, saying, "Non, mes enfants! ... Vous n’êtes pas de cette pièce là!" which translates to "No, my children! ... You are not part of this play!" In the background, there is a sign that reads "Theatre de l’Exposition, L’Exposition Universelle, Grande Féerie Industrielle," which means "Theater of the Exhibition, The Universal Exposition, Great Industrial Fairy Show." This indicates that the illustration is referencing a large public event or exhibition, specifically focusing on industrial progress. The overall tone suggests a commentary on the separation between life (represented by the figures) and the dramatic or fantastical setting of industrial advancement (the "Grande Féerie Industrielle"). This cartoon likely critiques the impact of industrialization, possibly highlighting the exclusion or disregard of human suffering amid industrial progress.
Created by gpt-4 on 2025-02-03
This is an image depicting a satirical or allegorical cartoon from what appears to be a historical period publication. The scene includes a central figure draped in classical robes with an intense, emphatic posture, reaching out with one arm toward a group of small, imploring figures at the lower left corner, who may represent children or smaller characters. The larger figure seems to be denying them entry or access to something, indicated by the gesturing hand and the positioning of the feet, as if blocking a doorway or path. Above, there is text that can be seen as part of a sign or poster, including phrases like "Théâtre de l'Exposition," "Exposition Universelle," "Grande Férie Industrielle," followed by "Suivie de," suggesting that the image is commenting on the events or circumstances related to an industrial or universal exhibition. There is a caption at the bottom of the image which, in French, says, "Non; mes enfants ...... Vous n'êtes pas de cette pièce là !" This roughly translates to "No, my children… You are not of this play!" indicating a refusal or denial of some sort, possibly metaphorical, in the context of the illustration. The artwork also features a signature with the initials "H.D." in the bottom right and something like "P. kauff" on the bottom left next to the date, which seems to read "le 27 fevr 99" indicating the artwork might have been created on February 27, 1899. The overall style and clothing suggest a 19th-century European context, and the illustration may have a significant cultural or political meaning.
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2025-02-03
This is a historical French political cartoon or satirical illustration. At the top, there's text reading "THEATRE DE L'EXPOSITION" and "L'EXPOSITION UNIVERSELLE GRANDE FEERIE INDUSTRIELLE." The image shows a dramatic scene with a figure resembling Father Time or Death, portrayed as an elderly figure in robes holding a scythe, addressing a crowd of people. The figure appears to be turning away or rejecting the crowd. At the bottom of the image is French text that reads "Non! mes enfants!... Vous n'êtes pas de cette pièce là!" (which translates to "No! my children!... You are not part of this play!"). The artwork appears to be a lithograph or similar print medium, characteristic of 19th century political satire. It's numbered 38 and labeled "ACTUALITÉS" (current events) at the top. The style is characteristic of the period's editorial cartoons, with strong contrast and expressive linework. The image appears to be commenting on social or political issues related to the Universal Exhibition (World's Fair) of that era.
Created by claude-3-opus-20240229 on 2025-02-03
The image depicts a theatrical poster or illustration for an "Exposition Universelle" or World's Fair showcasing an industrial exhibit titled "Grande Feerie Industrielle". The illustration shows the Grim Reaper or a skeletal figure holding a scythe menacingly standing over what appears to be dead or cowering people, with an industrial factory scene in the background. The dark, macabre imagery seems to be commentary or criticism on the negative impacts of industrialization, contrasting with the celebratory nature typically associated with World's Fairs and expos of that era which aimed to showcase industrial progress and innovation.
Created by claude-3-haiku-20240307 on 2025-02-03
The image appears to be an illustration from a French publication called "Actualites". It depicts a scene from a theatrical performance or exhibition, as indicated by the title "Theatre de l'exposition l'exposition universelle grande ferie industrielle". The illustration shows a large, dramatic figure of a person holding a staff or staff-like object, looming over a group of smaller figures on the ground. The text below the illustration warns "Non, mes enfants! Vous n'etes pas de cette piece la!" which translates to "No, my children! You are not part of this piece!"
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15
The image is a drawing of a man holding a scythe, with a crowd of people in the background. The man is standing in front of a large sign that reads "THEATRE DE L'EXPOSITION L'EXPOSITION UNIVERSALLE GRANDE FEERIE INDUSTRIELLE SUIVIE D.E." The man is wearing a long robe and has a scythe in his right hand. He is standing on a platform or stage, and there are several people in the background who appear to be watching him or waiting for something to happen. The overall atmosphere of the image is one of drama and tension, as if something important is about to occur.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15
The image depicts a sketch of Death, personified as a gaunt figure with a scythe, standing in front of a sign that reads "THEATRE DE L'EXPOSITION L'EXPOSITION UNIVERSELLE GRANDE FEERIE INDUSTRIELLE SUIVIE DE" in French. The figure is dressed in a long, dark robe and has a scythe slung over his shoulder. He appears to be addressing a group of people who are cowering in fear. The background of the image features a wall with the aforementioned sign, which suggests that the scene is set in a theatrical or exhibition context. The overall atmosphere of the image is one of foreboding and menace, as Death looms large over the terrified onlookers. The use of dark colors and bold lines adds to the sense of drama and tension, creating a powerful and evocative visual representation of the theme of mortality.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-02-03
A black-and-white image of a drawing of a man holding a scythe is printed on a piece of paper. He is wearing a robe and has a long beard. He is standing on a stage and seems to be performing in front of an audience. Behind him is a woman, possibly his wife. On the left side, there are three people who seem to be watching the performance.
Created by amazon.nova-lite-v1:0 on 2025-02-03
The image is a black-and-white illustration titled "Theatre de l'Exposition Universelle Grande Feerie Industrielle Suivie De." The image depicts a scene with a central figure holding a scythe, standing on a stage with a backdrop that reads "Theatre de l'Exposition Universelle Grande Feerie Industrielle Suivie De." The figure appears to be a representation of Death, with a skeletal appearance and a scythe in hand. The scene is set in a theatrical context, with a stage and an audience visible in the background. The image appears to be a satirical commentary on the industrial age and the consequences of industrialization.