Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon

AWS Rekognition
Age | 30-46 |
Gender | Male, 51.9% |
Angry | 45.1% |
Fear | 45.1% |
Disgusted | 45% |
Confused | 45% |
Happy | 45% |
Surprised | 45.1% |
Calm | 54.7% |
Sad | 45% |
Feature analysis
Categories
Imagga
paintings art | 83.6% | |
streetview architecture | 15.8% | |
Captions
Microsoft
created by unknown on 2019-11-07
a person riding a horse | 59% | |
a person riding a horse next to a book | 28.7% | |
an old photo of a person | 28.6% | |
Clarifai
created by general-english-image-caption-blip on 2025-05-15
a photograph of a drawing of a man on a horse drawn carriage | -100% | |
OpenAI GPT
Created by gpt-4o-2024-05-13 on 2025-02-03
This image is an 1872 lithograph titled "Gentlemen en Toilette de Workhouse" by Honoré Daumier, published in the periodical "Actualités." The artwork is characteristic of Daumier's satirical style, commenting on social issues of his time.
In the image, a gentleman is depicted stepping out of a luxurious coach while dressed in ragged clothing, an attempt to mimic the appearance of a pauper. The background shows other similarly dressed individuals approaching or entering a workhouse, a facility where impoverished people lived and worked in exchange for food and shelter.
The caption in French translates to: "The rich disguising themselves as poor can well give the poor the idea of metamorphosing into rich." This suggests a critical commentary on the superficial charity of the wealthy and perhaps the futility or irony of such acts that do not address the root causes of poverty. The overall tone of the image and caption underscores the disparity between social classes and mocks the performative nature of the wealthy's attempts to relate to the poor.
Created by gpt-4 on 2025-02-03
This is an image of a 19th-century print, most likely a satire or political cartoon. The scene is labeled "ACTUALITÉS" at the top, and "45" indicating it might be part of a series. The caption in French reads, "GENTLEMEN EN TOILETTE DE WORKHOUSE. Les riches en se déguisant en pauvres pourront bien donner aux pauvres l'idée de se métamorphoser en riches." This roughly translates to, "Gentlemen in workhouse attire. The rich by disguising themselves as the poor may well give the poor the idea to transform themselves into the rich."
The illustration itself depicts several individuals in a state of emaciation and ragged clothing, emphasizing the harsh conditions of the workhouse. A character in the foreground left is hunched over and wearing a top hat, indicative of a higher social status, while masquerading in the attire of the poor, creating a stark contrast. In the background, the sign "WORKHOUSE" is prominently displayed, suggesting that the scene takes place outside or near such an institution, known for its grim conditions during that era. The characters are drawn with exaggerated features, typical of satire, to emphasize the social criticism likely intended by the artist. The signature "h.Ds" can be seen at the bottom right, though without further context, the artist's full identity remains unspecified in this description.
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2025-02-03
This is a historical satirical illustration titled "GENTLEMEN EN TOILETTE DE WORKHOUSE" (Gentlemen in Workhouse Attire). It appears to be a lithograph or sketch showing several figures and horses outside a workhouse, as indicated by the sign in the background. The image appears to be making a social commentary about wealthy people disguising themselves as poor, with the French caption suggesting that the rich, by dressing as the poor, might give the poor the idea of transforming themselves into the rich. The style is characteristic of 19th-century political cartoons or social satire, with dramatic contrasts between light and dark. The figures are drawn in an exaggerated, caricature-like style, wearing top hats and tattered clothing, creating a stark visual commentary on social class differences of the era.
Created by claude-3-opus-20240229 on 2025-02-03
The black and white sketch depicts a group of gentlemen gathered outside a workhouse or poorhouse. The title below the image states "Gentlemen en toilette de workhouse", suggesting the men are dressed in attire typical of those residing in a workhouse.
The men are shown standing together, some leaning on canes or walking sticks. A few appear to be conversing. One man on horseback is entering or leaving the scene. The workhouse building is visible in the background.
The sketch has a rough, expressive quality, with shading giving a sense of depth and shadow. The caption in French below the image translates to English as: "The rich become unpleasant in poverty because they then give the poor the idea of metamorphosing into rich."
Overall, the illustration appears to be a social commentary on class divisions and the challenges faced by the poor and those relegated to workhouses in this time period.
Created by claude-3-haiku-20240307 on 2025-02-03
The image depicts a group of well-dressed individuals, likely from a higher social class, standing outside of what appears to be a "Workhouse" institution. The men are stylishly dressed in frock coats and hats, while one man in the foreground seems to be leading a horse. The setting suggests a stark contrast between the affluence of the individuals and the purpose of the Workhouse, which was typically associated with housing the poor and destitute. The overall impression given by the image is one of social inequality and the divides that existed in the society at the time.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-11
The image is a drawing by French artist Honoré Daumier, titled "Les riches en se déguisant en pauvres pourront bien donner aux pauvres l'idée de se melamorphoser en riches" (The Rich, Disguising Themselves as Poor, Will Give the Poor the Idea of Becoming Rich). It depicts a scene of social satire, where the wealthy are shown in various disguises, attempting to blend in with the poor. The drawing is a commentary on the social and economic disparities of the time, highlighting the lengths to which the wealthy would go to maintain their status and power.
Daumier's work is known for its biting satire and social commentary, and this drawing is a prime example of his ability to critique the social norms of his time. The image is a powerful commentary on the class divide and the ways in which the wealthy would seek to maintain their power and privilege.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-11
The image depicts a vintage illustration of a scene outside a workhouse, with the title "Gentlemen en Toilette de Workhouse" at the bottom. The illustration is rendered in black and white, featuring a group of men in various states of dress, from formal attire to more disheveled appearances.
In the foreground, a man is shown sitting on a horse-drawn carriage, while another man stands beside him, dressed in a top hat and coat. To the right of the carriage, a sign reading "WORKHOUSE" is visible, accompanied by a streetlamp. In the background, several other men are depicted, some of whom appear to be walking towards the workhouse.
The overall atmosphere of the illustration suggests a sense of poverty and hardship, as the men gathered outside the workhouse may be seeking assistance or shelter. The contrast between the formally dressed men and those in more disheveled attire highlights the social and economic disparities present in the scene.
The illustration is likely from the 19th century, given its style and subject matter. It may have been created to raise awareness about the plight of the poor or to comment on the social conditions of the time. Overall, the image provides a poignant glimpse into the lives of those struggling with poverty and hardship during this period.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-02-03
The image is a black-and-white illustration depicting a scene in a horse stable. The drawing is framed with a title at the top and a caption at the bottom. The title reads "ACTUALITÉS," suggesting that the image is part of a series of illustrations depicting current events or topics. The caption at the bottom reads "GENTLEMEN EN TOILETTE DE WORKHOUSE," which indicates that the scene involves gentlemen in a workhouse setting.
The central figure in the image is a man sitting on a horse, which is tied to a wooden structure. He is dressed in a hat and a coat, and his posture suggests that he is either about to mount or dismount the horse. Behind him, there are several other horses, some of which are being led by men. These men are also dressed in hats and coats, and some are holding the reins of the horses.
On the right side of the image, there is a man walking away from the scene. He is dressed similarly to the other men, in a hat and a coat, and he appears to be leaving the stable. In the background, there is a building with the word "WORKHOUSE" written on it, indicating the location of the scene.
The image also includes a street lamp on the right side, suggesting that the scene takes place outdoors. The overall atmosphere of the image is one of activity and movement, with the men and horses engaged in various actions.
The illustration is a detailed and dynamic representation of a scene in a horse stable, capturing the interactions between the men and the horses in a workhouse setting. The use of black-and-white shading adds depth and texture to the image, enhancing the realism of the scene.
Created by amazon.nova-lite-v1:0 on 2025-02-03
This is a black and white illustration titled "Actualités" by Honoré Daumier. It depicts a scene of a man sitting on a horse-drawn carriage, looking down at another man walking on the street. There are other people walking on the street, and a building with the words "Workhouse" on the side. The illustration has a watermark in the bottom left corner.
Google Gemini
Created by gemini-2.0-flash-lite on 2025-05-22
Here's a description of the image:
Overall Impression:
The image is a satirical illustration, likely a political cartoon from the 19th century. It depicts a scene outside a "WORKHOUSE" (a place for the poor, often with grim conditions). The style is a detailed, hand-drawn lithograph with strong contrasts.
Key Elements:
- The Setting: The scene takes place at night, with the "WORKHOUSE" sign illuminated. The lighting is dim, creating a somber atmosphere.
- The Carriage and Figures: A horse-drawn carriage is prominently featured on the left. Inside the carriage sit figures dressed in ragged clothing, who appear to be wealthy men attempting to pass as poor. The driver of the carriage is wearing a top hat, contrasting with the poor appearance of the passengers. On the road, several figures appear in ragged clothes.
- The Satire: The title "GENTLEMEN EN TOILETTE DE WORKHOUSE" (Gentlemen in the Attire of the Workhouse) and the caption suggest the rich are pretending to be poor, perhaps to mock the poor or for some other satirical purpose. The caption, "Les riches en se déguisant en pauvres pourront bien donner aux pauvres l'idée de se metamorphoser en riches," (The rich disguising themselves as poor could well give the poor the idea of transforming into the rich), comments on the notion of upward mobility in society.
- Symbolism: The "WORKHOUSE" represents poverty and social stratification. The contrasts in the clothing and the figures' posture reflect the social disparity between the wealthy and the poor.
Possible Interpretation:
The cartoon likely satirizes the social hypocrisy of the time, perhaps criticizing the indifference or the frivolous actions of the wealthy towards the poor. It is a critical commentary on the social divide.
Created by gemini-2.0-flash on 2025-05-22
Here is a description of the image:
This is a satirical lithograph titled "Gentlemen en Toilette de Workhouse," published in the "Actualités" section. The artist is identified as "lith Destouches" with the publication information mentioning "Aide Vresse Ed r Rivoli, 55."
The scene depicts a street at night with a building labeled "WORKHOUSE." Several figures are present, suggesting different levels of social standing. A carriage drawn by two horses is parked prominently on the left side of the image. A man in a top hat, presumably the driver, sits perched high on the carriage. Two gentlemen, dressed in ragged clothing, are shown emerging from the carriage. Their posture and attire are meant to satirize the wealthy disguising themselves as poor.
In the background, other similar figures are seen walking towards the "WORKHOUSE," some even being conveyed in carriages. The overall composition conveys a sense of irony and social commentary, implying that the wealthy might be dressing as poor people to give the less fortunate a false idea of how to become rich.
The French text below the image reads, "Les riches en se déguisant en pauvres pourront bien donner aux pauvres l'idée de se metamorphoser en riches." This translates to "The rich, in disguising themselves as poor, might well give the poor the idea of transforming themselves into rich."
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-24
The image is a black-and-white illustration depicting a satirical scene in what appears to be a workhouse or a poorhouse. The illustration shows a line of men, some dressed in tattered clothing and others in more formal attire, waiting outside a building labeled "WORKHOUSE."
In the foreground, there is a well-dressed man wearing a top hat and a suit, standing beside a horse. This man is interacting with another man who is dressed in poorer clothing, suggesting a contrast between the rich and the poor. The caption below the illustration reads: "GENTLEMEN EN TOILETTE DE WORKHOUSE" (Gentlemen in Workhouse Attire), followed by a comment: "Les riches en se déguisant en pauvres pourront bien donner aux pauvres l'idée de se métamorphoser en riches." This translates to: "The rich, by disguising themselves as poor, can give the poor the idea of transforming themselves into the rich."
The illustration is signed "H. D." and includes the names of the lithographer and printer: "Jules Destrée" and "Paradis Fils." The image is numbered 5490 and is part of a series titled "Actualités," with this particular illustration being number 45. The scene critiques the disparity between social classes and possibly the hypocrisy of the wealthy pretending to understand the struggles of the poor.