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Human Generated Data

Title

page 7, Ann Wilson: "Jill Johnston SEE ALSO GEORGE SAND..."; photo by Les Levine: Ann Wilson and children

Date

1970

People

Artist: Les Levine, Irish born 1935

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Reese Palley and Marilyn Arnold Palley, M21771

Copyright

© Les Levine / Artists Rights Society (ARS), New York

Human Generated Data

Title

page 7, Ann Wilson: "Jill Johnston SEE ALSO GEORGE SAND..."; photo by Les Levine: Ann Wilson and children

People

Artist: Les Levine, Irish born 1935

Date

1970

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Reese Palley and Marilyn Arnold Palley, M21771

Copyright

© Les Levine / Artists Rights Society (ARS), New York

Machine Generated Data

Tags

Color Analysis

Face analysis

Google

Google Vision

Surprise Very unlikely
Anger Very unlikely
Sorrow Very unlikely
Joy Possible
Headwear Very unlikely
Blurred Very unlikely

Captions

Clarifai

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Salesforce

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OpenAI GPT

Created by gpt-4 on 2025-01-30

The image shows a page from a publication, possibly a magazine or book. The page is dominated by text, divided into various columns with substantial passages of writing. A large, bold heading at the top of the page reads "ANN WILSON," suggesting the content could be an article or discussion centered on that titular subject. Just beneath the title is a large, print-style image with certain striking elements, such as the silhouette of a figure with visible details that suggest a setting or action.

Bright, contrasting colors such as orange and yellow highlight the background of the text, potentially indicating different sections or used as a design choice to draw the reader's attention. The image is captured such that the pages curve slightly toward the spine of the publication, typical of how physical magazines or books might appear when laid open.

Created by gpt-4o-2024-05-13 on 2025-01-30

The image depicts a printed page of a magazine or a newspaper. At the top of the page, there is a title section with the name "ANN WILSON" in bold. The page appears to contain an article or a column, as it is divided into several text-heavy columns with densely packed type. The background of the top of the page transitions from dark to light, gradually fading into a lighter tone at the bottom. The bottom section of the page features a gradient that transitions from yellow to orange. The page includes a black-and-white photograph featuring a group of people, although their specific details cannot be discerned. The overall design of the page suggests that it may be focusing on a feature about Ann Wilson, potentially discussing her life, career, or artistic contributions.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-30

This appears to be a magazine or newspaper article about Ann Wilson. The layout shows a black and white photograph in the top left corner. The main text is arranged in columns and the title "ANN WILSON" is prominently displayed at the top in bold letters. The article seems extensive, covering what appears to be biographical information and commentary spread across multiple columns. There's some yellowing or highlighting visible on portions of the text, suggesting this might be a preserved or archived copy that someone has marked for reference. The overall composition is typical of a literary or academic publication format from an earlier era.

Created by claude-3-opus-20240229 on 2025-01-30

The image shows a newspaper article about Ann Wilson, who appears to be a singer or musician. The article has a large black and white photograph of Ann Wilson at the top, wearing a black outfit and looking directly at the camera with an intense expression. The text of the article discusses her musical career, including her time in the band Heart, as well as her spiritual beliefs and personal life. The article spans two pages and is filled with small text detailing various aspects of Ann Wilson's biography and artistry.

Created by claude-3-haiku-20240307 on 2025-01-30

The image appears to be a magazine or newspaper article about someone named Ann Wilson. The article discusses Ann Wilson's life and career, including her musical style and involvement in the feminist movement. It mentions her belief in love and marriage, and how she has faced challenges and criticism in her life. Overall, the article seems to provide an overview of Ann Wilson's background and experiences, without identifying or naming any other individuals that may appear in the image.

Meta Llama

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Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-30

The image is a page from a magazine or a book featuring an article about Ann Wilson, likely a notable figure in the arts or entertainment industry. The page is designed with a two-column layout, with the title "ANN WILSON" at the top in bold, capitalized letters. The text is organized into paragraphs, with each paragraph discussing different aspects of Ann Wilson's life, career, and personality.

The left column features a photograph of Ann Wilson. She is depicted with a serene expression, possibly in a contemplative pose. The background of the photo is blurred, focusing attention on her face and upper body. She is wearing a dress with a pattern that is partially visible. The photo is positioned near the top of the column, with text wrapping around it.

The right column contains more text, continuing the discussion of Ann Wilson. The text appears to be a mix of biographical information, personal anecdotes, and possibly quotes from interviews. The language used is descriptive and narrative, suggesting an in-depth profile of the individual.

The page has a warm color palette, with shades of orange and yellow, which may be intended to evoke a sense of warmth and intimacy, aligning with the personal nature of the article. The edges of the page are slightly irregular, giving the impression of a well-used or vintage magazine.

The article seems to cover various aspects of Ann Wilson's life, including her artistic influences, personal beliefs, and possibly her impact on the industry she is part of. The tone of the text is respectful and admiring, suggesting that Ann Wilson is viewed positively by the author and the intended audience.

In summary, the image is a magazine page featuring an article about Ann Wilson, with a photograph of her on the left and text detailing her life and career on the right. The design and layout are typical of a feature article in a magazine, aiming to provide an engaging and informative profile of the subject.

Created by amazon.nova-lite-v1:0 on 2025-01-30

The image appears to be a magazine article featuring a photograph of a woman named Ann Wilson. The article discusses various aspects of Ann Wilson's life, personality, and artistic pursuits. The text is presented in a structured format with headings and subheadings, and it seems to provide insights into Ann Wilson's character, her artistic influences, and her approach to her work.

The photograph of Ann Wilson shows her sitting on a couch, possibly in a studio or creative space. She is dressed in a simple yet elegant manner, and her expression appears contemplative and introspective. The image conveys a sense of creativity and artistic passion, which aligns with the content of the article.

The article delves into different facets of Ann Wilson's life and work. It mentions her artistic endeavors, including her involvement in photography and her exploration of various artistic styles and techniques. The text also touches upon her personal life, relationships, and the impact of her experiences on her artistic expression.

Overall, the image and the accompanying article present a portrait of Ann Wilson as a multifaceted individual, combining her artistic pursuits with her personal journey and the influences that shape her creative vision. The photograph and the text work together to provide a glimpse into the life and work of this artist, inviting the reader to explore her artistic world and the stories behind her creations.

Google Gemini

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Mistral Pixtral

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Qwen

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Text analysis

Google

ANN WILSON life-time but shell leave a clue to of the tragic generation spoken the next one after her like they windows and even made the of by Yeats, "Those who are generated for tragedy. Such Saints as Lydwine of Schiedan all, she doesn't separate her side and go around the car to did really cure disease by taking from her put the change in at the toll it upidered the consequence plastic in her three broken car all have before her. The I Ching door work so Jill would no gives her the grandest clues of longer have to get out the other it upon themselves. As disease artistic destinv. It's not art we know, it's THE GREAT booths say, "You again," as she of Sin, to take it upon SEARCH Jill is old fashioned, she still masking-taped car believes in love and marriage. What motivates her out of bed the Bowery just as holy as the everyday around noon is the holy men in India. Jill makes me to accept the thought of thought that she might find her people feel alive, she gives back VICTIMAGE in many complex ALICE B. TOKLAS. She's not at their destiny, and because of the present interested in spiritual almost constant upheaval of her ! detachment or Christian. own life, she has a marvelouswere such skillful poets that Buddist, Zen monasieries, not gallows humor which uns even the Druids were obliged to Simone Wiel for her. She is through her conversation and BOTTICELLI before Savonarola infects people with her intimacy and nowers stream out of eirls excitement and courage Jill their poetry in a secret Alphabet mouths and from their clitoris makes you want to go on with it She has this illusion or fantasy anyway of a castle in Europe where she and her matewillintrodcmaonshiare spectrumO THEM USING THAT youne to the riogente psabo e n nd dstple of the phone day g makinga sort otgd SAPH0 gcondolingnd DE SADE ation wheeeenergiing heroblThey reality can be fantasy and sFollow the lines with your fantasy can be reality Ishe to the ar ofLes Levine with can't get a woman she'll take a Gregory Batteock asher nan in certain instances, like the night she slept with Orlovsky Teeny Duchamp, David Bourdon with Ginsberg in the next room and John De Menil along with a on the phone. Jill's constant cast of thousands have been her) booth. All the men at the toll goes by in her plastic and themselves was to copy Christ. All my proof that mind nows into minds and that we cannot separate mind and body, drives She considers the Bums one forms." Jill is a poet, in Ireland there go to them for the spells they ,needed, but they had to hide because the Church tried to erase their primitive truth. but er frieodshinsand they survived and JILL IS ONE ALPHARET Shewritesamaeke ancient Celieab crved wilh pirals The spirals redouble ange from the divinity of Alper finger from outside to inside and when you reach the center there is the head of another spiral coiled in the reverse direction to take you out of the maze again Ann Wilson and children Photo By Les Levine supreme counter jester Sheindy, She sits reading five or six books at once, Tom Wolfe Jill Johnston SEE ALSO Ceorge Sand Music and rhythm Sappho, Rimbaud, Baudelaire, syncopated Rag-Time alternated with long tearful passages from legends. Whitehead, Loves Body Brahms in his heavier moments Style, Baroque Rococo. If you are what you eat, Jill Johnston is a bottle of Mayonaise. Around her neck she wears a tin can lid, was Beer or book is always in her lap, and Hunt's tomato juice, with keys to her heart dangling from a boy scout woven plastic raffia knot the book Other people write inwith all the waves hapoening drawing her line of thought perception of a change, like green and white, don't stare at it the book too, Jill scans the too long or vou wdt ionseents and dialogue of her life ILL JOHNSTON IS ABOUT of love physical and spiritual Religion Dionysian as interpreted from Sappho's point ongoing lines, one of her lines is of view, but definitely in the line insanity in general and her own alone because she is really in hours, and in frogs for four its survival of itself She gave up of Greek civilization Jill writes about life and death of each moment because, he being permitted to say what he pleased, was never templed to pretend that we can linger between spirit and sense. How often had I heard men of my time talk of the meeting of Donne tracts on insanity, Indian search for the comforts of love good friends and spiritual and her constant state of advisors She is noted for crisis orphanage from it are lessons in situations and Steve Paxton and the art of dispair and sorrow She writes best when she is high hauled her off to the loony bin. and she is high when she is in Sometimes she drops them all love, Jill has another fantasy to for such like concerns but she get to the final perfect state of generally forgives and forgets.spirit and sense, yet there is no INSANITY and maintain herself Viva once gave her a G-string. there-her vibrations in contact by Norman O Brown, and Robert Rausehenberg onoe writes quotes fhom them in her little black book with her pen held backw ards or backwards or both. The black writing meeting but only change upon t Jill thus touches on all life styles the instant, and it's by the whoever is on the phone or sitting across from her eoes into sudden "Blacking out" of the around her. Because essentially through them, and puts it all in ereates its most violent TOTAL PERCEPTION OF THE thinking MOMENT When she is shaky she can't po out on Canal St for colours and happenings that pertain to the direction of her She writes me today,"In spiders coitus may last for seven violence done to the spirit and sensation, Jill Johnston is about contaci with all the messagesweeks insanity in particular. Fact: that an idea of a love and now has no occurs in many Jll is in the grand tradition she claimed APOLLINAREacoming in from truck drivers and the sexes union of her loft and ran to Europe after her father and made a detailed bums and trapped jewelery parasites such that for example place to live. Her clothes were of high intimate chroniclers Madame Recamier with a beat geneology relating herself to the up plastic windowed car instead of a sofa, holding Salon or Salome or Saloon wherever she happens to land or just be They MURDER you in those leaving too. She is in the tradition of amorous revelation De Sade, and among us hasn't been? She chivalric love is but one to the male remains throughout life stolen, her car was stolen, she in the gullet or the uterus of the ran into a truck drunk with another car, she sereams, she erys and she writes in that little merchants in a permanent state QUEEN of ENGLAND and of paranoia about their APOLLINARE during one of diamonds, and she receives all female." her insanity trips. She says, Jill tries to solve the mystery these waves-hence the need for a castle with drawbridges. But, of separation, before the black book about all of it. Jill is m of herself she is talking about the quest for amoeba. When you think of the supreme vieti hospitals, I was MURDERED two times in Bellevue," Who the grail and the tradition of evolution backwards you return striving against all odds for the the source, to the center, for any total contact, for hermaphroditic state, before the a moment of life beyond comes in touch with her self IN attribute. sanity as coming into your sanity like the Shamans and she has two children. A boy nothing there was nothing American Indian Visions, eleven and a girl ten. My picture revolution, Proust. upon separation of creation from separation. detailed So metimes you come Dickens LITTLE DORRET orphaned in the snow and freezing to death without aBLACK ELK SPEAKS, during dance a wild crazy horse dance.hearts that Christianity as parent to her name or a roof these journeys to the ordinary over her head, but some twist of fortune always puts her inwalls And I certainly do think crayons and huge drawing paper another She is also the Madonna and "Why are these strange souls born everywhere today? With She will drink too much and is of Jill standing at the table Christmas morning wrapping dayglo paint and iridescent knees angled It she can satisf,? Why should we believe hair down, shoulders swinging, shep:d by history cannot intimidate or conquest anyone that religion can never bring E is her father pads for her children because she will force them to perform round its antitheses? Is it true they give her their pictures and that our air is disturbed, as with her At the great mother, and a VIRGIN BIRTH she carries them around, and RESTORATION COMEDY Mallarme said, by the trembling that is the story of a marriage gatherings of our time like of the veil of the temple, or that of seeing her HENRT'S OPENING at the our whole age is seeking to bring scene. Little Orphan Annie before Daddy Warbucks. Hair flying. boots zipped, neon tie flashing. carrying on her communication at that- Jill pieces her writing and a leaving and together like a collage, she is like children once a week. She carries MET. She's an embarrassment to for a a jeweler at work on a crown of that and her talisman tin in a bar, Do you feel cannibalism at dinner, like three 1 Jill writes me, "Discused them She will proposition a gih o her. by phone, car. plane, and E.S.P. out UNIVERSE IT WAS No ACCIDENT THAT THE CRUSADER'S inside her can lid she wears around her ADVENTUROUS tonight?" and make love then for seven hours stranded in Antaretica and the one dying implored the other like a spider in an eternal two not to kill him but to let hysteria to break through sorrow him die before eating him AND to break through the SAID IMAGINE SITTING to ZAP THE By zantine complexity, she sets her quotes and lines into her frame of reference. The Queen is neck was made for her by her her own jeweler. She is on a son. She sets up friendly v SWORD WAS ALSO A CROSS treasure hunt finding little bits hostilities with any and all AT ONCE THE MEANS OF A PHYSICAL AND SYMBOL OF SPIRITUAL VICTORY matives she encounters. She met ef paper with words on them that lead her on to the next clue. The hunt wont be over in her Hampshire who set a piece of to break through sorrow. Jill is a saint ih a as station in New separation in living. Jill is trying WATCHING VOUR IMMINENT CONSUMERS.
ANN
WILSON
life-time
but
shell
leave
a
clue
to
of
the
tragic
generation
spoken
next
one
after
her
like
they
windows
and
even
made
by
Yeats,
"Those
who
are
generated
for
tragedy.
Such
Saints
as
Lydwine
Schiedan
all,
she
doesn't
separate
side
go
around
car
did
really
cure
disease
taking
from
put
change
in
at
toll
it
upidered
consequence
plastic
three
broken
all
have
before
her.
The
I
Ching
door
work
so
Jill
would
no
gives
grandest
clues
longer
get
out
other
upon
themselves.
As
artistic
destinv.
It's
not
art
we
know,
it's
THE
GREAT
booths
say,
"You
again,"
Sin,
take
SEARCH
is
old
fashioned,
still
masking-taped
believes
love
marriage.
What
motivates
bed
Bowery
just
holy
everyday
noon
men
India.
makes
me
accept
thought
that
might
find
people
feel
alive,
back
VICTIMAGE
many
complex
ALICE
B.
TOKLAS.
She's
their
destiny,
because
present
interested
spiritual
almost
constant
upheaval
!
detachment
or
Christian.
own
life,
has
marvelouswere
such
skillful
poets
Buddist,
Zen
monasieries,
gallows
humor
which
uns
Druids
were
obliged
Simone
Wiel
She
through
conversation
BOTTICELLI
Savonarola
infects
with
intimacy
nowers
stream
eirls
excitement
courage
poetry
secret
Alphabet
mouths
clitoris
you
want
on
this
illusion
fantasy
anyway
castle
Europe
where
matewillintrodcmaonshiare
spectrumO
THEM
USING
THAT
youne
riogente
psabo
e
n
nd
dstple
phone
day
g
makinga
sort
otgd
SAPH0
gcondolingnd
DE
SADE
ation
wheeeenergiing
heroblThey
reality
can
be
sFollow
lines
your
Ishe
ar
ofLes
Levine
can't
woman
she'll
Gregory
Batteock
asher
nan
certain
instances,
night
slept
Orlovsky
Teeny
Duchamp,
David
Bourdon
Ginsberg
room
John
De
Menil
along
phone.
Jill's
cast
thousands
been
her)
booth.
All
goes
themselves
was
copy
Christ.
my
proof
mind
nows
into
minds
cannot
body,
drives
considers
Bums
forms."
poet,
Ireland
there
them
spells
,needed,
had
hide
Church
tried
erase
primitive
truth.
er
frieodshinsand
survived
JILL
IS
ONE
ALPHARET
Shewritesamaeke
ancient
Celieab
crved
wilh
pirals
spirals
redouble
ange
divinity
Alper
finger
outside
inside
when
reach
center
head
another
spiral
coiled
reverse
direction
maze
again
Ann
Wilson
children
Photo
By
Les
supreme
counter
jester
Sheindy,
sits
reading
five
six
books
once,
Tom
Wolfe
Johnston
SEE
ALSO
Ceorge
Sand
Music
rhythm
Sappho,
Rimbaud,
Baudelaire,
syncopated
Rag-Time
alternated
long
tearful
passages
legends.
Whitehead,
Loves
Body
Brahms
his
heavier
moments
Style,
Baroque
Rococo.
If
what
eat,
bottle
Mayonaise.
Around
neck
wears
tin
lid,
Beer
book
always
lap,
Hunt's
tomato
juice,
keys
heart
dangling
boy
scout
woven
raffia
knot
Other
write
inwith
waves
hapoening
drawing
line
perception
change,
green
white,
don't
stare
too,
scans
too
vou
wdt
ionseents
dialogue
life
ILL
JOHNSTON
ABOUT
physical
Religion
Dionysian
interpreted
Sappho's
point
ongoing
lines,
view,
definitely
insanity
general
alone
hours,
frogs
four
its
survival
itself
gave
up
Greek
civilization
writes
about
death
each
moment
because,
he
being
permitted
say
pleased,
never
templed
pretend
linger
between
spirit
sense.
How
often
heard
time
talk
meeting
Donne
tracts
insanity,
Indian
search
comforts
good
friends
state
advisors
noted
crisis
orphanage
lessons
situations
Steve
Paxton
dispair
sorrow
best
high
hauled
off
loony
bin.
Sometimes
drops
love,
concerns
final
perfect
generally
forgives
forgets.spirit
sense,
yet
INSANITY
maintain
herself
Viva
once
G-string.
there-her
vibrations
contact
Norman
O
Brown,
Robert
Rausehenberg
onoe
quotes
fhom
little
black
pen
held
backw
ards
backwards
both.
writing
only
t
thus
touches
styles
instant,
whoever
sitting
across
eoes
sudden
"Blacking
out"
Because
essentially
them,
puts
ereates
most
violent
TOTAL
PERCEPTION
OF
thinking
MOMENT
When
shaky
po
Canal
St