Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon
Microsoft
Imagga

AWS Rekognition
Age | 23-31 |
Gender | Female, 67.5% |
Angry | 39.8% |
Disgusted | 29.1% |
Calm | 16.7% |
Surprised | 10.1% |
Fear | 6.6% |
Confused | 3.7% |
Sad | 2.6% |
Happy | 1.5% |
Feature analysis
Amazon
Clarifai

AWS Rekognition
Person | 98.5% | |
Categories
Imagga
created on 2018-12-18
paintings art | 99.6% | |
Captions
Microsoft
created by unknown on 2018-12-18
a close up of a book | 68.6% | |
close up of a book | 64% | |
a hand holding a book | 63.9% | |
Clarifai
No captions written
Salesforce
Created by general-english-image-caption-blip-2 on 2025-06-30
a drawing of two men looking at each other
Created by general-english-image-caption-blip on 2025-05-04
a photograph of a drawing of a man with a child
OpenAI GPT
Created by gpt-4o-2024-05-13 on 2024-12-29
This is a sepia-toned drawing depicting a man's profile with detailed and expressive line work. The artwork features intricate detailing in the man's hair and clothing, capturing texture and light effectively. The inscription at the top right reads "W. Boudchoors Harlemensis Fecit Anno 1629," indicating the artist's name, location (presumably Haarlem), and the year the piece was created. The style appears to be characteristic of early Baroque or late Renaissance portraiture, emphasizing naturalism and depth.
Created by gpt-4 on 2024-02-08
The image showcases an artwork focusing on an individual adorned in period attire. The depiction features a shoulder and upper torso clothed in what appears to be a 17th-century costume, marked by the use of fine lines and shading to illustrate details such as the folds and flow of the fabric. The artist has skilfully employed ink, capturing the texture and depth of the garb, which includes a coat with a prominent shoulder structure and possible decorations or buttons down the center. Atop the clothing, precise strokes define what seems to be a curled hairstyle typical of that era, swept back and cascading down. The upper right corner of the artwork is inscribed with the name "Tho. Bouchorst" and the date "Anno 1629," likely attributing the work to this individual, possibly Thomas Bouchorst, and indicating its creation in the year 1629. The background of the piece holds a simple, plain look, allowing the subject and clothing to be the focal point.
Anthropic Claude
Created by claude-3-haiku-48k-20240307 on 2024-03-29
The image appears to be a sepia-toned sketch or drawing depicting two male figures in an expressive, gestural style. The drawing has a rough, energetic quality, with dynamic lines and textures used to capture the subjects' features and expressions. One figure has a prominent, wild hairstyle, while the other has a more subdued, contemplative expression. The image seems to have an artistic or illustrative quality, though the identities of the figures are not specified.
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-26
This is a historical sketch or drawing from 1629, as indicated by the inscription "Anno 1629" at the top of the image. It appears to be done by "J. Bouchorst Harlemensis" according to the signature. The artwork is executed in a brown wash or ink technique and shows three figures in profile view. The figures are depicted in what appears to be 17th-century dress, with one wearing what looks like a ruffled collar. The drawing style is characteristic of Dutch Golden Age art, with quick, fluid lines and subtle shading. The composition shows the figures arranged in a diagonal arrangement, with varying degrees of detail and finish in their rendering. The overall tone of the piece is sepia or brown, giving it an aged, historical quality.
Meta Llama
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-23
The image is a sketch of two men, one in the foreground and one in the background. The man in the foreground has short hair and is wearing a collared shirt with a button at the top. He is facing to the left, and his head is turned slightly towards the viewer. The man in the background is also facing to the left, but his head is turned away from the viewer. He has longer hair than the man in the foreground.
In the top-right corner of the image, there is some writing in a foreign language. It appears to be a signature or a title for the sketch. The background of the image is a light brown color, which suggests that it may be a piece of paper or parchment. Overall, the image appears to be a study or sketch of two men, possibly created by an artist as a practice exercise or as a preliminary work for a larger piece.
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-11-29
The image is a sketch of a man, possibly a self-portrait, by the Dutch artist Rembrandt van Rijn. The sketch, dated 1629, showcases Rembrandt's early work and his ability to capture the essence of his subjects through simple yet expressive lines. The man in the sketch appears to be looking over his shoulder, with his hair and clothing depicted in a manner that suggests a sense of introspection or contemplation. The sketch is rendered in a loose, spontaneous style that is characteristic of Rembrandt's work during this period. The background of the sketch is minimal, allowing the viewer's focus to remain on the subject. Overall, the sketch provides a glimpse into Rembrandt's artistic development and his ability to convey emotion and personality through his work.
Amazon Nova
Created by amazon.nova-lite-v1:0 on 2025-01-12
The image is a vintage drawing of a man with a mustache and beard. He is wearing a collared shirt and a cape. The drawing is in black and white, and it has a vintage look to it. The man's face is slightly blurry, and there is a shadow on his face. There is also a drawing of a woman and a child on the left side of the man. The drawing has a watermark that reads "K. Bouchor Harlementensis Fecit Amlo 1629."
Created by amazon.nova-pro-v1:0 on 2025-01-12
The image is a monochromatic drawing of a person. The person is wearing a coat with a cape-like structure on the shoulders. The person has a very sharp and pointed nose. The person's mouth is slightly open, and the person seems to be speaking. The person's head is slightly turned to the left. Behind the person, there are two faces, one of which is a child.
Google Gemini
Created by gemini-2.0-flash-lite on 2025-05-02
This is a sepia-toned drawing of three men. The main figure is a man in profile, with curly hair and a stern expression. He appears to be wearing a collared shirt with some sort of decoration. Behind him is another man, also in profile, and behind them is a third, younger-looking man facing forward. The drawing is signed "J. Bouchorsz, Harlemensis Fecit Anno 1629." in the upper right corner.
Created by gemini-2.0-flash on 2025-05-02
Here's a description of the image:
The image is a brown ink drawing of three male figures. The primary figure is a man in profile, facing left. He has curly, light-toned hair with darker lines indicating shading and detail. His face is angular, with a defined nose, mouth, and chin. He is wearing a collared shirt or jacket with a small decorative flower or rosette pinned to his chest.
Behind the main figure, slightly to the left, is a second man, also in profile, but more dimly rendered. It appears as if he might be in the background.
In the lower left corner, a third figure is partially visible. This figure has a round face and a somewhat sullen expression.
In the upper right corner of the image, there is writing in a handwritten font. The text reads "J Bouchorst Harlemensis Fecit Anno 1629." This suggests that the drawing was made by an artist named "J Bouchorst" from Haarlem in the year 1629.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-31
The image is a historical drawing that appears to be a portrait of a man, executed in a sepia or brown ink. The man has long, wavy hair and is depicted in profile, facing to the left. He is wearing a cloak or robe, and his expression seems contemplative. In the background, there is a faint depiction of another figure, possibly a woman, looking towards the viewer.
The drawing includes an inscription at the top right corner, which reads "J.B. Harlemensis Fecit Anno 1629." This suggests that the artist's name is abbreviated as "J.B." and that he is from Haarlem (Harlemensis is Latin for "from Haarlem"). The drawing is dated to the year 1629.
The style and technique of the drawing are reminiscent of 17th-century Dutch art, characterized by detailed line work and shading to create depth and dimension.
Qwen
Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-06-29
The image is a monochromatic sketch in what appears to be sepia tones, likely created using a metallic medium such as silverpoint or mezzotint. It features two figures in profile. The foreground figure is depicted with a detailed, textured hairstyle, wearing a garment with what seems to be a cravat or scarf around the neck, suggesting a historical style, possibly from the 17th century. The background figure, partially obscured, appears younger and has a more neutral expression. The sketch is signed and dated at the top right corner with the inscription "H. Boüchois Hartemensis Fecit Anno 1629," which translates from Latin to mean "H. Boüchois, Hartemans made it in the year 1629." This suggests the artist and the year the work was created. The style is reminiscent of early Dutch or Flemish art, characterized by the use of fine, linear strokes to create texture and depth.
Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-06-29
This image is a sepia-toned drawing or etching depicting two figures. The main subject is a man in the foreground, shown in profile, facing to the left. He has curly hair, a prominent nose, and wears a dark, textured garment with a belt or sash. His expression appears serious or contemplative. In the background, there is a second figure, possibly a woman, who is partially obscured and less detailed. The background figure has a fair complexion and is looking forward. The drawing is signed in the upper right corner with the inscription "H. Boichorst Harfemennis Fecit Anno 1629," indicating the artist and the year of creation. The style and technique suggest it is a work from the 17th century.