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Human Generated Data

Title

A Section of the Roman Forum with the Ruins of the Arch of Vespasian

Date

1641

People

Artist: Giacomo Lauro, Italian active Rome, 1584 - 1637

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Max Falk, M24967.134

Human Generated Data

Title

A Section of the Roman Forum with the Ruins of the Arch of Vespasian

People

Artist: Giacomo Lauro, Italian active Rome, 1584 - 1637

Date

1641

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Max Falk, M24967.134

Machine Generated Data

Tags

Amazon
created on 2023-10-23

Art 100
Painting 100
Page 99.9
Text 99.9
Architecture 96.9
Building 96.9
Archaeology 91.4
Person 88.4
Person 87.8
Person 85.4
Drawing 79.4
Person 78.7
Person 78
Person 71.8
Machine 69.1
Wheel 69.1
Person 69
Wheel 64.7
Book 62.7
Publication 62.7
Person 62.3
Bicycle 60.3
Transportation 60.3
Vehicle 60.3
Person 58.4

Clarifai
created on 2019-02-18

print 99.1
paper 98.4
art 97.5
illustration 97.2
painting 96.6
people 96.4
text 96.4
money 95.1
old 94.8
manuscript 93.9
vintage 93.7
antique 93.1
ancient 92.9
one 92.8
note 92.3
book bindings 92.1
retro 91.9
currency 91.5
no person 91.4
wear 90.7

Imagga
created on 2019-02-18

tray 47.4
receptacle 38.4
container 35.7
money 32.4
paper 32.2
old 31.4
cash 29.3
currency 27
vintage 25.7
bank 24.2
finance 23.7
stucco 22.9
dollar 22.3
retro 20.5
dollars 20.3
banking 20.2
ancient 19.9
art 19.5
business 18.9
texture 18.8
bill 18.1
grunge 17.1
tile 16
antique 15.8
us 15.4
wealth 15.3
envelope 15.2
wall 14.6
financial 14.3
design 14.1
bills 13.6
binding 13.4
history 13.4
close 13.1
banknote 12.6
pay 12.5
exchange 12.4
pattern 12.3
rich 12.1
note 12
one 12
aged 11.8
book 11.6
payment 11.6
success 11.3
brass 11.3
savings 11.2
structure 11.2
architecture 10.9
decoration 10.9
hundred 10.7
states 10.6
memorial 10.6
loan 10.6
arabesque 10.3
page 10.2
letter 10.1
frame 10
religion 9.9
stamp 9.7
historic 9.2
carving 8.9
style 8.9
brown 8.8
ornament 8.6
mail 8.6
god 8.6
united 8.6
stock 8.4
commerce 8.4
investment 8.3
collection 8.1
symbol 8.1
lace 8.1
detail 8.1
market 8
postmark 7.9
postage 7.9
banknotes 7.8
economic 7.8
culture 7.7
capital 7.6
number 7.5
closeup 7.4
color 7.2
decor 7.1
card 7.1

Google
created on 2019-02-18

Art 80.6
History 74
Ancient history 61.4
Illustration 60.2
Artwork 58
Antique 56.3
Drawing 55.8

Microsoft
created on 2019-02-18

old 90.4
white 68.3
plaque 37.4
vintage 26.7
woodcut 26.7
needlework 20.1
museum 3.1
pattern 3

Color Analysis

Feature analysis

Amazon

Building
Person
Wheel
Bicycle
Building 96.9%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-12

The image appears to be an intricate historical engraving or illustration depicting the Roman Forum (Foro Romano). It showcases a detailed view of the ancient ruins and buildings that once stood in this iconic area of Rome. Key elements of the illustration include: - Various temples and structures labeled with letters (A, B, C, D, E, F, G, H, I, L, indicated in the corresponding key at the bottom of the image). - The Arch of Titus (Arcvum Titi Ves.pasiani in the title above) can be seen amongst other recognizable Roman architecture. - There are several columns standing, suggesting ruins of buildings that used to be part of the forum. - The foreground features people, animals such as horses, chariots, as well as Roman citizens engaging in various activities, adding life to the historical scene. - The entire image is surrounded by a large margin, which shows visible signs of aging such as yellowing and slight tears, indicating that this might be a page from an old book or manuscript. The text in Latin above the image and below the scene provides descriptions and explanations, indicating that this is not just an artistic depiction but serves an informative or educational purpose.

Created by gpt-4 on 2025-02-12

This appears to be an old illustration from a book or historical text, showcasing a section of the Roman Forum with various ancient Roman architectural features. The scene is rich with details: buildings with classical Roman columns, arches, and pediments; human figures dotting the landscape that are perhaps representative of everyday life in ancient Rome, including people walking, conversing, and travelling in horse-drawn carriages. There is also an assortment of ruins and intact structures, suggesting this might be an artistic reconstruction of the area or a depiction of it at a time when some buildings were still intact. Latin text is visible, providing labels for the various buildings and ruins, which could refer to actual historical places or terms relevant to Roman architecture and urban planning. The letters A-H seem to correspond to descriptions or legends at the bottom of the image, indicating it has an educational or explanatory purpose. The text at the top reads "PARS FORI ROMANI QVA RESPICIT ARCVM TITI ET VESPASIANI VALE.", which, when translated to English, might be a mention of a 'part of the Roman Forum looking towards the Arch of Titus and Valesian'. The arch is likely one of the focal structures depicted in the scene. At the bottom, there's additional Latin text which possibly provides context or more detailed descriptions of the various sites marked by the letters. The page number in the top right corner suggests this is from a larger work. Overall, the image has historical and educational significance, likely intended to inform the reader about the architecture and layout of the Roman Forum during its period of use.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-12

This is a historical engraving depicting part of the Roman Forum as it would have appeared during ancient times, showing various architectural elements and daily life. The image includes detailed illustrations of classical Roman architecture, including temples, columns, and arched structures. Throughout the scene, there are people walking, horse-drawn carriages, and animals scattered across an open plaza area. The buildings are shown in a perspective view that allows us to see both their scale and architectural details like colonnades and domed structures. At the bottom of the image, there appears to be Latin text describing the scene. The drawing style is characteristic of Renaissance or early modern architectural illustrations, with fine line work and attention to architectural detail. The scene provides both an architectural record and a glimpse into the bustling life of ancient Rome.

Created by claude-3-opus-20240229 on 2025-02-12

The image appears to be an old engraving or illustration depicting a busy street scene in ancient Rome. It shows a wide avenue lined with grand classical buildings on both sides, including temples, arches, and columns. The street is filled with many small figures of people and horse-drawn carts and chariots going about their business. There are some larger figures in the foreground as well. The illustration has incredible detail, showing the ornate architecture and giving a sense of the bustling activity of daily life in Rome during that era. The perspective shows the street receding into the distance. The aged appearance of the paper and printing style suggests this is a fairly old illustration, likely from the 18th or 19th century, depicting an imagined scene of ancient Rome reconstructed from historical and archaeological knowledge of the time. The caption at the bottom is in Latin. Overall, it's a fascinating glimpse into how artists and scholars of past centuries envisioned life in the ancient Roman world based on the monuments and ruins that survived. The great attention to architectural details helps bring the scene to life.

Created by claude-3-haiku-20240307 on 2025-02-12

The image appears to be an engraved illustration from an old book or publication. It depicts a detailed scene of various architectural structures, including temples, columns, and domes, along with figures of people and animals engaged in various activities throughout the scene. The overall style and composition suggest this is a historical or artistic depiction of an ancient Roman or classical setting, with the Latin text at the top providing context. The level of detail and the mix of architectural elements and human activity create a vibrant, complex visual narrative in the image.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image depicts an antique book page featuring a detailed illustration of a Roman town, with the title "PARS FORI ROMANI QVA RESPICIT ARGVM TITI VESPASIANI VACVM VESTIGIIS SEV MONVMENTIS TEMPLOVVM HODIE" at the top. The illustration showcases various buildings, including temples, houses, and a forum, as well as people engaging in activities such as farming, riding horses, and playing musical instruments. The page also includes a caption in Latin, which is likely a description of the scene depicted. The illustration is rendered in a classical style, with intricate details and shading that evoke a sense of history and culture. The use of Latin text adds to the sense of antiquity and authenticity, suggesting that the book is a historical or scholarly work. Overall, the image presents a vivid and detailed representation of a Roman town, providing insight into the daily life and architecture of ancient Rome.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

The image depicts an aged, yellowed book with a page featuring a detailed illustration of ancient Roman ruins and structures. The illustration is rendered in black ink on a beige background, showcasing various buildings, arches, columns, and statues. In the foreground, people are engaged in activities such as riding horses, pushing carts, and standing near the structures. The text at the top of the page appears to be written in Latin, while the text at the bottom is also in Latin but is too small to read clearly. The overall atmosphere of the image suggests a historical or educational context, possibly from an old textbook or manuscript. The illustration provides a glimpse into the architecture and daily life of ancient Rome, offering a unique perspective on the past.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-12

The image shows a page from a book that has a drawing of a city. The city has many buildings, roads, and people. The drawing is in black and white. The book has a brown cover and is open. The drawing is labeled with letters and numbers. The drawing is surrounded by text. The text is in a foreign language. The drawing is in a city. The city has many buildings and roads. The city has many people.

Created by amazon.nova-lite-v1:0 on 2025-02-12

The image shows an old book with a black and white illustration on the page. The illustration depicts a landscape with various buildings, people, and animals. The illustration has a Latin inscription at the top, which translates to "The Roman Forum, which is now called the Campo Vaccino, and the ancient temples of the Vestal Virgins and the Temple of Jupiter Stator, and the Temple of Saturn, and the Temple of Vesta, and the Temple of Castor and Pollux, and the Temple of Bellona, and the Temple of Juno Sospita, and the Temple of Fortuna Muliebris, and the Temple of Mars Ultor, and the Temple of Venus Erycina, and the Temple of Minerva, and the Temple of Hercules, and the Temple of Juno Regina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and the Temple of Mars Ultor, and the Temple of Diana, and the Temple of Jupiter Tonans, and the Temple of Juno Moneta, and the Temple of Juno Regina, and the Temple of Venus Erycina, and

Text analysis

Amazon

VES
SPICIT
SEV
ROMANI
PARS
FORI
ARCVM
TITI
HODIE
TEMPLORVM
RT
MONVMENTIS
VESPASIANI
PARS FORI ROMANI QVA RT SPICIT ARCVM TITI VESPASIANI VNACVM VES TIGUS SEV MONVMENTIS TEMPLORVM HODIE
campus
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distanced
fuifieVrbiRd
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quasimulactru

Google

ROMANIVA
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134 S2 PARS FORI ROMANIVA E SPICET ARGVM CITI VE.SPASIANI VNAM VESTIGLS SEV MONVMENTS EORE HODTS I VNACVM VES TIGILS SEV MONVMENTIS T 1945 -KR Gr eSalameniyTallala in friuphu aTifo Vap.ex uidoria aludais repertala Yaapx hwius fopl celunit barlata fuit adMaria ma templo Jalamoni con truchi aVespal. ubi collocafa Curru с.rempliR muli akmi soli nt ade Vrksincilpta ia marmere aterwdur apud Card Farnesim DJxta fem ic N-Cloaca
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