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Human Generated Data

Title

Art Theory Text with Diagrams

Date

c. 1932

People

Artist: Stuart Davis, American 1892 - 1964

Classification

Archival Material

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mrs. Stuart Davis, 1967.79.22

Copyright

© President and Fellows of Harvard College

Human Generated Data

Title

Art Theory Text with Diagrams

People

Artist: Stuart Davis, American 1892 - 1964

Date

c. 1932

Classification

Archival Material

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Mrs. Stuart Davis, 1967.79.22

Copyright

© President and Fellows of Harvard College

Machine Generated Data

Tags

Amazon
created on 2022-01-14

Text 99.7
Document 99
Handwriting 96
Calligraphy 61.8
Page 57.1

Clarifai
created on 2023-10-25

vintage 99.5
retro 99
calligraphy 99
antique 98.6
print 98.6
music 98.6
text 98.6
old 98.1
page 97.9
paper 97.6
classic 97.1
language 96.9
manuscript 96.3
wear 96.2
art 96.2
school 96.1
handwriting 96
poetry 95.5
no person 95.5
sepia pigment 95.3

Imagga
created on 2022-01-14

menu 100
fare 100
food 50
journal 37.6
paper 30.7
old 30
book 26
antique 25.4
map 25.1
vintage 24.1
text 23.6
page 21.4
design 19.2
document 16.7
word 15.1
art 15
sepia 14.6
detail 14.5
retro 14
letter 13.8
ink 13.5
decorative 13.4
business 12.8
religion 12.6
education 12.2
drawing 12.1
ancient 12.1
cloud 12.1
artwork 11.9
definition 11.8
graphic 11.7
pattern 11.7
world 11.6
creative 11.5
plan 11.4
style 11.2
globe 11.2
grunge 11.1
bible 10.8
manuscript 10.8
words 10.8
history 10.8
geography 10.6
capital 10.5
representation 10.5
print 10.4
religious 10.3
wallpaper 10
element 9.9
backdrop 9.9
association 9.9
find 9.8
discovery 9.8
information 9.8
texture 9.8
close 9.7
planet 9.7
holy 9.7
read 9.6
draw 9.5
pen 9.5
symbol 9.5
communication 9.3
atlas 9.3
tourism 9.1
gold 9.1
sign 9
collection 9
open 9
new 8.9
expedition 8.9
handwriting 8.9
guide 8.8
position 8.8
pages 8.8
continent 8.8
prayer 8.7
navigation 8.7
parchment 8.7
faith 8.6
god 8.6
card 8.6
direction 8.6
journey 8.5
writing 8.5
data 8.2
aged 8.2
border 8.2
financial 8
idea 8
decoration 8
geographic 7.9
boundary 7.9
calligraphy 7.9
language 7.9
navigate 7.9
location 7.9
route 7.8
diary 7.8
tour 7.8
nation 7.6
path 7.6
frame 7.5
city 7.5
study 7.5
global 7.3
road 7.2
travel 7.1
life 7
country 7

Google
created on 2022-01-14

Handwriting 95.3
Rectangle 84.9
Font 83.8
Writing 74.2
Paper 70.8
Paper product 68.9
Parallel 66
Letter 64.6
Document 63.3
Calligraphy 52.5
Ink 51.5

Microsoft
created on 2022-01-14

text 100
handwriting 99.3
letter 97
document 16.3

Color Analysis

Feature analysis

Amazon

Document
Document 99%

Categories

Imagga

text visuals 99.9%

Captions

Microsoft
created on 2022-01-14

text, letter 100%

OpenAI GPT

Created by gpt-4 on 2024-02-06

The image is a photograph of a handwritten note about the concept of drawing. The note defines drawing and discusses the non-primacy of color, size, and contour in creating a drawing, suggesting instead that the relative position of contours to one another might be considered a prime aspect. It also ponders whether contour can be thought of as the result of movement in a definite direction from a point. There are hand-drawn illustrations of squares demonstrating three aspects: size, contour, and relative position next to numbers 1, 2, and 3. The bottom part of the note questions if direction might be the human creator of space. The writing appears to be on a yellowish piece of paper, with signs of aging or handling, such as a slightly darkened corner at the top right.

Anthropic Claude

Created by claude-3-haiku-48k-20240307 on 2024-03-30

The image appears to be a handwritten page discussing the concept of drawing and the relationship between size, contour, and relative position. It explains how the size of an object does not determine its frame, as the contour of the same area remains unchanged regardless of size. It also discusses the idea that one cannot think of space without considering contour, and questions whether contour is a prime concept. The image further explores the idea of relative position as a phenomenon of size, rather than a property of contour. Overall, the page appears to be exploring various principles and concepts related to the visual representation and understanding of space and form.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-26

This image depicts a page of handwritten notes on the topic of drawing, specifically focusing on the concepts of color, contour, size, and relative position. The text is written in black ink on yellowed paper, with some words and phrases underlined for emphasis. The top section of the page discusses the relationship between color and contour, highlighting that color is not form because it only indicates something that already exists - area. The following section explores the concept of contour, defining it as the outline or boundary of an object or shape. It also notes that contour is not a phenomenon of size but a phenomenon of contour. The middle section of the page features three simple line drawings, each representing a different aspect of contour: size, contour, and relative position. The first drawing shows a small square, the second a larger square with a wavy edge, and the third a square divided into two sections, one larger than the other. These drawings illustrate how contour can be used to create different effects and convey different information about an object or shape. The bottom section of the page continues the discussion of contour, emphasizing its importance in creating movement and direction in a drawing. It also raises questions about the nature of contour and its relationship to other artistic elements, such as space and shape. Overall, this image provides a detailed and thoughtful exploration of the concept of contour in drawing, highlighting its significance in creating effective and engaging artworks.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-02

The image depicts a page from a handwritten notebook, featuring a drawing and accompanying notes. The title "DRAWING" is prominently displayed at the top of the page in black ink. The drawing consists of three rectangles with varying sizes, each containing a number within it. The rectangles are arranged in a row, with the first rectangle on the left being the smallest, the second in the middle being the largest, and the third on the right being smaller than the second but larger than the first. The numbers within the rectangles are 1, 2, and 1, respectively. Below the drawing, there are several lines of handwritten text that provide explanations and questions related to the drawing. The text is written in black ink and appears to be a mix of cursive and print handwriting. The handwriting is somewhat difficult to read, but it appears to be discussing the properties of color, size, and contour in relation to the drawing. At the bottom of the page, there is a small diagram that illustrates the concept of direction. The diagram shows a series of lines and arrows that represent different directions, with a question written below it asking about the prime creator of space. Overall, the image suggests that the notebook page is part of a larger work or project that explores the relationship between color, size, and contour, as well as the concept of direction. The handwritten notes and drawings provide a personal and informal perspective on these topics, offering a unique glimpse into the creative process of the artist or writer who created the page.

Text analysis

Amazon

of
has
to
but
Con
1
not
from
a
changed
it
DRAWING
area
Color
already
without
indicates
can
size
exists
Therefore
DIRECTION
same
2
because
Relative
position
result
Relative position
relative
remains
The
contour
in
movement
One
any
something which already exists area
regardless
another
which
3
a phenomena of size but a thenomena
the
of The same area remains an changed
space
The same contour cu any size
to another area
One can not Ninh of space without
contour, Therefore
Con a definite tour is The DIRECTION result of from movement a fount in
phenomena
only
Color IS not freme because it only indicates
something
3 relative dosition
of contour
IS
area has the following
contour,
an
size IS not frime because the contour
regardless of Sipe. One can think of
is not
thenomena
fount
cu
is
dosition
definite
think
،
following
tour
Contour
Contour is Trime?
Trime?
frime
Ninh
Sipe.
freme
2 contour

Google

DRAWING Colo is no freme beeause at ouly cndicales Somethng włuct aleady exists area - area has The yollowring 2 Coutoie 3 relatve Losilion to cmohn area 1 2 SIze contour Reletve dosilion IS not ume because The coutoi The Same area remaims un chuged regardleas 7 Sipe. Cne cau Thinta of The Scme contour cu amy Sze One can not Himh g shace without contoiur, Therefore Contour 1s frime? Relatue fosition ogrconliurs a a phenomena 7 Sze but a thenomena o7 contom Contour is The reesult degunili DIRECTION Jrom ti a foiut IS not 7 movemen a font a Thisconlon relationr 1s sumply Le nesult of a DIRECTION coucept Theufou DIRECTION IS The prme crestor of Shace?
DRAWING
Colo
is
no
freme
beeause
at
ouly
cndicales
Somethng
włuct
aleady
exists
area
-
has
The
yollowring
2
Coutoie
3
relatve
Losilion
to
cmohn
1
SIze
contour
Reletve
dosilion
IS
not
ume
because
coutoi
Same
remaims
un
chuged
regardleas
7
Sipe.
Cne
cau
Thinta
of
Scme
cu
amy
Sze
One
can
Himh
g
shace
without
contoiur,
Therefore
Contour
1s
frime?
Relatue
fosition
ogrconliurs
a
phenomena
but
thenomena
o7
contom
reesult
degunili
DIRECTION
Jrom
ti
foiut
movemen
font
Thisconlon
relationr
sumply
Le
nesult
coucept
Theufou
prme
crestor
Shace?