Created on 2024-02-06

The image is of a page with handwritten notes and sketches. The handwritten text is in cursive and primarily in black ink, with certain parts emphasized with red underlining or markings. The text reads: "The assumption is that the original drawing has order and we are required to find that order. By order we mean Simplicity of angle variation; squares converted to rectangles & these rectangles aiding in clarifying - diagonals & critical divisions." The sketches include a series of rectangles and lines, some of which form larger rectangles divided into smaller sections. The sketches seem to illustrate the concept described in the text, showing how a complex drawing can be broken down into simpler shapes and patterns. The sketches use black lines, with certain lines or points highlighted in red or green, suggesting a focus on those aspects. There's additional text that reads: "Here The order & The primary rectangle is reiterated by the interruption of a different order" And at the bottom part of the page: "The object is to analyze the angle logic of an intuitive drawing, Reduce it to its primary angle variations" The handwriting and drawing style give the image a very personal and exploratory feel, as if someone is working out a concept or teaching a principle of design or geometry. There is a feeling of attempting to impose order or find underlying structure in complex forms.

Created on 2024-03-30

The image appears to be a handwritten note or document with some mathematical diagrams. The text discusses the arrangement of a drawing or diagram, mentioning the importance of order and how disrupting this order can impact the geometry and visual logic. The diagrams seem to be exploring concepts related to angles, lines, and spatial relationships. Overall, the image appears to be discussing the principles of visual organization and how they relate to the structure of a diagram or drawing.