Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon
Microsoft

AWS Rekognition
Age | 29-39 |
Gender | Male, 99.8% |
Calm | 99.8% |
Confused | 0.1% |
Angry | 0.1% |
Sad | 0% |
Happy | 0% |
Surprised | 0% |
Fear | 0% |
Disgusted | 0% |

AWS Rekognition
Age | 21-29 |
Gender | Male, 90.4% |
Calm | 98.2% |
Confused | 0.6% |
Happy | 0.4% |
Angry | 0.3% |
Surprised | 0.2% |
Sad | 0.2% |
Disgusted | 0.1% |
Fear | 0% |

AWS Rekognition
Age | 23-31 |
Gender | Male, 100% |
Calm | 99.7% |
Confused | 0.1% |
Happy | 0.1% |
Angry | 0% |
Surprised | 0% |
Sad | 0% |
Disgusted | 0% |
Fear | 0% |

AWS Rekognition
Age | 37-45 |
Gender | Male, 100% |
Happy | 53.5% |
Calm | 38.7% |
Confused | 2.4% |
Angry | 1.5% |
Surprised | 1.2% |
Sad | 1.1% |
Disgusted | 0.8% |
Fear | 0.7% |

AWS Rekognition
Age | 30-40 |
Gender | Male, 100% |
Calm | 87.4% |
Happy | 4.9% |
Surprised | 3.4% |
Confused | 2.2% |
Angry | 1% |
Fear | 0.6% |
Disgusted | 0.3% |
Sad | 0.3% |

AWS Rekognition
Age | 29-39 |
Gender | Male, 100% |
Calm | 96.3% |
Sad | 0.9% |
Angry | 0.9% |
Surprised | 0.5% |
Disgusted | 0.5% |
Confused | 0.4% |
Fear | 0.3% |
Happy | 0.2% |

AWS Rekognition
Age | 18-26 |
Gender | Male, 97.6% |
Calm | 85.5% |
Sad | 9% |
Angry | 2.2% |
Confused | 0.9% |
Disgusted | 0.8% |
Happy | 0.6% |
Surprised | 0.6% |
Fear | 0.4% |

AWS Rekognition
Age | 18-24 |
Gender | Male, 99.6% |
Calm | 90.3% |
Happy | 6.6% |
Confused | 1.3% |
Angry | 0.5% |
Surprised | 0.5% |
Disgusted | 0.4% |
Sad | 0.2% |
Fear | 0.1% |

AWS Rekognition
Age | 28-38 |
Gender | Male, 99.9% |
Calm | 81.9% |
Angry | 6.8% |
Sad | 2.8% |
Surprised | 2.4% |
Disgusted | 2.3% |
Fear | 1.9% |
Happy | 1% |
Confused | 0.9% |

AWS Rekognition
Age | 6-12 |
Gender | Male, 99.9% |
Confused | 54.2% |
Calm | 44.7% |
Angry | 0.6% |
Sad | 0.3% |
Disgusted | 0.1% |
Surprised | 0.1% |
Happy | 0.1% |
Fear | 0% |

AWS Rekognition
Age | 36-44 |
Gender | Male, 95.9% |
Calm | 94.4% |
Happy | 2.4% |
Confused | 1.4% |
Surprised | 0.6% |
Angry | 0.4% |
Sad | 0.3% |
Fear | 0.2% |
Disgusted | 0.2% |

AWS Rekognition
Age | 9-17 |
Gender | Female, 89% |
Happy | 66.7% |
Angry | 16.8% |
Calm | 4.7% |
Disgusted | 3.3% |
Confused | 2.7% |
Surprised | 2.5% |
Fear | 2% |
Sad | 1.4% |

Microsoft Cognitive Services
Age | 30 |
Gender | Male |

Microsoft Cognitive Services
Age | 42 |
Gender | Male |

Microsoft Cognitive Services
Age | 6 |
Gender | Male |

Microsoft Cognitive Services
Age | 34 |
Gender | Male |

Microsoft Cognitive Services
Age | 38 |
Gender | Male |

Microsoft Cognitive Services
Age | 44 |
Gender | Male |

Microsoft Cognitive Services
Age | 30 |
Gender | Male |

Microsoft Cognitive Services
Age | 28 |
Gender | Male |

Microsoft Cognitive Services
Age | 30 |
Gender | Male |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Very unlikely |
Headwear | Very unlikely |
Blurred | Very unlikely |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Very unlikely |
Headwear | Very unlikely |
Blurred | Very unlikely |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Possible |
Headwear | Very unlikely |
Blurred | Very unlikely |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Very unlikely |
Headwear | Very likely |
Blurred | Very unlikely |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Very unlikely |
Headwear | Very unlikely |
Blurred | Very unlikely |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Very unlikely |
Headwear | Very unlikely |
Blurred | Very unlikely |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Very unlikely |
Headwear | Very unlikely |
Blurred | Very unlikely |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Very unlikely |
Headwear | Very unlikely |
Blurred | Very unlikely |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Very unlikely |
Headwear | Very unlikely |
Blurred | Very unlikely |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Unlikely |
Headwear | Very unlikely |
Blurred | Very unlikely |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Very unlikely |
Headwear | Unlikely |
Blurred | Very unlikely |

Google Vision
Surprise | Very unlikely |
Anger | Very unlikely |
Sorrow | Very unlikely |
Joy | Very unlikely |
Headwear | Very unlikely |
Blurred | Very unlikely |
Feature analysis
Categories
Imagga
text visuals | 99.4% | |
Captions
Microsoft
created by unknown on 2022-01-08
text | 66.2% | |
Clarifai
created by general-english-image-caption-blip on 2025-05-22
a photograph of a group of people are shown in this picture | -100% | |
OpenAI GPT
Created by gpt-4o-2024-11-20 on 2025-06-13
This image features a compilation of identification cards and photographs presented in an organized layout. At the top, three official documents are arranged horizontally: one from the Atomic Energy Commission, one with handwritten notes, and a Rhode Island School of Design ID. Below the cards is a row of black-and-white portrait photographs. The images display various headshots and are arranged side-by-side, emphasizing a uniform yet detailed aesthetic. The overall tone of the composition appears archival or investigative in nature, reflecting a focus on identity.
Created by gpt-4o-2024-08-06 on 2025-06-13
The image features three identification cards positioned in the top row. The first card on the left is an Atomic Energy Commission identification card for "Ronald L. McDonald," with details like a resident status, a number "750761," and a validity date of "9-20-43" with a renewal by "6-30-45." The center card appears to be a driver's license or similar document for "Ronald L. McDonald" with notes like "20 SEP 41," and additional codes such as "AD 23, 335 A." The third card on the right is a Rhode Island School of Design ID card for someone with the same name, "Ronald McDonald." Below these, in the lower row, there are a series of small rectangular photos, each showing a portion of a person but all faces have been blurred.
Anthropic Claude
Created by anthropic.claude-3-haiku-20240307-v1:0 on 2025-06-19
The image appears to be a collection of identification documents and photographs. It includes an identification card for the Atomic Energy Commission, a driver's license, and several small photographic portraits of different individuals. The documents and photographs seem to be related to the same person, though I will not identify or name any of the individuals shown.
Created by us.anthropic.claude-3-opus-20240229-v1:0 on 2025-06-19
The image shows an old identification card or document from the Atomic Energy Commission. It has a photo of a man and various details like his name, resident number, and army/navy serial number. The card is dated 1961.
Below the ID card are several small black and white headshot photos of different men, likely employees or personnel associated with the Atomic Energy Commission at that time.
In the bottom right is what looks like a Rhode Island state seal or emblem dated 1877, suggesting this document may have originated or been used in Rhode Island.
Overall, it appears to be an archival image showing an ID and headshots of people who worked for the U.S. Atomic Energy Commission in the mid-20th century, based on the 1961 date on the main identification card.
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-19
This image appears to be a collection of identification cards and photographs arranged in a collage format. At the top, there are three ID cards including an Atomic Energy Commission ID and what appears to be a Rhode Island School of Design ID from 1961. Below these cards is a strip of black and white portrait photographs showing the same person at different times, appearing to document changes in appearance over time. The overall composition has a vintage quality, with the photographs and documents appearing to be from around the 1960s era. The layout suggests this might be some kind of archival or documentary presentation of someone's identification documents and photographic history.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-06-09
The image presents a collection of identification cards and photographs, arranged in a collage format. The purpose of the image appears to be showcasing various forms of identification and personal information.
- A collection of identification cards and photographs:
- The cards are arranged in a collage format.
- Each card features a unique design and layout.
- The cards are arranged in a collage format:
- The cards are placed side by side, with some overlapping each other.
- The collage is presented on a white background.
- Each card features a unique design and layout:
- The cards have different colors, fonts, and graphics.
- Some cards have more information than others, such as names, addresses, and dates of birth.
The image highlights the diversity of identification cards and the importance of verifying personal information. It also showcases the creativity and design elements used in creating these cards.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-06-09
The image presents a collection of identification cards and photographs, arranged in a collage-like format. The top row features three identification cards, each with its own unique characteristics.
- The first card is an Atomic Energy Commission ID card, issued to Ronald L. McNeil on September 20, 1941. It includes his name, address, date of birth, and a photograph.
- The second card is a military ID card, also issued to Ronald L. McNeil, with his name, rank, and service number.
- The third card is a Rhode Island School of Design ID card, featuring a photograph of a woman and her name, but no other identifying information.
Below these cards are nine small photographs, arranged in a horizontal row. These images appear to be portraits of individuals, but their faces are blurred or obscured, making it difficult to discern any details.
The background of the image is a light beige color, with a subtle texture that resembles paper or parchment. The overall effect is one of nostalgia and historical significance, as if the image is a collection of artifacts from a bygone era.
Amazon Nova
Created by amazon.nova-lite-v1:0 on 2025-06-06
The image appears to be a collage of various identification cards and photographs. The collage consists of several different cards and images arranged in a grid-like pattern. The cards include identification cards from the Atomic Energy Commission, Rhode Island School of Design, and other institutions. The photographs depict individuals in various poses and settings. The collage has a monochromatic color scheme, with the cards and photographs appearing in shades of black and white. The overall composition of the collage is visually striking, with the different elements arranged in a way that creates a sense of order and symmetry.
Created by amazon.nova-pro-v1:0 on 2025-06-06
The image shows a collection of identification cards and photographs of people. The cards are arranged in a specific order, with the top row containing three cards and the bottom row containing eight photographs. The cards have different designs and colors, and they include names, dates, and other information. The photographs show people of different ages and genders, and they are arranged in a grid-like pattern. The image has a monochromatic color scheme, with shades of black and white.
Google Gemini
Created by gemini-2.0-flash-lite on 2025-05-16
This artwork is a mixed-media piece, likely a print with collaged elements. It features a series of identity documents and photographs, all arranged within a softly defined rectangular shape on a white background.
At the top of the composition, there are three ID cards. The first, on the left, is an "Atomic Energy Commission" identification card, with a photo of a young person identified as "Ronald L. MacNeil". The second ID card, in the center, appears to be a military or government ID card, with the same name and date of birth. The third ID, on the right, is for the Rhode Island School of Design. Each of these cards provides personal information, including dates, heights, and eye/hair color.
Below these ID cards, there is a line of nine small, monochromatic portrait photographs. These may represent different stages of the same person's life or perhaps a series of individuals with some connection to the main subject.
The overall aesthetic is somewhat vintage, with a slightly distressed or aged appearance. The layout and combination of these elements suggest the artwork explores themes of identity, time, and memory. The use of official documentation and personal photographs hints at a narrative or biographical context.
Created by gemini-2.0-flash on 2025-05-16
The image appears to be a collage or mixed-media artwork on paper, with a focus on the documentation of a person named Ronald L. MacNeil. It includes various forms of identification, photographs, and personal information.
Here's a breakdown:
Top Section: There are three identification cards:
- An Atomic Energy Commission card from Los Alamos, NM, dated 9-20-41, with MacNeil listed as a resident. It includes a small photo of a young man and details such as eye color (blue) and height (4'9").
- A card labeled "AD 23,335 A," dated 16 APR 61, also with Ronald L. MacNeil's name. It provides additional information like eye and hair color (Blue, Brown), height (5'11"), and weight (155 lbs). It also includes his signature.
- A Rhode Island School of Design (RISD) ID card with a photograph of a person who seems older than the one on the previous cards. The dates 2/16/74-75 are listed.
Bottom Section: There's a row of smaller, black-and-white portrait photos, seemingly depicting the same person at various ages and perhaps in different roles (military, civilian, etc.).
Overall Impression: The artwork seems to be exploring themes of identity, documentation, and the passage of time. The inclusion of official-looking ID cards, combined with personal photographs, suggests an exploration of the relationship between public and private personas. The Atomic Energy Commission card adds a layer of historical context, referencing the importance of that organization and its location in Los Alamos.
The collage aesthetic, with its fragmented pieces and overlapping information, reinforces the idea that identity is not fixed but rather a complex and layered construct.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-01
The image appears to be an artwork or collage that features various identification documents and photographs. Here is a detailed summary:
Top Row (Left to Right):
- First ID: An identification card from the Atomic Energy Commission. The card includes a photograph of a person, the name "Ronald L. MacNeil," and other identifying information such as height, weight, and eye color. The card is dated 9-20-61.
- Second ID: A military identification card with the name "Ronald L. MacNeil." It includes a photograph, physical description, and service details such as rank (PFC), service number (RA 156 077), and dates of enlistment and discharge.
- Third ID: A student identification card from the Rhode Island School of Design (RISD), dated 1972-1973. The card includes a photograph and the name "Ronald MacNeil."
Bottom Row:
- A series of smaller photographs showing different individuals. These images seem to depict various stages or roles in a person's life, possibly the same individual (Ronald L. MacNeil) at different ages or in different guises. The photographs include:
- A young boy in a suit.
- A young man in a military uniform.
- An older man with a mustache.
- A person wearing a hat and glasses.
- A person in a cowboy hat.
- A person with long hair and a headband.
- A person in a cowboy hat and bandana.
- A person with short hair and glasses.
- A series of smaller photographs showing different individuals. These images seem to depict various stages or roles in a person's life, possibly the same individual (Ronald L. MacNeil) at different ages or in different guises. The photographs include:
The overall composition suggests a narrative or biographical theme, possibly exploring identity, transformation, or the passage of time through various official documents and personal photographs.