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Human Generated Data

Title

Untitled (shop front in Cairo)

Date

c. 1880

People

Artist: G. Lékégian, French active Egypt 1860s-1890s

Classification

Photographs

Credit Line

Harvard Art Museums/Fogg Museum, Purchase through the generosity of Melvin R. Seiden, P1985.30.11

Human Generated Data

Title

Untitled (shop front in Cairo)

People

Artist: G. Lékégian, French active Egypt 1860s-1890s

Date

c. 1880

Classification

Photographs

Credit Line

Harvard Art Museums/Fogg Museum, Purchase through the generosity of Melvin R. Seiden, P1985.30.11

Machine Generated Data

Tags

Amazon
created on 2023-10-27

Art 98
Painting 98
Indoors 95.7
Restaurant 95.7
Person 95.3
Person 88.4
Text 86.2
Envelope 84.8
Mail 84.8
Shop 81.7
Collage 76.8
Advertisement 66.2
Architecture 63.1
Building 63.1
Poster 57.9
Page 56.8
Handwriting 56.5
Book 56.4
Publication 56.4
Greeting Card 56.3
Cafe 55.9
Monastery 55.1
Postcard 55.1

Clarifai
created on 2023-10-27

people 99.6
art 98
print 97.7
painting 97.1
retro 96.8
adult 96.1
one 95.8
man 95.3
wear 95
vintage 94.5
no person 94
group 93.3
two 92.9
old 89.5
woman 89.4
architecture 88.5
sepia pigment 87.7
street 85.8
home 85.7
paper 85.4
Picture frame 69.9
Clothing 58.2
Table 46.5
Table 44.6
Window 36
Clothing 33.1

Imagga
created on 2023-10-27

old 39.7
vintage 37.3
newspaper 36.1
structure 35.3
memorial 34.3
ancient 33.8
grunge 31.5
brass 29.9
retro 29.5
antique 28.6
texture 28.5
product 28.3
paper 27.5
wall 25.7
art 25.1
architecture 25
building 23.7
aged 23.5
creation 23.4
frame 19.3
historic 18.4
facade 17.9
history 17.9
border 17.2
monument 16.8
damaged 16.2
window 15.8
page 15.8
sculpture 15.5
grungy 15.2
pattern 15.1
rough 13.7
dirty 13.6
design 13.5
material 13.4
city 13.3
stone 13.3
brown 13.3
decoration 13.2
ornament 12.9
arch 12.9
culture 12.8
landmark 12.7
old fashioned 12.4
textured 12.3
blank 12
travel 12
letter 11.9
worn 11.5
exterior 11.1
stucco 10.8
religion 10.8
balcony 10.6
famous 10.2
book jacket 10.1
edge 9.6
parchment 9.6
artistic 9.6
weathered 9.5
temple 9.4
house 9.3
decorative 9.2
paint 9.1
brick 8.9
detail 8.9
manuscript 8.8
jacket 8.8
urban 8.7
text 8.7
stamp 8.7
empty 8.6
buildings 8.5
grain 8.3
book 8.1
column 7.9
decay 7.7
rust 7.7
stained 7.7
cardboard 7.7
rusty 7.6
historical 7.5
tourism 7.4
town 7.4
style 7.4
artwork 7.3
graphic 7.3
marble 7.1

Google
created on 2023-10-27

Window 86
Handwriting 85.7
Font 81.8
Art 79
Rectangle 77.1
Paper 69.4
Building 68.5
Paper product 67.3
History 65.8
Illustration 65.5
Room 65.2
Printmaking 63.1
Painting 62.7
Drawing 60.3
Visual arts 58
Holy places 57.3
Newsprint 55.1
Facade 54.6
Ink 54.1

Microsoft
created on 2023-10-27

text 99.4

Color Analysis

Feature analysis

Amazon

Person
Building
Person 95.3%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-11-20 on 2025-06-16

This image depicts a historical scene, possibly from the Middle East or North Africa, featuring traditional architecture and market activity. At the top is a wooden mashrabiya (a traditional latticework screen), part of a building facade designed for privacy and ventilation. The mashrabiya extends outward from the building, with its intricate, geometric patterns dominating the upper portion of the image. Below, there is a modest market or storefront environment. Goods like baskets, pottery, and textiles are visible, along with a man reclining inside the shop.

Handwritten text at the bottom reads:
"As native women are not permitted on the street unveiled—nor is man other than their husband allowed to look upon their face—they are kept indoors behind latticed screens—as shown above."
This suggests that the image documents historical social norms regarding women's privacy and the architectural solutions, such as latticed screens, used to uphold such customs.

The photograph itself has a sepia tone, indicative of older photographic techniques.

Created by gpt-4o-2024-08-06 on 2025-06-16

The image is a sepia-toned photograph depicting a traditional building featuring a mashrabiya, which is a type of projecting oriel window enclosed with carved wood latticework for privacy and ventilation. Below the mashrabiya, there are several shops with awnings, where merchants are displaying various goods. A man is visible sitting inside one of the shops, surrounded by baskets and produce.

There is also a handwritten note attached to the bottom of the photograph. It reads: "As native women are not permitted on the street unveiled – nor is man other than their husband allowed to look upon their face – they are kept in doors behind latticed screens – as shown above."

This note reflects the cultural practice of using mashrabiya for privacy, allowing women in the household to observe the street without being seen. The photograph and note provide insight into social norms and architectural styles from the period and region depicted.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-31

The image appears to be a sepia-toned photograph of a busy shop or market area in what seems to be an older, historic building. The building has an ornate, lattice-like wooden exterior structure, with various goods and items displayed in the shop windows and around the entrance. The scene is cluttered and crowded, suggesting a lively and vibrant marketplace or commercial district. There are no people visible in the image, but the handwritten text below the photograph provides some additional context about the location, though I cannot identify any specific individuals mentioned.

Created by claude-3-opus-20240229 on 2024-12-31

The sepia-toned photograph shows an old, ornate building with intricate latticework on the facade. It appears to be a multi-story structure with many windows. In the foreground, there are various wares and goods displayed, likely indicating some kind of market or bazaar taking place in front of the building. The handwritten caption at the bottom provides additional context, mentioning that this may depict a location in or near Jerusalem, and referring to a "native woman" who has her husband locked up while she carries on her selling activities alone. The photograph captures a bustling, slice-of-life scene from a time past in this distinctive architectural setting.

Created by claude-3-5-sonnet-20241022 on 2024-12-31

This is a historical sepia-toned photograph showing what appears to be a traditional Middle Eastern or North African building facade. The most striking feature is an elaborate wooden mashrabiya (ornate wooden lattice screen) on the upper level of the building. Below the screened window are shop stalls or a market area with various items displayed, including what look like baskets, pots, and household goods.

The handwritten note at the bottom of the photograph provides historical context about the cultural significance of these screened windows, which were designed to provide privacy while allowing air circulation and views from inside.

The architecture shown is typical of traditional Islamic design, with the intricate wooden latticework serving both practical and aesthetic purposes. The photograph appears to be quite old, likely from the late 19th or early 20th century, given its style and condition.

The ground level shows what seems to be a merchant's shop or marketplace with various wares displayed on tables and shelves, giving us a glimpse into daily commercial life of that period.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-26

This is a historical sepia-toned photograph showing traditional Middle Eastern architecture, specifically what appears to be a mashrabiya - an elaborate wooden latticed window screen common in Islamic architecture. The image shows a storefront or workshop with the ornate wooden screened window above it. Below the window are some tables or counters with various items and wares displayed, possibly a merchant's shop. The architectural detail of the latticed window is particularly striking, featuring geometric patterns typical of Islamic design.

The handwritten note at the bottom of the photograph appears to be a historical annotation providing context about cultural practices regarding the mashrabiya screens and their purpose in traditional Islamic society.

The photograph seems to be from the late 19th or early 20th century, given its style and composition. The building shows some signs of age with weathered stonework visible in the structure.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-05-25

The image is a sepia-toned photograph of a building with a storefront, accompanied by a handwritten note at the bottom. The photograph features a two-story building with a balcony on the second floor, adorned with intricate latticework and ornate details. The storefront on the first floor appears to be a market or shop, with various items displayed outside, including baskets, crates, and other goods.

The handwritten note at the bottom of the image provides additional context, although it is difficult to decipher due to the poor quality of the writing. The note appears to be written in cursive and mentions something about "the native women" and "the street unveiled." However, the exact meaning and significance of the note are unclear without further information.

Overall, the image presents a fascinating glimpse into the architecture and daily life of a bygone era, with the photograph and handwritten note offering a unique window into the past.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-05-25

The image presents a vintage photograph of a building with a balcony, accompanied by handwritten notes at the bottom. The photograph is placed on a black background, which appears to be a piece of fabric or paper, and is surrounded by a white border.

Photograph Description:

  • The photograph is in sepia tone, indicating it is an older image.
  • It features a building with a balcony, showcasing a mix of architectural styles.
  • The balcony has a decorative railing and appears to be supported by columns.
  • Below the balcony, there are several tables and shelves displaying various items, including baskets, vases, and other objects.
  • A person is visible standing in front of the building, although their features are not clearly defined due to the sepia tone.

Handwritten Notes:

  • The handwritten notes are written in cursive and appear to be in English.
  • They are placed at the bottom of the image, below the photograph.
  • The text is not legible, but it seems to be a description or commentary about the photograph.

Overall Impression:

  • The image suggests that the photograph is part of a collection or archive, possibly related to history, architecture, or anthropology.
  • The handwritten notes may provide additional context or information about the photograph, such as its origin, date, or significance.
  • The image as a whole presents a fascinating glimpse into the past, offering insights into the culture, architecture, and daily life of a bygone era.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-05-24

The image is a sepia-toned photograph of a building with intricate architecture. The building has a balcony with a latticed design and a few windows. The balcony is supported by ornate columns. There are a few objects on the balcony, including a lamp and a vase. The building is situated in a street, and a person is standing in front of it. A handwritten note is placed in front of the image.

Created by amazon.nova-lite-v1:0 on 2025-05-24

The image is a vintage photograph of a shop with a detailed description written on a white paper. The shop has a wooden structure with latticed windows and a balcony, and it is located on the side of a street. Inside the shop, there are various items displayed, including bowls, vases, and lamps. The shop is well-lit, and the items are clearly visible. The description on the white paper explains that native women are not allowed to be unveiled in public, and they are not allowed to be seen by men other than their husbands. The description also mentions that the shop is located in a street with doors behind latticed screens, as shown in the photograph.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-04-29

Here's a description of the image:

Overall Impression:

The image is a vintage photograph, likely from the 19th or early 20th century. It shows a street scene in a Middle Eastern city, with a focus on a building with ornate wooden architectural details and a shop below. The photo is mounted on a dark background, possibly a page from a photo album or scrapbook. A handwritten note is attached.

Detailed Breakdown:

  • The Building: The most striking feature is the multi-story building with its elaborate wooden latticework, a common architectural element in the region. The latticework suggests windows or balconies designed to provide privacy.
  • The Shop: Beneath the latticework is a shop with a visible storefront. The shop displays various goods.
  • People: A woman is partially visible in the store. The photograph suggests a view of the street, with an unidentifiable figure in the periphery.
  • Handwritten Note: There's a handwritten note in cursive script attached to the photograph. The text of the note reads "Us Nattive women ar nol permitted on the strat anveiled - nor is man other than ther's husband allowed và look aspon chees face - they as het in doors behin latheed severnas - asal shown alone"

Context and Interpretation:

The image captures a snapshot of life in a Middle Eastern urban setting. The architecture, shop, and the handwritten text add a layer of cultural context, hinting at social customs of the time. The note suggests potential societal practices related to women's appearances in public.

Created by gemini-2.0-flash on 2025-04-29

The image is a vintage sepia-toned photograph mounted on a black card. The photograph depicts a building with an ornate latticework balcony protruding from the upper story. The latticework creates a grid-like pattern, offering privacy while allowing light and air to pass through.

Below the balcony, there appears to be a shop or vendor’s stall. Various objects are visible, including what seem to be goods for sale, such as vessels and baskets. A person is seen inside the shop, possibly the shopkeeper or vendor.

To the left of the shop is a rough, textured wall, possibly part of the building's stonework. A figure is partially visible in the background, blurred and seemingly in motion.

In the lower right corner, there is a small slip of paper attached to the card. The handwritten text on the paper is a description or commentary, potentially about the women not being allowed in streets. The handwriting is cursive and seems to be from an earlier era.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-26

The image is an old sepia-toned photograph that appears to be from the late 19th or early 20th century. It depicts a traditional building with lattice windows, likely located in a Middle Eastern or North African setting, judging by the architectural style.

The building has two stories with a distinctively patterned facade. The upper floor features large lattice windows, which are characteristic of traditional Islamic architecture, providing privacy while allowing airflow and light.

In front of the building, there is a shop or market stall with various items displayed for sale. These items include pottery, lanterns, baskets, and other household goods. The shopkeeper is seated in the stall, surrounded by the merchandise.

In the foreground, there is a handwritten note that reads:
"The native women are not permitted on the street unveiled - nor is man other than their husband allowed to look upon their face - they are kept in doors behind latticed windows - as shown above."

This note provides cultural context, explaining the practice of seclusion and veiling of women in the society depicted, which is reflected in the architecture and social customs of the time. The lattice windows are mentioned as a means to allow women to observe the outside world while remaining hidden from view.

Text analysis

Amazon

look
in
is
on
doors
Us
an
not
man
husband
alone
lathed
lathed shown alone
shown
Boutiques
him
on the Us nature women -hor are not is man han
-hor
the
their husband allowed hi look him
their
women
Jace-they an help in doors Date
nature
han
are
help
P1985.36.11
allowed hi
Date
Jace-they

Google

P1983.36.4! Boutiques 44 CO ** He ********** PRPERE T SCCLESI ********** r ********* *####** E: FERMERANDOR *****: ***** ********* ******* **** ****: A 16: - **: *****: 3.8 133 *** 57 E F10: #: **: 1: ******** *** *** ***** *****: *****: 13 **** **** **** **** 34 H **** Fall Se: 25 **** WEB ***** ****** Us Native women an not permitted on the atout unveiled _nor is man other ther's husband allowed to look upon chir face - they are held in doors beling Catheed revenues as shown alone #asas * ** *** han * 3 * ses *** SRABAN.RE
P1983.36.4
!
Boutiques
44
CO
**
He
**********
PRPERE
T
SCCLESI
r
*********
*
####
E
:
FERMERANDOR
*****
*******
****
A
16
-
3.8
133
***
57
F10
#
1
********
13
34
H
Fall
Se
25
WEB
******
Us
Native
women
an
not
permitted
on
the
atout
unveiled
_nor
is
man
other
ther's
husband
allowed
to
look
upon
chir
face
they
are
held
in
doors
beling
Catheed
revenues
as
shown
alone
#asas
han
3
ses
SRABAN.RE