Human Generated Data

Title

Third Page of "The Hunger Artist" with a Drawing of an Apple

Date

1963

People

Artist: Christopher Wilmarth, American 1943 - 1987

Classification

Drawings

Credit Line

Harvard Art Museums/Fogg Museum, The Christopher Wilmarth Archive, Gift of Susan Wilmarth-Rabineau, CW2001.810.4

Copyright

© Estate of Christopher Wilmarth

Human Generated Data

Title

Third Page of "The Hunger Artist" with a Drawing of an Apple

People

Artist: Christopher Wilmarth, American 1943 - 1987

Date

1963

Classification

Drawings

Credit Line

Harvard Art Museums/Fogg Museum, The Christopher Wilmarth Archive, Gift of Susan Wilmarth-Rabineau, CW2001.810.4

Copyright

© Estate of Christopher Wilmarth

Machine Generated Data

Tags

Amazon
created on 2020-04-25

Text 96.9
Drawing 93.9
Art 93.9
Nature 81.5
Page 81.4
Sketch 80.1
Outdoors 79.2
Plant 67.3
Paper 63.4
Photo 57.9
Photography 57.9
Doodle 56.8
Handwriting 56.3

Clarifai
created on 2020-04-25

retro 97.3
no person 97.2
art 95.8
old 94.8
vintage 94.5
paper 94.1
wear 92.6
dirty 92.4
one 92.4
antique 91.9
people 88.9
abstract 87.1
conceptual 86.4
text 85.7
ancient 85
sepia 84.9
design 83.8
artistic 83
monochrome 82.8
vector 82.7

Imagga
created on 2020-04-25

grunge 33.2
old 32
paper 30.6
texture 29.9
seal 28.7
device 28.4
vintage 25.6
antique 25.4
fastener 23.2
aged 22.6
border 20.8
retro 20.5
frame 19.3
rough 19.1
damaged 18.1
material 17.9
restraint 17.8
book 17.4
dirty 17.2
pattern 17.1
text 16.6
ancient 15.6
grungy 15.2
textured 14.9
space 14.7
sketch 14.2
wall 13.7
design 13.6
page 13
document 13
empty 12.9
blank 12.8
paint 12.7
surface 12.3
drawing 12.3
metal 12.1
close 12
art 11.6
parchment 11.5
wallpaper 11.5
rusty 11.4
weathered 11.4
backgrounds 11.4
decorative 10.8
backdrop 10.7
cardboard 10.6
aging 10.5
worn 10.5
canvas 10.4
computer 10.1
symbol 10.1
stained 9.6
dirt 9.5
graphic 9.5
representation 9.5
money 9.4
historic 9.2
sign 9
black 9
wealth 9
currency 9
scratched 8.8
old fashioned 8.6
business 8.5
stucco 8.4
iron 8.4
dollar 8.3
color 8.3
letter 8.2
decoration 8.1
structure 8
artistic 7.8
ragged 7.8
fracture 7.8
stains 7.8
crumpled 7.8
slide rule 7.7
finance 7.6
print 7.5
grain 7.4
brown 7.4
shiny 7.1
steel 7.1

Google
created on 2020-04-25

Text 95.6
Font 80.4
Drawing 72.9
Illustration 62.3
Paper 54.3

Microsoft
created on 2020-04-25

text 98.7
drawing 96
sketch 95.4
illustration 76.4
handwriting 70.2
receipt 26.5

Color Analysis

Categories

Imagga

text visuals 91.3%
paintings art 7.3%

Captions

Azure OpenAI

Created by gpt-4 on 2024-12-14

The image presented is a piece of artwork composed primarily of graphite or pencil on paper. The artwork is divided into two main parts: a block of text and a drawing of an apple. The top portion is comprised of hand-written text arranged in a block format resembling a poem or a notebook entry, with the lines encased in a neat, rectangular outline. It reads: "THE NIGHTIME THERE WERE VISITING HOURS, WHEN THE WHOLE EFFECT WAS HEIGHTENED BY TORCH FLARES; ON FINE DAYS THE CAGE WAS SET OUT INTO THE OPEN AIR, AND THEN IT WAS THE CHILDREN'S TRE…" The text cuts off, suggesting a continuation beyond what is visible. Below the text block is a sketched illustration of an apple. The apple appears centrally located in the lower half of the page within a square border, resting on what may be understood as a platform or surface. The apple is depicted with shading to provide a three-dimensional effect and has a stem but no leaf. The lower right corner of the paper bears the number "3," possibly indicating that this sheet is part of a series or a book. The overall aesthetic is minimalistic, with a strong contrast between the handwritten words at the top and the solitary image of the apple below.

Created by gpt-4o-2024-05-13 on 2024-12-14

This image features a minimalist, sketched drawing on paper. At the top, there is a block of hand-written text that spans multiple lines. The text reads: "THE NIGHTTIME THERE WERE VISITING HOURS, WHEN THE WHOLE EFFECT WAS HEIGHTENED BY TORCH FLARES; ON FINE DAYS THE CAGE WAS SET OUT INTO THE OPEN AIR, AND THEN IT WAS THE CHILDREN'S" Below this text is a shaded and sketched drawing of an apple, positioned within a smudged, rectangular frame. The drawing appears to be done with a pencil, and there is a number "3" written at the bottom right corner of the apple’s frame. The entire artwork is done in black and white.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-14

The image appears to be a handwritten text with a simple line drawing of an apple. The text describes a scene where nighttime visiting hours for a cage were set out into the open air, and then it became the children's time. The drawing of the apple seems to be unrelated to the text, but may represent some symbolic meaning related to the children mentioned in the text.

Created by claude-3-5-sonnet-20241022 on 2024-12-14

This appears to be a page from a book or sketch with both text and illustration. The text describes nighttime visiting hours with torch flares, and mentions something being set out in the open air on fine days, with a reference to children. Below the text is a simple pencil sketch of an apple, drawn with clean lines and subtle shading. The apple is depicted in a minimalist style but is clearly recognizable with its characteristic shape and stem. The page is numbered "3" at the bottom and appears to be done on off-white or cream-colored paper.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-14

The image is a hand-drawn sketch of an apple, accompanied by a poem written in pencil. **Visual Description:** * The apple is drawn in the lower half of the image, with its stem pointing towards the top. * The apple is depicted in a simple, yet detailed manner, with shading around it to give it a three-dimensional appearance. * The poem is written in pencil above the apple, and it reads: "The nighttime there were visiting hours, when the whole effect was heightened by torch flares; on fine days the cage was set out into the open air, and then it was the children's tre." **Background:** * The background of the image is a light beige color, which provides a subtle contrast to the darker shading of the apple. * The overall effect of the image is one of simplicity and elegance, with the focus on the apple and the poem creating a sense of intimacy and quiet contemplation. **Overall Impression:** * The image appears to be a personal and introspective piece, perhaps created as a form of self-expression or reflection. * The use of simple, yet effective, drawing techniques and the careful placement of the poem create a sense of balance and harmony in the image. * The overall impression is one of serenity and calmness, inviting the viewer to slow down and appreciate the beauty in the everyday.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-14

The image is a sketch of an apple with text above it. The text is written in pencil and appears to be a passage from a story or poem. It reads: "THE NIGHTIME THERE WERE VISITING HOURS, WHEN THE WHOLE EFFECT WAS HEIGHTENED BY TORCH FLARES; ON FINE DAYS THE CAGE WAS SET OUT INTO THE OPEN AIR, AND THEN IT WAS THE CHILDREN'S" The text is written in a rectangular box, with each line of text separated by a horizontal line. Below the text is a simple drawing of an apple, also done in pencil. The apple is drawn in a realistic style, with shading and texture added to give it depth and dimension. The background of the image is a plain white paper, which provides a clean and neutral backdrop for the text and drawing. Overall, the image appears to be a rough draft or sketch of a larger work, possibly a children's book or illustration.

Text analysis

Amazon

THE
VISITNG
TORCH
SET
WERE
THERE
INTO
WHOLE
THE WHOLE EFFECT
WAS
DAYS
EFFECT
DAYS THE CAGE WAS
OPEN
NIGHTIME
CAGE
THE NIGHTIME THERE WERE
HOURS
VISITNG HOURS WHEN
ITWAS
TRE
WAS HEIGHTENER
3
WHEN
FINE
HEIGHTENER
ITWAS THECCHILDRENS
SET OUT INTO THE
THECCHILDRENS
TORCH FLARES ; ON FINE
ON
AND
BY
THEN
OPEN AiR, AND THEN
OUT
FLARES ;
AiR,

Google

THE NIGHTIME THERE WERE VISITING HOOURS, WHEN THE WHOLE EFFECT WAS HEIGHTENED BY TORCH FLARES; ON FINE DAYS THE CAGE WAS SET OVT INTO THE OPEN AIR, AND THEN ITWAS THECCHILDREN TRE 3.
THE
NIGHTIME
THERE
WERE
VISITING
HOOURS,
WHEN
WHOLE
EFFECT
WAS
HEIGHTENED
BY
TORCH
FLARES;
ON
FINE
DAYS
CAGE
SET
OVT
INTO
OPEN
AIR,
AND
THEN
ITWAS
THECCHILDREN
TRE
3.